the aid of his Infernal sponsor, Mephistopheles) and did not translocate. The ability is also unknown among Immortals (although some have mastered the trick of bending space to travel across the world in astonishingly short times). True and instantaneous translocation, as yet, seems to be the sole purview of select gifted Infernal clans. Gods of the First and Twenty-first Century, Volume 13, Infernal Forces. Zypheron Press Ltd., Eighth Edition.
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Flocks of creatures are often designated by a special words, e.g., a “murder” of crows or a “pod” of whales. Groups of Infernals (fallen angels) are called an “exodus” of angels (or Infernals). Although this grammatical designation has entered the vernacular, it remains controversial and contested by the Catholic Church for two reasons: first, Infernals almost never group (making the term largely hypothetical); and second, it suggests that the “fallen” angels’ exit from Heaven may not have been the result of an expulsion after losing a war, but instead, a voluntary departure. -Editor.
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Divum sub Terra (Latin for “Sky under Earth”) transcribed from scrolls (ca. 500 B.C.E.) and spirited away from the Library of Alexandra, lost, and then rediscovered in the walls of a Benedictine monastery and translated by Sir Eustace De Vires. The book details the sacrificial rites and prayers of the popular cult of Zeus prominent throughout classical society (Zeus Olympios) as well as the more secretive forms driven into hiding, but which survived well beyond the advent of the Christian era. One such cult was dedicated to the “underground” Zeus (Zeus Katachthonios) where the deity is often represented as snakes and a man intertwined. The book was ordered destroyed by Papal authority, but two copies survived the 1677 Great Burning in Wittenberg, and found their way to such collectors as Oliver Cromwell, Napoleon Bonaparte, and Charles de Galle, who have praised it for its insights into the philosophies of leadership. Golden’s Guide to Extraordinary Books, Victor Golden, 1958, Oxford.
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Salt appears in many world religions as a bane to evil. Since ancient times, bowls of salt were placed by the door to keep the devil at bay (until he had counted every grain). It is used in contemporary religious rites such as the Traditional Latin Mass, exorcisms, and in the Shinto purification rituals of sumo wrestling rings prior to a match. The substance’s effectiveness has diminished since ancient times (if it ever existed). In Infernal parlances, the use of salt, especially when relating to business, is considered a grave insult because it infers that the insulted Infernal is so weak as to be affected by such a common substance. Gods of the First and Twenty-first Century, Volume 13, Infernal Forces. Zypheron Press Ltd., Eighth Edition.
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Genevieve Stephenson-Hines, one of the longer-lived of the Stephenson clan, retired from the practice of white magic at the age of 106. Whereabouts unknown, but no record of her death exists, so she may still be alive. -Editor.
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The mythohistorical origins of fairies remain inconclusive, although there are many theories: the dead, angels (demoted or otherwise), elemental forces, transformed mortals, baby’s laughs, or pagan gods. Supposedly fairies live in a realm severed from the remote nether realms, borderlands, and purgatories. To travel to, and more notably
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“When I trod to Avalon not did man come back anon. ’Tis not me now writing this. / My soul lost, a’ wander bliss.” Mythica Improbiba (translated version), Father Sildas Pious. ca. thirteenth century.
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“Muses to laugh, to leap, to lament, to perish, and to be born anew.” Translated from Latin. -Editor.
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Rhonchial means “pertaining to snoring,” and musicaster is a mediocre musician, so in this context “one who’s moderate musical talents sounds like snoring.” — Editor.
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“Twinkle, Twinkle, Little Star” was first published as “The Star” by Jane Taylor in 1806. It is sung to the French melody “Ah! vous dirai-je, Maman.” The older French lyrics (among many variations) are translated here as: “Ah! I shall tell you, Mum, What causes my torment. Papa wants me to reason Like an adult I say that candy Is better than being right.”em> Perhaps closest to the original source is this couplet from the obscure Benedictine Hymn scroll, Obsequium Angelus, authored by Father Sildas Pious ca. thirteenth century: “ ’Ware young child the Morning Star. Look away and you’ll go far. Like a jewel ablaze in dark, fallen angel casting spark. ’Ware the dark and ’ware the light. Naught but trust in God at night.” Origins of Art and Power in Musicem>, Erin DuPree, M.F.A, Ph.D., Paxington Institute Press, LLC.
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