'You don't dast kill me,' he sneered. 'The world's a pretty low down place to have a thing like you prowling around in it, but it ain't so plumb low down, I reckon, as to let you put a hole in me. You're sure bad, but the trouble with you is that you're weak in your badness. It ain't much to kill a man, but you ain't got it in you. There's where you lose out.'
'Be careful of what you say,' she repeated. 'Or else, I warn you, it will go hard with you. It can be seen to whether your sentence is light or heavy.'
'Something's the matter with God,' he remarked irrelevantly, 'to be letting you around loose. It's clean beyond me what he's up to, playing such-like tricks on poor humanity. Now if I was God—'
His further opinion was interrupted by the entrance of the butler.
'Something is wrong with the telephone, madam,' he announced. 'The wires are crossed or something, because I can't get Central.'
'Go and call one of the servants,' she ordered. 'Send him out for an officer, and then return here.'
Again the pair was left alone.
'Will you kindly answer one question, ma'am?' the man said. 'That servant fellow said something about a bell. I watched you like a cat, and you sure rung no bell.'
'It was under the table, you poor fool. I pressed it with my foot.'
'Thank you, ma'am. I reckoned I'd seen your kind before, and now I sure know I have. I spoke to you true and trusting, and all the time you was lying like hell to me.'
She laughed mockingly.
'Go on. Say what you wish. It is very interesting.'
'You made eyes at me, looking soft and kind, playing up all the time the fact that you wore skirts instead of pants—and all the time with your foot on the bell under the table. Well, there's some consolation. I'd sooner be poor Hughie Luke, doing his ten years, than be in your skin. Ma'am, hell is full of women like you.'
There was silence for a space, in which the man, never taking his eyes from her, studying her, was making up his mind.
'Go on,' she urged. 'Say something.'
'Yes, ma'am, I'll say something. I'll sure say something. Do you know what I'm going to do? I'm going to get right up from this chair and walk out that door. I'd take the gun from you, only you might turn foolish and let it go off. You can have the gun. It's a good one. As I was saying, I am going right out that door. And you ain't going to pull that gun off either. It takes guts to shoot a man, and you sure ain't got them. Now get ready and see if you can pull that trigger. I ain't going to harm you. I'm going out that door, and I'm starting.'
Keeping his eyes fixed on her, he pushed back the chair and slowly stood erect. The hammer rose halfway. She watched it. So did he.
'Pull harder,' he advised. 'It ain't half up yet. Go on and pull it and kill a man. That's what I said, kill a man, spatter his brains out on the floor, or slap a hole into him the size of your fist. That's what killing a man means.'
The hammer lowered jerkily but gently. The man turned his back and walked slowly to the door. She swung the revolver around so that it bore on his back. Twice again the hammer came up halfway and was reluctantly eased down.
At the door the man turned for a moment before passing on. A sneer was on his lips. He spoke to her in a low voice, almost drawling, but in it was the quintessence of all loathing, as he called her a name unspeakable and vile.
THE MEXICAN
I
NOBODY knew his history—they of the Junta least of all. He was their 'little mystery,' their 'big patriot,' and in his way he worked as hard for the coming Mexican Revolution as did they. They were tardy in recognizing this, for not one of the Junta liked him. The day he first drifted into their crowded, busy rooms, they all suspected him of being a spy—one of the bought tools of the Diaz secret service. Too many of the comrades were in civil an military prisons scattered over the United States, and others of them, in irons, were even then being taken across the border to be lined up against adobe walls and shot.
At the first sight the boy did not impress them favorably. Boy he was, not more than eighteen and not over large for his years. He announced that he was Felipe Rivera, and that it was his wish to work for the Revolution. That was all—not a wasted word, no further explanation. He stood waiting. There was no smile on his lips, no geniality in his eyes. Big dashing Paulino Vera felt an inward shudder. Here was something forbidding, terrible, inscrutable. There was something venomous and snakelike in the boy's black eyes. They burned like cold fire, as with a vast, concentrated bitterness. He flashed them from the faces of the conspirators to the typewriter which little Mrs. Sethby was industriously operating. His eyes rested on hers but an instant—she had chanced to look up —and she, too, sensed the nameless something that made her pause. She was compelled to read back in order to regain the swing of the letter she was writing.
Paulino Vera looked questioningly at Arrellano and Ramos, and questioningly they looked back and to each other. The indecision of doubt brooded in their eyes. This slender boy was the Unknown, vested with all the menace of the Unknown. He was unrecognizable, something quite beyond the ken of honest, ordinary revolutionists whose fiercest hatred for Diaz and his tyranny after all was only that of honest and ordinary patriots. Here was something else, they knew not what. But Vera, always the most impulsive, the quickest to act, stepped into the breach.
'Very well,' he said coldly. 'You say you want to work for the Revolution. Take off your coat. Hang it over there. I will show you, come—where are the buckets and cloths. The floor is dirty. You will begin by scrubbing it, and by scrubbing the floors of the other rooms. The spittoons need to be cleaned. Then there are the windows.'
'Is it for the Revolution?' the boy asked.
'It is for the Revolution,' Vera answered.
Rivera looked cold suspicion at all of them, then proceeded to take off his coat.
'It is well,' he said.
And nothing more. Day after day he came to his work—sweeping, scrubbing, cleaning. He emptied the ashes from the stoves, brought up the coal and kindling, and lighted the fires before the most energetic one of them was at his desk.
'Can I sleep here?' he asked once.
Ah, ha! So that was it—the hand of Diaz showing through! To sleep in the rooms of the Junta meant access to their secrets, to the lists of names, to the addresses of comrades down on Mexican soil. The request was denied, and Rivera never spoke of it again. He slept they knew not where, and ate they knew not where nor how. Once, Arrellano offered him a couple of dollars. Rivera declined the money with a shake of the head. When Vera joined in and tried to press it upon him, he said:
'I am working for the Revolution.'
It takes money to raise a modern revolution, and always the Junta was pressed. The members starved and toiled, and the longest day was none too long, and yet there were times when it appeared as if the Revolution stood or fell on no more than the matter of a few dollars. Once, the first time, when the rent of the house was two months behind and the landlord was threatening dispossession, it was Felipe Rivera, the scrub-boy in the poor, cheap clothes, worn and threadbare, who laid sixty dollars in gold on May Sethby's desk. There were other times. Three hundred letters, clicked out on the busy typewriters (appeals for assistance, for sanctions from the organized labor groups, requests for square news deals to the editors of newspapers, protests against the high-handed treatment of revolutionists by the United States courts), lay unmailed, awaiting postage. Vera's watch had disappeared—the old-fashioned gold repeater that had been his father's. Likewise had gone the plain gold band from May Setbby's third finger. Things were desperate. Ramos and Arrellano pulled their long mustaches in despair.
