small white man with large square-framed glasses. The thick lenses threw reflections around the dingy room.
“May I help you?” he asked Mr. Friar.
“Brian Motley, please.”
“He’s in four-A,” the man, who was somewhere between thirty and fifty, said. “Across the courtyard and up the stairs to your left.
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“And what about you?” the down-at-the-heels concierge asked Fearless.
“We wit’ the white man, boss,” Fearless said with a grin.
Th e L e o n t i n e c o u r t y a r d must have been beautiful at one time. The marble walkways ran through great planters walled in by granite bricks. But the palm trees and elephant’s ears had all died away. The huge gardens were now used for cigarette butts and broken bottles. The men and women who perched out there on stone benches were young and old, beaten down and broken.
The sun glared pitilessly on the wide square, but the people still looked to be in shadow.
Th e o n l y l i g h t o n the stairway leading to the fourth floor came through paneless windows open to the yard. Dirt was caked in the corners and long-legged spiders scrambled out of our path. There were big roaches too, and flies, and one pigeon that couldn’t seem to find its way out of that hell.
F r i a r k n o c k e d o n the crayon blue door. The man who answered wore shapeless maroon pants and a strap-shouldered undershirt. The shirt, once white, was now equal parts yellow and gray.
Brian Motley was unshaven but prebeard, five six exactly, and worn down to fit perfectly among the other residents of that slum.
His rheumy eyes registered Martin and then took us in. He 220
FEAR OF THE DARK
made a slight shrug of resignation and said, “Killing me won’t help you, Marty.”
With that he backed away from the door and shambled down a very long, very narrow hall to a small room that wasn’t worth the buildup.
Motley’s floor hadn’t been finished or sealed in many years.
The wood was pale and fibrous. His wooden bench and chairs had been built for outside use. There was nothing on the walls —
hardly even paint. The only good thing about that room was a small window that looked upon downtown with its high-rises and blue skies.
I had been in many rooms like this one since coming to L.A., but I had never seen a white man living in one. That was a real eye-opener for me. In America anyone could be poor and downtrodden. I would have spent more time thinking about that, but I was worried about someone deciding to cut my throat for finding out.
“What’s happened to you, Brian?” Martin Friar asked his supplier of black women.
“Who’re your friends?” Motley replied, sitting heavily on a wooden lawn chair.
“Robert,” I said, holding out a hand. “And this is my friend Frank.”
When Brian Motley grinned, you could see that he’d recently lost most of an upper front tooth.
“Bob, Frankie,” he said. “Sit, sit. I found this couch three blocks from here. Can you imagine somebody throwing out something so sturdy? You know, there’s people in China take somethin’ home like this an’ pay for their kids’ education with it.”
We all sat.
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Martin was visibly shaken by the condition of his friend.
There was a half-empty pint of Thunderbird wine on the tree-fiber floor. Brian took a swig from it, considered offering us some, and then decided that his generosity would be wasted.
“What can I do for you, Marty?” he asked.
“What has happened to you, Brian?”
“Same thing happening to you,” the wine-soaked white man said. “Only you haven’t got to this stop yet.”
“What are you talking about?” Friar asked. “What do you mean?”
“They got fifteen thousand out of me before they cut me loose,” he said. “All I had to do was give ’em you and three others.”
He giggled.
Then he took a swig of wine.
“Was that Sterling?” I asked, and for the first time Brian Motley’s eyes showed something akin to fear.
“I didn’t tell you that,” he said.
“No, but I’ll tell him you did when I find him.”
“That’s a lie!” Brian shrieked. He jumped up from his chair, but Fearless pushed him back down with enough muscle that he decided to stay put.
“It’s a lie,” he said again.
