“Oh,” she said. “It was dark and I didn’t know . . .”

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The Man in My Basement

I went to the wall near where she’d entered the room 1

and turned on the light.

2

“. . . didn’t know if something was wrong.” She was 3

brown, mostly dark brown, but here and there it light-4

ened a little, lending a subtle texture to her skin. I imag-5

ined the broad sweep of clouds across the earth from an 6

astronaut’s view. Or maybe it was a parchment, incredibly 7

old and almost erased by age and rain, the slight grada-8

tion of color coming from sepia glyphs whose secrets were 9

now gone.

10

“. . . I mean it was so dark,” she continued, obviously 11

still nervous about coming into a strange man’s house 12

without the proper reception.

13

I didn’t help to relieve her fears, looking her over, think-14

ing strange thoughts about her skin.

15

“. . . and you were just sitting there . . .”

16

“I’ve been working all day pulling stuff out of the cellar 17

because Ricky said you’d come by at eight. I guess I 18

worked so hard that I fell asleep here in the window.” And 19

there it was — the truth. There was no lie in my words, 20

body language, or voice. And again I wondered what had 21

happened. It was almost as if I were in one of my beloved 22

Philip Jose Farmer fantasies. Like I had gone to sleep in a 23

mundane world and awakened in a fantastical place where 24

the colors were brighter and youth was eternal. It was par-25

tially like that, like some fantasy, but this new world of 26

mine was only subtly different; only my point of view and S 27

clarity of vision had altered.

R 28

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Walter Mosley

1

“Oh,” Narciss said, looking around the large living 2

room. “There’s a lot, isn’t there?”

3

She wasn’t a beautiful woman, except for that skin.

4

Probably my age, give or take. Her face was squarish and 5

the white-rimmed glasses were too big for her features.

6

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