Nicholas nodded wearily. The real effort now began. He pushed, felt it give some more, rested a moment then adjusted his position. Calling on all his reserves of energy, he shoved hard with his feet and let his broad shoulders attack the solidity of the wall. It was the work of several wounding minutes but his efforts were not in vain. With a low crumbling noise, the wall gave way and chunks of stone came crashing down around him. Nicholas was cut, bruised and bloodied but his hands were now free of the metal ring. He began to rub his wrists against the sharp edge of a piece of stone.
'You did it, Master Bracewell!' said the boy.
'With your help.'
'All I did was to watch you.'
'And stiffen my resolve.'
'Can you saw through the rope?'
'It is done!' said Nicholas, holding up his hands. ' He cast aside his bonds and dragged himself across to untie the boy's wrists. Before they could tackle the ropes on their ankles, however, they heard the sound of running footsteps. Nicholas pulled himself upright and bounced to the door as it was unbolted from outside. A stocky young man came rushing in with a dagger at the ready. Grabbing him by wrist and neck, Nicholas threw him hard against the remains of the wall, diving on top of him to disarm him and hold the weapon to his throat. The man was dazed and fearful.
'Do not kill me, sir!' he pleaded.
'Who are you?'
'An ostler, sir. I work here at the inn.'
'You have been our gaoler.'
'Only because I was paid. I meant no harm.'
'Do not move!'
Nicholas used the dagger to slit through the ropes that held his ankles then he cut the boy loose as well. He placed a knee on the ostler's chest and held the point of the blade just in front of the man's face.
'You struck me down from behind,' he accused.
'I was told to guard the boy.'
'What else were you told?'
'To hide the basket in the stables.'
'What basket?'
'They were costumes, sir.'
'From Westfield 's Men?'
'That was the name.'
Nicholas stood up and yanked the ostler to his feet. He did not have to threaten his captive any more. Plainly terrified, Human led them immediately to the part of the stables where he had concealed the costume basket. Nicholas was pleased to see his two horses there as well and took the opportunity to repossess his own sword and dagger. He used his rapier to pin the man to the wall while he pondered.
'Has the company returned?' he said.
'Not yet, sir. They celebrate at Lavery Grange.'
'Take me to Master Randolph's room.'
'Who, sir?'
'He will have the finest bedchamber here.'
'Tis at the front of the inn, sir.'
'Teach me the way.'
'I have no place up there.'
'I do,' said Nicholas. 'Lead on or lose an ear.' They went stealthily across the yard.
Lambert Pym stood in the brewhouse at the rear of his inn and watched another cask being filled. It would now be stored in his cellars for conditioning until it was ready to be tapped and drunk. Pym had grown up with the smell of beer and ale in his nostrils and it stayed with him wherever he went. His customers at the Trip to Jerusalem bought beer, or, if they had a little extra money, some ale. He imported some wine from Bordeaux but it was too costly for most people. Malmsey wine from Greece was even more expensive, as was sack, but Pym kept a supply of both for certain patrons. During the three days of Whitsuntide, he would need to draw deeply on all his stocks.
The landlord came back into the taproom as Robert Raw! ins was about to leave. Lambert Pym raised a finger in deference and beamed ingratiatingly.
'Shall you be with us at Whitsuntide, Master?' I hope so, sir. You'll sec an ocean of beer drunk in here.'
'That is not a sight which appeals.'
'Drink has its place in the affairs of men.'
'I know!' said Rawlins with frank disapproval.
'Christ Himself did sanction it, sir.'
'Do not blaspheme.'
'He turned the water into wine at the wedding feast in Cana,' said Pym. 'That was his first miracle.'
'But open to misinterpretation.'
'Wine has its place,' mused the other, 'but you will not part an Englishman from his beer. Look at the example of Fuenterrabia.'
'Where?'
'It is northern Spain.' Pym grinned oleaginously as he told his favourite story. 'The first campaign in the reign of good King Henry, who was father to our present dear Queen. He sent an army of seven thousand English soldiers to help his father-in-law, King Ferdinand, take Navarre away from the French. Do you know what those stout- hearted men found?'
'What, sir?'
'There was no beer in Spain. Only wine and cider.' He cackled happily. 'The soldiers mutinied on the spot and their commander, the Marquis of Dorset, was forced to bring them home again. They could not fight on empty bellies, sir, and beer was their one desire.'
Robert Rawlins listened to the tale with polite impatience then turned to go but his way was now blocked. Standing in the doorway were two constables. One of them held up a warrant as he moved in on him.
'You must come with us, sir.'
'On what charge?'
'I think you know that.'
Before he could say any more, Robert Rawlins was hustled unceremoniously out. Lambert Pym was mystified but instinct guided him. He summoned his boy at once.
'Take a message to Marmion Hall.'
'Sir Clarence Marmion has commissioned a portrait.'
'Of himself, Master Quilley?'
'Yes, sir.'
'A miniature?'
'I am a limner. I paint nothing else.'
'Your fame spreads ever wider.'
'Genius is its own best recommendation.'
'Do you look forward to painting Sir Clarence?'
'No, sir. I simply hope he will pay me for my work.'
Oliver Quilley brought realism to bear upon his art. Commissions had never been a problem area. That lay in the collection of his due reward. Far too many of his subjects, especially those at Court, believed that their
