be seen as a “victim” of the war, or have her experiences in Italy simply made her more clearsighted and realistic? How do her two renditions of “La Marseillaise” indicate the change that the war has wrought in her?
17. Can the novel can be seen as a mystery, with the identity of the English patient at its heart? Does Caravaggio’s identification of the patient solve the mystery, or does there remain a question at the end? How do other characters in
18. How would you describe Ondaatje’s style: does the story resemble a film perhaps, or a dream? Why has he chosen this mode in which to write this particular tale? What is his purpose in making the action move backward and forward in time?
19.
BOOKS BY MICHAEL ONDAATJE
COMING THROUGH SLAUGHTER
This novel brings to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era; it is the story of Buddy Bolden, the first of the great trumpet players, some say the originator of jazz, who was a genius, a guiding spirit, and the king of that time and place.
Fiction/Literature/978-0-679-76785-5
THE ENGLISH PATIENT
During the final moments of World War II, four damaged people come together in a deserted Italian villa. As their stories unfold, a complex tapestry of image and emotion is woven, leaving them inextricably connected by the brutal circumstances of the war.
Fiction/Literature/978-0-679-74520-4
RUNNING IN THE FAMILY
In the late 1970s, Michael Ondaatje returned to his native country of Sri Lanka. Recording his journey through the druglike heat and intoxicating fragrances of the island, Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family.
Memoir/Literature/978-0-679-74669-0
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