everything around two devils. If a third came uninvited, then it was a dire warning, a punishment inflicted on them for dabbling in the black arts. It was highly disturbing. Still outwardly debonair, Willoughby was plunged into profound spiritual torment.
As he made his way towards the exit, the playwright walked straight into the bustling figure of Isaac Pollard who was pushing his way down the stairs. Two worlds came face to face.
'Out of my way, sir!' said Pollard.
'By your leave.'
'I must quit this house of idolatry!'
'You did not like the comedy, sir?' It was a profanation of the worst kind.'
'Why, then, this rapturous applause?' said Willoughby.
An audience of heathens!'
I think you do not love the playhouse.'
'It is the creation of the Devil!' affirmed Pollard. 'I will not rest until every such place in London is burned to the ground!'
With a final snarl of disgust, he unfurled his bristling eyebrow and took his Christian conscience hurriedly down the stairs.
He was a man with a mission.
*
Hysteria enveloped the whole company. The effort of getting through the performance had concentrated their minds but there was a general collapse now that it was all over. Fear held sway over the tiring-house. Almost everyone was convinced that a real devil had been summoned up, and those who had not actually witnessed the creature now claimed to have been party to other manifestations.
'I felt a fierce heat shoot up through my body.'
'And I an icy cold that froze my entrails.'
'The ground did shake wondrously beneath my feet.'
'I heard the strangest cry.'
'My eyes were dazzled by a blinding light.'
'I saw a vision of damnation.'
'The devil called me privily by my name.'
It all served to stoke up the communal delirium.
George Dart and Roper Blundell could not tear off their costumes fast enough, Richard Honeydew wept copiously for his mother, Barnaby Gill needed a restorative cup of brandy, Caleb Smythe pulled out a dagger to protect himself, Martin Yeo hid in a basket, Ned Rankin beat himself on the chest with clenched Fists and Thomas Skillen, the ancient stagekeeper, who had long since strayed from the straight and narrow, and who had not entered a church for over a decade, now fell meekly to his knees and gabbled his way through the only psalm that he could remember.
Nicholas Bracewell stood apart and viewed it all with calm objectivity. He had caught only the merest glimpse of the third devil and it was a startling experience, but he was still keeping an open mind. Actors were superstitious by nature and the incident touched off their primal anxieties, convincing them that they were marked by Satan for an early demise. The book holder knew that lie had to keep a cool head so that he could search for an explanation of the phenomenon.
Lawrence Firethorn came over to lean on him for support.
'May I never see such a horrid sight again!' he said.
'You were equal to it, master.'
'Someone had to confront the creature, Nick. The foulest fiend will not fright me from my calling. A true actor never deserts his place upon the stage.'
'You were at the height of your powers.'
'I surpassed myself,' said Firethorn bluntly then he slipped a conspiratorial arm around the other's shoulder. 'There is much matter here, Nick, and we must debate it to the full at another time. For the nonce, duty beckons.'
'I know,' said Nicholas with a rueful smile.
'Master Marwood must be answered.'
'It will be a labour of Hercules.'
'That's why I assign it to you, dear heart,' said the actor with evident affection. 'Your silver tongue and my golden talent hold Westfield's Men together. We are the prop and mainstay of this company.'
'Shall you speak with mine host as well?'
'Heaven forbid! I could knock the wretch to the ground as soon as look at him. Keep that mouldy visage away from me! But he must be satisfied. This over-merry devil will drive us from the Queen's Head else.'
'What will I say to Master Marwood?'
'That which will keep our contract alive.'
'He will tax me about this afternoon's business.'
'Tell him it was all part of the play,' suggested Firethorn. 'And if that tale falls on stony ground, swear that it was a jest played on us by Banbury's Men, who furnished us with one more devil than our drama required.'
'That may yet turn out to be the truth,' said Nicholas.
'Villainy from our rivals?'
'It must be considered.'
'No,' growled the other into his beard. 'I looked that creature full in the face. Those eyes of his were aflame with evil. That was no human being come to scare us. It was a fiend of Hell.' He eased the book holder towards the door. 'Now go and lie to Marwood for all our sakes. And keep him ignorant of what I have just told you.'
Nicholas nodded and was about to leave.
'One thing more, Nick.'
'Master?'
'I blame Ralph Willoughby for this.'
'Ralph? On what grounds?'
‘Ill omens!’
Without pausing to enlarge upon his accusation, Firethorn swept across the tiring-house towards the other door. Nicholas was disturbed. He had grown fond of Willoughby during their work together on the play and instinctively defended him against the criticism which the latter excited in the company. It would be both sad and unfair if the playwright were made the scapegoat for what had happened. Nicholas made a mental note to forewarn the man so that he might be forearmed against Firethorn.
Alexander Marwood was the immediate problem. Fortunately, he was not in the habit of watching performances in his yard but lie would certainly have heard the reports of this one. Nicholas could picture him all too clearly, wringing his skeletal hands, working himself up into a lather of misery, prophesying death and destruction for all concerned. Facing such a man in such a situation was not an enticing prospect but it had to be done. Relations between landlord and tenants were already fragile. Unless swift action was taken, they would worsen drastically. Rehearsing his lines, Nicholas went off to his forbidding task.
Something diverted him. As he sought to explain away the arrival of the third devil, he asked himself a question that had never occurred to him before. How did the creature vanish from the stage? If, as both Gill and Firethorn vouched, the intruder disappeared through the trap-door, then a further question arose: why was it open? It had been designed to close as soon as George Dart or Roper Blundell shot up through it, and Nicholas had checked the mechanism himself. It would be wise to do so again.
Crawling beneath the trestles, he made his way to the first of the trap-doors and found it intact. To ensure a self-closing door, he had designed a counter-weight that ran on pulleys. At his instigation, the carpenter had lined the edge of the trap with a thick strip of cloth to deaden the sound when the door slammed shut. Nicholas tested the simple device and it worked perfectly. Bending low, he moved across to the other trap-door and lifted it. There was no resistance. Once it was flipped up into a vertical position, it stayed there, resting against its own hinges. The piece of metal used as a counter-weight had been rendered useless. Nicholas noted with interest that the twine had been cut through.
