She was standing there next to him, her cheek white again after the blow Ondine had given her, her hair rumpled but lovely. She was serene standing there saying it, and he agreed with that, thought it could be, must be, true— that it was delicious, for at that moment it would have been delicious to him too if he could have picked up the carving knife lying on the platter next to the carcass of the goose and slashed into her lovely Valentine face. Delicious. Conclusive and delicious. But he could not concentrate. His knees were trembling, his fingers shuddering on the tablecloth. He didn’t want to see them shaking there, but he did not want to see her face either. He thought about that—how or whether to stop looking at her and look instead at his hands. He couldn’t make up his mind and he couldn’t shift his gaze. But he thought about it while she was saying it. “It’s funny, but I would see the mark and hear him cry but somehow I didn’t believe it hurt all that much.” “Mark” she called it. She saw the mark. Didn’t think it hurt “all that much.” Like a laboratory assistant removing the spleen of a cute but comatose mouse.
Suddenly he knew exactly what to do: go to him. Go to Michael. Find him, touch him, rub him, hold him in his arms. Now. He tried to stand but the spastic legs defied him.
“I cannot hear anymore,” he said. “I can’t.”
She stopped then and looked at him with complete understanding and complete patience. Still he could not stand. She understood that too, and without another word walked slowly out of the room, “Later,” her footsteps seemed to say, “when you are stronger, I will say it to you. Share it with you. Make it yours as well as mine.”
Valerian did not move. I will never be that strong, he thought. I will never be strong enough to hear it. I have to die now or go to him. When I move from this table I will do one or the other, nothing in between. I will never be able to hear it.
It was two in the morning when Sydney returned dressed in robe, slippers and pajama bottoms. Valerian was sitting in the chandelier light—legs and fingers finally at rest.
“You should go on up to bed, Mr. Street.”
Valerian gave a small shake of his head. If he went up he might never come down again and if he stood up it would only be to die or go to Michael.
“Get some rest; figure things out in the morning,” Sydney said.
Valerian nodded.
The table was precisely as it was when Sydney guided the sobbing Ondine away. No one had moved a thing while he helped Ondine undress, made her lie down and rubbed her feet until she slept. But he could not sleep at all. The sea spread around him and his wife. They were afloat in it and if removed from the island there was nowhere to land. They had no house, no place of their own. Some certificates worth a bit, but no savings. Just the promises of being taken care of in the will of a man whose wife his own wife had slapped. Sydney started to clear the table and stack things on the sideboard. The suspense was too great, so he asked him outright.
“Mr. Street.”
Valerian showed him his evening eyes, but did not speak.
“You going to let us go?”
Valerian stared at Sydney trying to focus on, then comprehend, the question.
“What?”
“Me and Ondine. You going to let us go?”
Valerian rested his forehead in his hand. “I don’t know. I don’t know anything,” he said, and Sydney had to be content for now with that answer spoken faintly, remotely, for Valerian, holding on to his head, fell back into the waxen horror Sydney had tried to penetrate. He was still there at six the next morning. His eyes closed at last, his mind slowed to an occasional thud. He woke because nature required him to. Not to die or board an airplane headed for his son, but to go to the bathroom. So he did move from the table and he climbed the stairs on frail new legs. Once attending to that call, it was not unthinkable to attend to another—to rinse his face, clean his teeth, brush back his hair with his hands. He took off his shoes and sat on the bed holding them. The picture of the beautiful boy in the laundry under the sink, singing because he could not speak or cry—because he had no vocabulary for what was happening to him, who sang la la la, la la la instead—that picture had stayed with Valerian all night, through fitful sleep, and was there between his stockinged feet in the morning.
I have to cry about this, Valerian thought. I have got to shed tears about this. But not water, please God, may they be blood. I have to cry blood tears for his wounds. But I will need several lives, life after life after life after life, one for each wound, one for every trickle of blood, for every burn. I will need a lifetime of blood tears for each one of them. And then more. Lives upon lives upon lives for the the the the the. Hurt. The deep-down eternal little boy hurt. The not knowing when, the never knowing why, and never being able to shape the tongue to speak, let alone the mind to cogitate how the one person in the world upon whom he was totally, completely dependent—the one person he could not even choose not to love—could do that to him. Believing at last as a little boy would that he deserved it, must deserve it, otherwise it would not be happening to him. That no world in the world would be imagined, thought up, or even accidentally formed not to say say say say
It comforted him a bit, knowing that whatever this was it was not life. He achieved a kind of blank, whited-out, no-feeling-at-all that he hoped would sustain him until the blood tears came. Until his heart, revivified, pumped its way along for a single purpose: to spill out of his eyes throughout the millennia he would have to live. Until then, then.
Margaret awoke very early that morning, having had the dream she ought to have had: it was unspeakable. She rose at once; the wonderful relief of public humiliation, the solid security of the pillory, were upon her. Like the much-sought-after, finally captured, strangler, she wore that look of harmony that in newspaper photos comes across as arrogance, or impenitence at the least. The harmony that comes from the relieved discovery that the jig is up. The parts settle back into their proper places, and the strangler sighs, “Thank God I didn’t get away scot- free.” She had no idea of what would be next, but that was not a problem to which she had to provide a solution. That was the future, her job at hand was to reveal the past. Right now she had to wash her hair,
L’Arbe de la Croix became a house of shadows. Couples locked into each other or away from each other, the murmurings of whose hearts rivaled the dreaming daisy trees. Jadine and Son off together plotting. Sydney and Ondine walking on glass shards, afraid, angry, sullen. Snapping at one another one minute, soothing each other the next. Valerian stayed mostly in his room; the greenhouse remained untended, the mail unread. Silence pressed down on the dahlias and cyclamen—for there was no diet of music anymore. Sydney brought pieces of dinner to the
