wooded interior and bounded by hostile signs — NO TREPASSING PRIVATE PROPERTY — NO TRESPASSING PRIVATE PROPERTY — which Sophie supposed to be signs posted by Kolk himself. In the backseat the bulldog began to whimper excitedly as if in anticipation of home. Sophie’s teeth rattled in her jaws, the lane was so bumpy. Kolk took them hurtling deeper into the woods — they were descending a steep hill, toward a creek at a perpendicular angle before them — a narrow creek rushing with water — it was the aftermath of the winter thaw, the creek was unusually high — Sophie steeled herself waiting for a bridge to materialize — waiting for the jeep to clatter over a crude plank bridge — but there was no bridge — to Sophie’s astonishment Kolk aimed his vehicle into the rushing water at a speed of twenty miles an hour — water lifted in flaring wings beside the jeep even as the jeep catapulted up the farther bank.

He’d shifted gears, the four-wheel drive held firm. Sophie gave a little cry of surprise — it had happened too quickly for her to be frightened.

Sophie asked why wasn’t there a bridge across the creek. Kolk said what was the need of a bridge — most of the summer the creek was dry, in the winter it was frozen over.

“The trick is to take it fast, when the water’s high. Slow, you get your feet wet.”

It was clear that Kolk took pride in his wilderness place. Sophie saw how beyond the clearing in which Kolk parked the jeep were mountains, a view of a valley, miles of pine forest she would have found beautiful but for her fatigue from hours of travel.

There was the log cabin, Sophie recognized from the photographs. A crude plank addition had been built onto it, unpainted, with a single small window. Close by was a storage shed, a chicken coop/rabbit hutch, what appeared to be a kennel, stacks of traps or cages. At the edge of the clearing were old, abandoned vehicles — a car stripped of everything but its chassis, a rusted pickup truck, a tractor missing its tires. A layer of gritty snow lay over everything, the air here was very cold piercing Sophie’s lungs as she opened the jeep door. Her attention was drawn to one of the cages stacked against the storage shed, some twenty feet away. She had a vague vertiginous sense that something — some small creature — had been trapped in this cage and made to starve to death and become mummified.

A thrill of dismay coursed through her Why have I come here, am I mad!

Quickly before Kolk could come around to her side of the jeep to help her down, as he’d helped her up into the cab, Sophie climbed down from the jeep. The cab was so high, she nearly turned her ankle.

The bulldog leapt out, panting and barking. Kolk was telling her something — about the cabin, or the Preserve — Sophie wasn’t able to concentrate — Kolk hauled out Sophie’s suitcase, beneath his arm. She was feeling dazed, light-headed. She was feeling unreal and could not have explained to her companion that she had not felt anything other than unreal since the morning she’d driven her husband to the hospital which had been the final morning of their life together.

Kolk broke off what he was saying. Sophie was staring at the mummified thing in the trap — she’d imagined that it had moved, quivered — not a creature but a dirt-stiffened rag. That was all.

The bulldog followed at their heels, quivering with excitement. A small barrel of a creature with brindle markings like splattered paint drops, a single sighted eye, the other milky and glaring. How like a pig the dog was, with its flattened snout, wriggling hairless bottom and piglet tail.

“S’reebi, get the hell away. Sit.

Sophie laughed uneasily, the dog had a way of nipping surreptitiously at her ankles and feet. A trail of slobber shone on her leather shoe-boots. She perceived that the dog was her enemy, he would wait until Kolk was away, or inattentive, to seriously attack her.

Sophie asked what was the dog’s name? — she couldn’t quite make out what Kolk called him.

“‘S’reebi’ — ‘Cerberus.’”

Cerberus! — the three-headed dog of Hades.

Sophie remembered, Jeremiah Kolk had once studied classics,

Kolk took Sophie’s arm, to lead her in the direction of the cabin. Again this sudden intimacy between them, as in the airport when he’d taken her arm without a word and linked it through his own in a husbandly/proprietary manner.

The touch of his hand — his hands — was like static electricity, coursing through Sophie’s body.

Sophie heard herself stammer how beautiful it was in this place — “But so remote.”

She couldn’t bear to look at the man — the melted-away jaw, the exposed stubby teeth.

Flatly Kolk said: “No. A place isn’t ‘remote’ except in relationship to another place, or places. The longer you remain here, you will see it is just here. There is nothing ‘remote’ about it.”

Kolk led Sophie into the chilly cabin, carrying her suitcase. The thought came to her — a ridiculous thought — utterly unwarranted — that if she’d balked at the threshold of the cabin like a panicked animal resisting confinement, the man would have forced her into the cabin.

Here, a prevailing odor struck her — grease, scorch — cooking smells — the sweetish-yeasty smell of unlaundered clothes, bedsheets. The interior of the log cabin was a single large room with a low ceiling and few windows, like a cave; there was both a stone fireplace and an antiquated wood-burning stove; scattered on the floor by the fireplace were piles of crudely hewn logs with dried cobwebby bark still attached. A breeding place for spiders Sophie thought, appalled.

Yet the interior of Kolk’s cabin was attractive, in its way. Cozy, comfortable. A kind of nest. The bare-plank floor was uneven, and haphazardly covered with small woven grime-saturated rugs — one felt hidden here, protected. In a corner was a brass bed with a sunken mattress — Kolk’s bachelor bed? — heaped with blankets and bedclothes; in a narrow alcove, a small kitchen with open shelves to the ceiling, a two-burner stove and a dwarf- refrigerator.

She would be preparing meals in that kitchen — would she? Sophie smiled to think so.

Kolk’s furniture was mostly of brown leather — a massive sofa, matching chairs — furniture of the kind one might expect to see in an old-fashioned gentlemen’s club — once of excellent quality but now so badly worn its color had nearly vanished. There was a tarnished brass floor lamp with a parchment-colored lampshade, there were mismatched tables. These were items Kolk had purchased in a used-furniture store, Sophie supposed. Or rescued from a dump. Prominent on the wall beside the fireplace were unframed photographs of Kolk’s — wilderness scenes of the kind he’d sent her. Sophie saw how haphazardly they’d been mounted — tacked in place, or taped, as if the photographer had no wish to take time, to display his work as art.

She would do that, if things worked out between them.

Most of the wall-space was taken up with bookshelves. These were makeshift shelves of bricks and planks. So many books! — Kolk saw Sophie peering at one of the shelves — a complete set of Encyclopedia Britannica. Other shelves were waterstained Modern Library classics — Plato, Euripides, Homer, Catullus, Augustine’s City of God, Marx’s Das Kapital, Darwin’s Origin of Species and The Descent of Man. There was an entire shelf of Latin titles. Seeing Sophie peer at these books Kolk said he’d bought the discards from the Latin Academy, a private school in St. Paul where he’d taught briefly — “and not very happily” — in the 1980s.

All these books, Kolk said. And more, in the next room. And journals in boxes, he’d never unpacked. All for ninety dollars.

In fact there was an addition to the cabin, at the rear — a “guest room” as Kolk called it — which, he said, he tried to keep in better condition than the room in which he and S’reebi lived. It was into this addition that Kolk led Sophie, switching on a light.

This was a small room, quite narrow, with a single small square window looking out into the woods. Beside the bed — a girl’s bed, less than adult-sized, built low to the floor — there was a space heater, which Kolk switched on. The bed was covered with an attractive blue-striped goose-down comforter — Sophie believed it was goose- down, testing it with her fingers — she wondered if Kolk had made this purchase especially for her, at a secondhand store? The comforter did not appear to be very soiled, nor did it appear to be worn. Even secondhand goose-down comforters were not cheap, Sophie knew. She felt a touch of vertigo, like sickness.

He will come here. He will make love to me here.

On the plank floor in this room was a handwoven Indian carpet of red, beige, and black patterns like lightning bolts. Here too the floor was tilted, just slightly, as in a fun house. There was a bureau of old cedar wood, badly scarred but with a subtle, beautiful smell — Kolk pulled one of the drawers open an inch, as if to encourage his reluctant visitor to unpack.

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