harness. One of the straps went across his face, over his mouth, which was obstructed by a black ball. His hands were held by metal handcuffs, his feet by something black like bondage restraints. He stared into the mirror. On the sheet between his legs lay the end of a string that disappeared up between his buttocks. And there was something white on his stomach. It looked like semen. He sank back on the pillow and shut his eyes. He wanted to scream, but knew that the ball would effectively prevent any attempt.

He heard a voice from the living room.

'Hello? Politi?'

Politi? Polizei? Police?

He thrashed around on the bed, jerking his arms down and moaning with pain as the handcuffs cut into the back of his thumb, taking off the skin. He twisted his hands so that his fingers could get hold of the chain between the cuffs. Handcuffs. Steel bars. His father had taught him that building materials were almost always made to withstand pressure in one direction and that the art of bending steel was about knowing where and which way it would offer the least resistance. The chain between the handcuffs was made to prevent them being pulled apart.

He heard the man speaking briefly on the living-room telephone, then all went quiet.

He pressed the point where the final link in the chain met one cuff against the bar of the bed head, but instead of pulling he twisted. After a quarter-turn the link locked against the bar. He tried to twist further, but it wouldn't budge. He tried again, but his hands slipped.

'Hello?' came the voice from the living room.

He took a deep breath. Closed his eyes and saw his father with enormous forearms in a short-sleeved shirt before the line of steel rods on the building site. He whispered to the boy: 'Banish all doubt. There's only room for willpower. The steel has no willpower and that's why it always loses.'

Tore Bjorgen drummed his fingers with impatience on the rococo mirror with the pearl-grey clam adornments. The owner of the antiques shop had told him that 'rococo' was often used in a derogatory sense, to mean the style was over the top, almost grotesque. Tore had realised afterwards that that was what had tipped the balance, when he had made up his mind to take out a loan to be able to lay out the twelve thousand kroner which the mirror had cost.

The switchboard at Police HQ had tried to put him through to Crime Squad, but no one had picked up and now they were trying the uniformed police.

He heard sounds from the bedroom. The rattle of chains against the bed. Perhaps Stesolid had not been the most effective sedative after all.

'Duty officer.' The deep, calm voice startled Tore.

'Um, this is… it's about the reward. For… erm, that guy who shot the guy from the Salvation Army.'

'Who's speaking? And where are you ringing from?'

'Tore. From Oslo.'

'Could you be a bit more precise, please?'

Tore gulped. He had – for several good reasons – exercised his right not to disclose his telephone number when phoning and he knew that now 'unknown number'would be flashing on whatever display the duty officer had.

'I can help you.' Tore's voice had gone up a register.

'First of all I need to know-'

'I've got him here. Chained to the bed.'

'You've chained someone up, you say?'

'He's a killer, isn't he? He's dangerous. I saw him with a gun at the restaurant. His name's Christo Stankic. I saw the name in the paper.'

The other end went quiet for a moment. Then the voice was back, but a little less unruffled. 'Calm down now. Tell me who you are and where you are, then we'll come at once.'

'And what about the reward?'

'If this leads to the arrest of the correct person I will confirm that you helped us.'

'And I'll be given the reward straight away?'

'Yes.'

Tore thought. About Cape Town. About Father Christmas in the baking sun. The telephone creaked. He breathed in ready to answer and looked into the twelve thousand kroner rococo mirror. At that moment Tore realised three things. The creaking sound had not come from the telephone. You don't get top-quality mail-order handcuffs in a beginners' pack for 599 kroner. And in all probability he had celebrated his last Christmas.

'Hello?' said the voice on the telephone.

Tore Bjorgen would have liked to answer, but a thin nylon string of shiny beads, looking every inch like a Christmas decoration, was blocking the airway essential for the production of sound from vocal cords.

19

Thursday, 18 December. The Container.

Four people were in the car driving through the darkness and the snow between the high drifts.

'Ostgard is up here to the left,' Jon said from the back seat where he had his arm around Thea's cowed figure.

Halvorsen turned off the main road. Harry observed the scattered farmhouses, lit up and flashing like lighthouses at the tops of hills or among clumps of trees.

As Harry had said that Robert's flat was no longer a safe hideout, Jon had himself suggested Ostgard. And insisted on Thea joining him.

Halvorsen swung onto the drive between a white farmhouse and a red barn.

'We'll have to ring the neighbour and ask him to clear away some snow with his tractor,' Jon said as they waded through the fresh snow towards the farmhouse.

'Nothing doing,' Harry said. 'No one must know you're here. Not even the police.'

Jon walked over to the house wall beside the steps, counted five boards and plunged his hand in the snow and under the boarding.

'Here,' he said, holding up a key.

It felt even colder indoors than outside, and the painted wooden walls seemed to have frozen into ice blocks, rendering their voices harsh. They stamped the snow off their footwear and entered a large kitchen with a solid table, kitchen cabinet, storage bench and Jotul woodburning stove in the corner.

'I'll get the fire going.' Jon's breath was icy and he rubbed his hands for warmth. 'There's probably some firewood inside the bench, but we'll need more from the woodshed.'

'I can get it,' Halvorsen said.

'You'll have to dig a pathway. There are two spades in the porch.'

'I'll join you,' Thea mumbled.

It had stopped snowing and the weather was clearing. Harry stood by the window smoking and watching Halvorsen and Thea shovelling the light, fresh snow in the white moonlight. The stove was crackling and Jon was on his haunches staring into the flames.

'How did your girlfriend take the Ragnhild Gilstrup business?' Harry asked.

'She's forgiven me,' he said. 'As I said, it was before her time.'

Harry watched his cigarette glow. 'Still no ideas about what she might have been doing in your flat?'

Jon shook his head.

'I don't know whether you noticed,' Harry said, 'but it looked as though the bottom drawer of your desk had been broken into. What did you keep there?'

Jon shrugged. 'Personal things. Letters for the most part.'

'Love letters? From Ragnhild, for example?'

Jon blushed. 'I… don't remember. I threw away most of them, but I may have kept the odd couple. I kept the drawer locked.'

Вы читаете The Redeemer
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ОБРАНЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату