philanthropist-'chuck out the eighty thousan', that leaves a million moves a month-twelve million moves a year.
'At the looms I'm movin' twic'st as much. That makes twenty-five million moves a year, an' it seems to me I've ben a movin' that way 'most a million years.
'Now this week I ain't moved at all. I ain't made one move in hours an' hours. I tell you it was swell, jes' settin' there, hours an' hours, an' doin' nothin'. I ain't never ben happy before. I never had any time. I've ben movin' all the time. That ain't no way to be happy. An' I ain't going to do it any more. I'm jes' goin' to set, an' set, an' rest, an' rest, and then rest some more.'
'But what's goin' to come of Will an' the children?' she asked despairingly.
'That's it, 'Will an' the children,'' he repeated.
But there was no bitterness in his voice. He had long known his mother's ambition for the younger boy, but the thought of it no longer rankled. Nothing mattered any more. Not even that.
'I know, ma, what you've ben plannin' for Will-keepin' him in school to make a book-keeper out of him. But it ain't no use, I've quit. He's got to go to work.'
'An' after I have brung you up the way I have,' she wept, starting to cover her head with the apron and changing her mind.
'You never brung me up,' he answered with sad kindliness. 'I brung myself up, ma, an' I brung up Will. He's bigger'n me, an' heavier, an' taller. When I was a kid, I reckon I didn't git enough to eat. When he come along an' was a kid, I was workin' an' earnin' grub for him too. But that's done with. Will can go to work, same as me, or he can go to hell, I don't care which. I'm tired. I'm goin' now. Ain't you goin' to say goodbye?'
She made no reply. The apron had gone over her head again, and she was crying. He paused a moment in the doorway.
'I'm sure I done the best I knew how,' she was sobbing.
He passed out of the house and down the street. A wan delight came into his face at the sight of the lone tree. 'Jes' ain't goin' to do nothin',' he said to himself, half aloud, in a crooning tone. He glanced wistfully up at the sky, but the bright sun dazzled and blinded him.
It was a long walk he took, and he did not walk fast. It took him past the jute-mill. The muffled roar of the loom room came to his ears, and he smiled. It was a gentle, placid smile. He hated no one, not even the pounding, shrieking machines. There was no bitterness in him, nothing but an inordinate hunger for rest.
The houses and factories thinned out and the open spaces increased as he approached the country. At last the city was behind him, and he was walking down a leafy lane beside the railroad track. He did not walk like a man. He did not look like a man. He was a travesty of the human. It was a twisted and stunted and nameless piece of life that shambled like a sickly ape, arms loose-hanging, stoop-shouldered, narrow-chested, grotesque and terrible.
He passed by a small railroad station and lay down in the grass under a tree. All afternoon he lay there. Sometimes he dozed, with muscles that twitched in his sleep. When awake, he lay without movement, watching the birds or looking up at the sky through the branches of the tree above him. Once or twice he laughed aloud, but without relevance to anything he had seen or felt.
After twilight had gone, in the first darkness of the night, a freight train rumbled into the station. When the engine was switching cars on to the side-track, Johnny crept along the side of the train. He pulled open the side- door of an empty box-car and awkwardly and laboriously climbed in. He closed the door. The engine whistled. Johnny was lying down, and in the darkness he smiled.
A WICKED WOMAN
It was because she had broken with Billy that Loretta had come visiting to Santa Clara. Billy could not understand. His sister had reported that he had walked the floor and cried all night. Loretta had not slept all night either, while she had wept most of the night. Daisy knew this, because it was in her arms that the weeping had been done. And Daisy's husband, Captain Kitt, knew, too. The tears of Loretta, and the comforting by Daisy, had lost him some sleep.
Now Captain Kitt did not like to lose sleep. Neither did he want Loretta to marry Billy-nor anybody else. It was Captain Kitt's belief that Daisy needed the help of her younger sister in the household. But he did not say this aloud. Instead, he always insisted that Loretta was too young to think of marriage. So it was Captain Kitt's idea that Loretta should be packed off on a visit to Mrs. Hemingway. There wouldn't be any Billy there.
Before Loretta had been at Santa Clara a week, she was convinced that Captain Kitt's idea was a good one. In the first place, though Billy wouldn't believe it, she did not want to marry Billy. And in the second place, though Captain Kitt wouldn't believe it, she did not want to leave Daisy. By the time Loretta had been at Santa Clara two weeks, she was absolutely certain that she did not want to marry Billy. But she was not so sure about not wanting to leave Daisy. Not that she loved Daisy less, but that she-had doubts.
The day of Loretta's arrival, a nebulous plan began shaping itself in Mrs. Hemingway's brain. The second day she remarked to Jack Hemingway, her husband, that Loretta was so innocent a young thing that were it not for her sweet guilelessness she would be positively stupid. In proof of which, Mrs. Hemingway told her husband several things that made him chuckle. By the third day Mrs. Hemingway's plan had taken recognizable form. Then it was that she composed a letter. On the envelope she wrote: 'Mr. Edward Bashford, Athenian Club, San Francisco.'
'Dear Ned,' the letter began. She had once been violently loved by him for three weeks in her pre-marital days. But she had covenanted herself to Jack Hemingway, who had prior claims, and her heart as well; and Ned Bashford had philosophically not broken his heart over it. He merely added the experience to a large fund of similarly collected data out of which he manufactured philosophy. Artistically and temperamentally he was a Greek-a tired Greek. He was fond of quoting from Nietzsche, in token that he, too, had passed through the long sickness that follows upon the ardent search for truth; that he too had emerged, too experienced, too shrewd, too profound, ever again to be afflicted by the madness of youths in their love of truth. ''To worship appearance,'' he often quoted; ''to believe in forms, in tones, in words, in the whole Olympus of appearance!'' This particular excerpt he always concluded with, ''Those Greeks were superficial-OUT OF PROFUNDITY!''
He was a fairly young Greek, jaded and worn. Women were faithless and unveracious, he held-at such times that he had relapses and descended to pessimism from his wonted high philosophical calm. He did not believe in the truth of women; but, faithful to his German master, he did not strip from them the airy gauzes that veiled their untruth. He was content to accept them as appearances and to make the best of it. He was superficial-OUT OF PROFUNDITY.
'Jack says to be sure to say to you, 'good swimming,'' Mrs. Hemingway wrote in her letter; 'and also 'to bring your fishing duds along.'' Mrs. Hemingway wrote other things in the letter. She told him that at last she was prepared to exhibit to him an absolutely true, unsullied, and innocent woman. 'A more guileless, immaculate bud of womanhood never blushed on the planet,' was one of the several ways in which she phrased the inducement. And to her husband she said triumphantly, 'If I don't marry Ned off this time-' leaving unstated the terrible alternative that she lacked either vocabulary to express or imagination to conceive.
Contrary to all her forebodings, Loretta found that she was not unhappy at Santa Clara. Truly, Billy wrote to her every day, but his letters were less distressing than his presence. Also, the ordeal of being away from Daisy was not so severe as she had expected. For the first time in her life she was not lost in eclipse in the blaze of Daisy's brilliant and mature personality. Under such favourable circumstances Loretta came rapidly to the front, while Mrs. Hemingway modestly and shamelessly retreated into the background.
Loretta began to discover that she was not a pale orb shining by reflection. Quite unconsciously she became a small centre of things. When she was at the piano, there was some one to turn the pages for her and to express preferences for certain songs. When she dropped her handkerchief, there was some one to pick it up. And there was some one to accompany her in ramblings and flower gatherings. Also, she learned to cast flies in still pools and below savage riffles, and how not to entangle silk lines and gut-leaders with the shrubbery.
Jack Hemingway did not care to teach beginners, and fished much by himself, or not at all, thus giving Ned Bashford ample time in which to consider Loretta as an appearance. As such, she was all that his philosophy
