Jane didn’t defend Ketchum from the cook’s condemnation, young Dan did.
That Saturday night, when Angel had possibly arrived at Dead Woman Dam-where, because people float lower than logs, the boy’s battered body might already have passed under the containment boom, in which case the young Canadian would be eddying in either a clockwise or counterclockwise direction to the right or left of the main dam and the sluice spillway-Danny Baciagalupo was helping his dad wipe down the tables after supper had been served in the cookhouse. The kitchen help had gone home, leaving Injun Jane to scour the last of the pots and pans while she waited for the washing cycles to end, so she could put all the towels and other linens in the dryers.
Whole families came to the cookhouse for Saturday-night supper; some of the men were already drunk and fighting with their wives, and a few of the women (in turn) lashed out at their children. One of the sawmill men had puked in the washroom, and two drunken loggers had shown up late for supper-naturally, they’d insisted on being fed. The spaghetti and meatballs, which the cook made every Saturday night-for the kids-was congealed and growing cold and was so beneath Dominic Baciagalupo’s standards that he fixed the men some fresh penne with a little ricotta and the perpetual parsley.
“This is fuckin’ delicious!” one of the drunks had declared.
“What’s it called, Cookie?” the other hammered logger asked.
Jane was disgusted; she knew it was nothing more exotic than the Italian word for
“You would let Ketchum go hungry, if it was Ketchum,” Danny said to his father. “You’re wicked harsh on Ketchum.”
But the two drunks had been given a special supper and sent on their contented way. Danny and his dad and Jane were at the tail end of their Saturday-night chores when the wind from the suddenly kicked-open door to the dining room heralded another late arrival at the cookhouse.
From the kitchen, Jane couldn’t see the visitor. She shouted in the direction of the rushing wind at the dining- room door. “You’re too late! Supper is
“I ain’t hungry,” said Six-Pack Pam.
Indeed, there was nothing hunger-driven in Pam’s appearance; what little flesh she had hung loosely from her big bones, and her lean, feral-looking face, tight-lipped and drawn, suggested more of a mostly-beer diet than a penchant for overeating. Yet she was tall and broad-shouldered enough to wear Ketchum’s wool-flannel shirt without looking lost in it, and her lank blond hair, which was streaked with gray, appeared to be clean but uncared for-like the rest of her. She held a flashlight as big as a billy club. (Twisted River was not a well-lit town.) Not even the sleeves of Ketchum’s shirt were too long for her.
“So I guess you’ve killed him and claimed his clothes for your own,” the cook said, watching her warily.
“I ain’t chokin’, either, Cookie,” Pam told him.
“Not
“It’s kinda late for the hired help to still be here, ain’t it?” Pam asked the cook.
Dominic recognized Six-Pack’s special drunkenness with an envy and nostalgia that surprised him-the big woman could hold her beer and bourbon, better than Ketchum. Jane had come out of the kitchen with a pasta pot under her arm; the open end of the pot was leveled at Pam like the mouth of a cannon.
Young Dan, in a presexual state of one-third arousal and two-thirds premonition, remembered Ketchum’s remark about women losing their looks, and how the various degrees of lost looks registered with Constable Carl. To the twelve-year-old, Jane
Yet seeing Six-Pack Pam unhinged Danny in a different but similar way: She was as handsome (in the category of strong-looking) as a man, and what was womanly about her came with a rawness-how she had insouciantly thrown on Ketchum’s shirt, without a bra, so that her loose breasts swelled the shirt-and now her eyes darted from Jane to Danny, and then fixed upon the cook with the venturesome but nervous daring of a young girl.
“I need your help with Ketchum, Cookie,” Pam said. Dominic was fearful that Ketchum had had a heart attack, or worse; he hoped that Six-Pack would spare young Daniel the gruesome details.
“
“He’s passed out naked on the toilet, and I ain’t got but one toilet,” Pam said to Dominic, not looking at Jane.
“I hope he was just reading,” the cook replied.
Ketchum appeared to be making his dogged way through Dominic Baciagalupo’s books, which were really Dominic’s mother’s books and Rosie’s beloved novels. For someone who’d left school when he was younger than Danny, Ketchum read the books he borrowed with a determination bordering on lunacy. He returned the books to the cook with words circled on almost every page-not underlined passages, or even complete sentences, but just isolated words. (Danny wondered if his mom had taught Ketchum to read that way.)
Once young Dan had made a list of the words Ketchum had circled in his mother’s copy of Hawthorne ’s
symbolize
whipping-post
sex
malefactresses
pang
bosom
embroidered
writhing
ignominious
matronly
tremulous
punishment
salvation
plaintive
wailings
possessed
misbegotten
sinless
innermost
retribution
paramour
besmirches
hideous
And these were only the words Ketchum had circled in the first four chapters!
“What do you suppose he’s thinking?” Danny had asked his dad. The cook had held his tongue, though it was hard to resist the temptation to reply. Surely “sex” and “bosom” were much on Ketchum’s mind; as for “malefactresses,” Ketchum had known some. (Six-Pack Pam among them!) Regarding the “paramour,” Dominic Baciagalupo was more of an authority than he wanted to be-the hell with what Ketchum made of the word! And considering “whippingpost” and “writhing”-not to mention “wailings,” “misbegotten,” “besmirches,” and “hideous”- the cook had no desire to investigate Ketchum’s prurient interest in those words.
The “matronly,” the “sinless,” the “innermost,” and above all “symbolize,” were mild surprises; nor would