'Why, what strong muscles you have, Master Pym!'
'From a lifetime of shifting barrels.'
'I understand it well,' she said as she was helped up out of the settle. 'I have done my share of such labour. We are two of a kind, sir.'
'I knew it as soon as I beheld you.'
Lambert Pym's heavy-handed gallantry was exactly what she needed and Nicholas was content. For the second time that night, he had guided an ardent woman into the arms of another man. Susan Becket leaned affectionately on the landlord as they ascended the stairs together. She would soon forget all about the indignity she suffered earlier. Like was calling to like. Both physically and spiritually, she had met her match in Lambert Pym.
'That was craftily done, Nick.'
'The lady is not for me.
'I saw the reason why in Nottingham. Mistress Anne Hendrik is indeed a handsome woman and worthy of your steadfast behaviour.'
Christopher Millfield had watched it all from his table and come across to join his friend. Nicholas was pleased to have a moment alone with him. Since his meeting with Mark Scruton, he saw how groundless his earlier suspicions of Millfield had been. It was not the latter who had murdered Gabriel Hawkes at all. Remorse made Nicholas feel more warmth for his companion.
The actor was in a teasing mood. 'Which would be the greater ordeal?' he said.
'Ordeal?'
'Mistress Budden or Mistress Becket?'
'I have no curiosity in the matter.'
'One would crucify you and the other crush you.'
'Each has a more fit bedfellow.'
'I never took you for such a coward.'
They laughed together then Nicholas broached a subject he had been keeping to himself for some time. 'Do you know anything of the Tarot?' he said.
'Only that the cards are used as a method of divination. I have seen a pack once but that is all. Why do you ask?'
'I am wondering about Master Quilley.'
'A curious fellow in every particular.'
'According to Mistress Budden, he had a pack of cards with coloured pictures upon them. Could they not be the trump cards of the Tarot?'
'I cannot say, Nick.'
'Does he use them to foretell the future?'
One of the serving wenches came into the taproom and giggled when she saw Millfield. He acknowledged her with a friendly wave then shrugged an apology to Nicholas. 'I have some business to attend to, I fear.'
'One thing before you go,' said the other. 'Mistress Budden levelled an accusation against you.'
'Of what?'
'Atheism.'
Christopher Millfield let out a peel of laughter.
'The woman is absurd!' he said in mocking tones. 'If I were truly an atheist, I would have been arrested long ago. Yet I am still at liberty, as you see.' He went off towards the girl. 'Ask Mistress Budden to explain that.'
Nicholas waited until the couple left the room then he finished his drink. He was mystified. Something in the others voice had alerted him to a danger but he had no idea what it was. After brooding on it for a while, he gave up and surrendered to a yawn. It was very late and he was tired. Finding himself alone in the taproom, he got up and made his way into the yard in search of a bed for the night. The Whitsuntide fair had filled all the loose boxes with horses but there was promise of some comfort in the hayloft. He climbed the ladder and dropped down on a soft and sweet-smelling bed. Before he could even slip off his shoes, he was asleep.
An hour passed then a noise brought him instantly awake. It was no more than a creak of a door but it took him to the open window. Down below in the yard, creeping silently towards the main gate, was a figure who was already known for his nocturnal wanderings. It was Christopher Millfield and he moved with purpose.
Something prompted Nicholas to follow him. He went swiftly down the ladder and out of the stables. Keeping low and well back, he trailed the other out into the street and over Ouse Bridge. His mind was a turmoil of speculation. Had he been too ready to accept Millfield's friendship? Could the man yet have some sinister intent? The night before the performance at Pomeroy Manor, the actor had gone for his first midnight jaunt. Not long after the performance by Westfield's Men, their host was arrested. Nicholas recalled the list he had found in Quilley's saddlebag. It was Millfield who knew that the names were all those of Roman Catholics.
As his mind raced on, his feet took him on a tortuous route through the streets of York. His quarry seemed to know exactly where he was going. They went up Blake Street and on into Lop Lane before Millfield stopped to knock gently on the door of a small, gabled house. He was admitted within seconds and candlelight soon lit the chamber above. The window was ajar and Nicholas could hear the faint murmur of voices. Whatever conspiracy was going on might be uncovered if he could only get a little closer.
Nicholas looked back to the corner of the street and saw an overhanging gable that was low enough to touch. He went straight back to it. Taking a firm grip, he hauled himself up and started to ascend the wall until he gained the roof. It did not take him long to work his way from house to house until he came to the window he sought. The voices were still too subdued but there was a chink in the curtain as he lowered himself down.
Embarrassment seized him as he peeped in. Here was no conspiracy of any political hue. Christopher Millfield was lying naked on the bed, kissing the young man in his arms with a passion that was its own explanation. Other factors fell into place. Nicholas recalled a flirtatious manner with women that evidently went no further and the interest shown in the actor by Barnaby Gill. He also remembered the speech he had overheard at the inn. It was not just Millfield's vanity that drove him on to learn the leading part in the play. Richard the Lionheart was a hero with whom he had some affinities. Though the world knew and admired him for his military feats, England's most popular monarch was not without flaw. Rumours about his male lovers were too numerous and too detailed to be wholly untrue.
Nicholas swung down from the gable and dropped to the ground. Unnatural vice was a crime which bore a severe penalty, but he would never have enforced it. He felt slightly disappointed in Millfield but bore him no ill will. The man was entitled to his private pleasures, especially as he was so discreet about them. Nicholas had made an unwarranted intrusion. Chastened and not a little annoyed with himself, he trotted back in the direction of the inn. He needed sleep against the exertions of the morrow and should not be wasting his time in futile eavesdropping on a friend. As he went back over the bridge, he cursed himself for being so misled.
It was then that he spotted the body.
Caught in the moonlight, it was floating face down in the river shallows. He ran to the bank and waded into the water to take hold of the sodden corpse. As soon as he felt the weight of the small body and the quality of the doublet, he knew who the man was.
Master Oliver Quilley.
Nicholas dragged him to the bank and rolled him over on his back. Sightless eyes stared up at him. The handle of a dagger stuck obscenely out of his throat. A deathly pallor was already creeping over the face. But it was the man's right hand which caught the attention. It was wrapped around something as if trying to protect it at all costs. Nicholas had difficulty in prising the fingers apart and taking out the oval of vellum that was to have borne the portrait of Sir Clarence Marmion. Smudged lines could just be made out in the gloom. When Nicholas turned it over, however, lie got the real shock.
Quilley had glued the vellum to a picture cut from a Tarot card. It showed a man who dangled from a rope that was tied to his foot. Nicholas recognized the image. It was the Hanged Man. Sometimes the card was called by another name.
The Traitor.
