royal status in a place of the youngest apprentice and Hugh Wegges had to make hasty alterations to the costumes to accommodate Yeo's greater bulk. A dark shadow had been cast over the long-awaited appearance at Court. The early carefree excitement had now gone out of the event.
The afternoon of December 26th found the company at Richmond for a last rehearsal. There was much anger over Richard Honeydew's disappearance and the upheaval it had caused. Bur one person at least tried to see it from the boy's point of view.
'I feel sorry for him,' said Ruff sadly.
'So do I,' agreed Nicholas.
'He must have been very unhappy to do this.'
'He was.'
'Yet I never thought he would run away like that.'
'I am not sure that he has, Sam.'
'What do you mean?'
'Look at the evidence,' said Nicholas. 'His room was empty. Dick and his belongings had gone. There was a ladder outside the open window.'
'How else can you explain it?'
'People go up ladders as well as down them.'
'So?'
'Dick may have fled,' conceded Nicholas, 'but it is equally possible that someone came in through the window to take him away. I think that he has been abducted.
'By whom?'
' Redbeard's accomplice. The man who has dogged us for months now. I said he would strike when least expected. What better way to hurt us than by kidnapping Dick on the eve of performance?'
Samuel Ruff was bewildered but he had no time to speculate on what might have happened. Lawrence Firethorn called them to order. They were in a crisis once more. It was time to assert his leadership and lift sagging spirits.
'Gentlemen,' he began, 'I do not need to remind you how important this occasion is for Westfield's Men. We have the honour to play before our beloved Queen and the opportunity to enhance our reputation with the highest in the realm. What occurs here this evening will have a bearing on our whole future so we must not be distracted by a minor upset. The loss of Dick Honeydew is unfortunate but it is no more than that. It is but a trifle. With hard work this afternoon, we will make up any leeway and give our new play the performance it deserves!' He raised a fist in a gesture of pride. 'Let us show our true mettle here. Let us prove we are lusty fellows, loyal subjects and the finest actors in London!'
Amid the hubbub, they all raced to their positions.
The play was being presented in the hall, which was a hundred feet long and some forty feet wide. It had an elaborate timber roof with hanging pendants. There was a lantern in the roof over a charcoal fire. The upper parts of the walls had large perpendicular windows with paintings in between of those kings of England who had distinguished themselves on the battlefield. If they had been able to study it, they would have seen that the whole apartment was an architectural wonder.
As it was, they were so preoccupied with their rehearsal that they took little stock of their luxurious surroundings. They performed on a raised platform at one end of the hall. Seating was arranged in tiers on three sides and the royal throne was set up on a dais in front of the stage.
The rehearsal was an amalgam of professional calm and frantic improvisation. Several mistakes were made but they were quickly retrieved. Martin Yeo was not as fine a Duchess as Richard Honeydew but he was more than competent. The other players adapted their performances around his. Morale was slowly boosted. The play achieved its own momentum and carried them along.
When it was all over, they rested in the adjacent room that was being used as their tiring-house. The tensions of the last twenty-four hours had sapped them mentally and physically but recovery was imminent. With Firethorn at the helm, they now believed that they could distinguish themselves with The Loyal Subject. A wounded optimism spread.
John Tallis did not share it. Nothing could quiet his urgent pessimism. He was still highly apprehensive about the execution scene. Though it went exactly to plan, with the axe doing its work some inches away from the top of his skull, the boy was not reassured. What if Samuel Ruffs aim was wayward during the performance? How could the lad defend himself?
Execution was not a precise art. The most famous headsman of the day, Bull, was notorious for his errors. When he officiated in the grim tragedy at Fotheringhay Castle, he needed three attempts to behead Mary Queen of Scots. Yet Bull was heralded as a master of his trade. Why should Ruff be any more reliable? He was an untrained novice with a murderous weapon in his hands.
Tallis took his problem to Firethorn once more.
'Find someone else to double as Lorenzo,' he pleaded.
'There is nobody else,' replied the actor-manager.
'What about George Dart? He is short enough.'
'Short enough, yes,' conceded the other. 'But is he brave enough? Is he clever enough? Is he good enough? Never, sir! He is no actor. George Dart is a willing imbecile. He does simple things well in his own simple way. Lorenzo is an heroic figure in the ancient mould. I will not be doubled by a half-wit!'
'Release me from this ordeal!' implored Tallis.
'It will help to form your character.'
'But I am afraid, master.'
'Control your fears like every other player.'
'Please!’
'You will honour your commitment.'
'It grieves me, sir.'
'Cease this complaint.'
'But why me?'
Lawrence Firethorn produced his most disarming grin.
'Because you do it so well, John,' he flattered.
He moved away before the boy could protest any further. Tallis was trapped in the matching doublet. He looked across at Samuel Ruff. The latter was as relaxed and composed as ever but the boy's qualms remained. If the executioner's hand slipped, the career of John Tallis could be sliced in two. It was a devastating thought.
A muted excitement pervaded the room. Everyone else was savouring the experience of playing at Court. What the play offered them was a brief moment at the very pinnacle of their profession. The Loyal Subject was about duty and patriotism and love. It was the perfect Christmas gift for their Queen.
John Tallis viewed it differently. The execution scene was paramount for him. He had no concern for the themes of the drama or for its wider values. Only one thing mattered.
Where would the axe fall?
It was a pertinent question.
*
Queen Elizabeth and her Court supped in splendour that night. Fresh from their banquet and mellowed by their wine, the lords and ladies took up their appointed places in the hall at Richmond Palace. Caught in the flickering light of a thousand candles, they were an august and colourful assembly. A good- humoured atmosphere prevailed. Behind the posing and the posturing and the brittle repartee was a fund of genuine warmth. They were a receptive audience.
Every one of the tiered seats was taken but the throne stayed empty. While her guests waited for the entertainment, the Queen herself caused a delay. It was unaccountable. The longer she stayed away, the greater became the speculation. In no time at all, the whole place was a buzz of rumour.
The delay brought grave disquiet backstage. Keyed up for their performance, the actors were distressed by the unexpected wait. They were all on edge. Lawrence Firethorn paced uneasily up and down. Edmund Hoode's throat went dry and Barnaby Gill fidgeted nervously with his costume. Martin Yeo's bladder seemed to be on the point of bursting and John Tallis felt a prickly sensation around his neck. As he stood ready to set the furniture for
