I said, “Wait a minute. It’s cold, and we’ve had a blizzard. Couldn’t I wait in the front hall?”
And she hesitated and I smiled at her disarmingly but a bit superior, and she nodded and said, “Of course, sir. I’m sorry. Come in.”
I went in. She closed the door behind me and went off down the corridor and through a door and closed it behind her. I went up the front stairs as quietly as I could. There was a landing and then a short left turn, then three steps to the upstairs hall. Actually there were two upstairs halls. One ran from front to back and the other, like the cross of a capital T, ran the width of the house and led into the wing hall.
I had the general layout in my head. I’d spent most of my time in front of yesterday’s fire looking at Julie’s diagrams. The stairway to the attic was down the hall in a small back bedroom. The house was quiet. Faintly somewhere I could hear television. There was a smell of violet sachet and mothballs in the small bedroom. The door to the stairs was where it should have been. It was a green wooden door made of narrow vertical boards with a small bead along one edge. It was closed. There was a padlock on it.
Behind me I heard no hue and cry. The maid would be returning now to say that Mr. English didn’t know a Joseph E. McCarthy, or that the one he knew wasn’t likely to be calling here. I took my small pry bar from my belt. The padlock hasp wasn’t very new, and neither was the door. The maid would look and not see me and be puzzled and would look outside and perhaps around downstairs a little before she reported to English that Mr. McCarthy had left. I wedged the blade of the pry bar under the hasp and pulled the whole thing out of the wood, screws and all. It probably wasn’t much louder than the clap of Creation. It just seemed so because I was tense. The door opened in, and the stairs went up a right angle, very steep, very narrow treads and high risers. I closed the door and went up the stairs with hand and feet touching like a hungry monkey. Upstairs the attic was pitch-black. I got out my flashlight and snapped it on and held it in my teeth to keep my hands free. I had the pry bar in my right hand.
The attic was rough and unfinished except for what appeared to be two rooms, one at each gabled end. All the windows had plywood over them. I took one quick look and noticed the plywood was screwed in, not nailed. Someone had wanted it to be hard to remove. I tried one door at the near end of the attic. It was locked. I went and tried the other. It opened, and I went in holding the pry bar like a weapon. Except for an old metal frame bed and a big steamer trunk and three cardboard boxes it was empty. The windows were covered with plywood.
If Rachel was up here, she was back in the other room at the gable end. And she was here—I could feel her. I could feel my insides clench with the certainty that she was behind that other door. I went back to it. There was a padlock, this one new, with a new hasp. I listened. No sound from the room. Downstairs I could hear footsteps. I rammed the pry bar in under the hasp and wrenched the thing loose. The adrenaline was pumping, and I popped the whole thing off and ten feet across the attic floor with one lunge. There was saliva on my chin from holding the flashlight. I took the light in my hand and shoved into the room. It stunk. I swept the flashlight around. On an iron- frame bed with a gray blanket around her, half-raised, was Rachel Wallace, and she looked just awful. Her hair was a mess, and she had no make-up, and her eyes were swollen. I reversed the flashlight and shone it on my face.
“It’s Spenser,” I said.
“Oh, my God,” she said. Her voice was hoarse.
The lights went on suddenly. There must have been a downstairs switch, and I’d missed it. The whole attic was bright. I snicked off the flashlight and put it in my pocket and took out my gun and said, “Get under the bed.”
Rachel rolled onto the floor and under the bed. Her feet were bare. I heard footsteps coming up the stairs, and then they stopped. They’d spotted the ruptured door. It sounded like three sets of footsteps. I looked up. The light in this room came from a bare bulb that hung from a zinc fixture in the ceiling. I reached up with the pry bar and smashed the bulb. The room was dark except for the light from beyond the door.
Outside, a woman’s voice said, “Who is in there?” It was an old voice but not quavery and not weak. I didn’t say anything. Rachel made no sound.
The voice said, “You are in trespass in there. I want you out. There are two armed men out here. You have no chance.”
I got down on the floor and snaked along toward the door. In the light at the head of the stairs was Mingo with a double-barreled shotgun and English with an automatic pistol. Between them and slightly forward was a woman who looked like a man, and an ugly, mean man at that. She was maybe five eight and heavy, with a square massive face and short gray hair. Her eyebrows came straight across with almost no arch and met over the bridge of her nose. They were black.
“Give yourself up,” she said. There was no uncertainty in her voice and certainly no fear. She was used to people doing what she said.
From the dark I said, “It’s over, Momma. People know I’m here. They know I was looking for Rachel Wallace. And I found her. Throw down the weapons, and I’ll bring her out and take her home. Then I’ll call the cops. You’ll have that much time to run.”
“Run?” Momma said. “We want you out of there and we’ll have you out now. You and that atrocious queer.” Mingo had brought the shotgun to the ready and was looking into the room.
I said “Last chance,” and rolled right, over once, and came up with my gun raised and steadied with my left hand. Mingo fired one barrel toward where I had been, and I shot him under the right eye. He fell backwards down the stairs. English began to shoot into the room—vaguely, I guess in the direction of my muzzle flash, but panicky and without much time to aim. He squeezed off four rounds into the dark room and I shot him, twice, carefully. One bullet caught him in the forehead and the second in the throat. He made no sound and fell forward. He was probably dead before he landed. I saw Momma start to bend, and I thought she might keel over, but then I realized she was going for the gun, and I lunged to my feet and jumped three jumps and kicked it away from her, and yanked her to her feet by the back of her collar. There was a little bubble of saliva at the corner of her mouth, and she began to gouge at my eyes with her fingers. I held her at arm’s length—my arms were longer than hers—and looked down at Mingo in a tangle at the foot of the stairs. He was dead. He had the look. You see it enough, you know.
I said, “Mrs. English, they’re dead. Both of them. Your son is dead.”
She spat at me and dug her fingernails into my wrist and tried to bite my arm. I said, “Mrs. English, I’m going to hit you.”
She bit my arm. It didn’t hurt, because she was trying to bite through my coat, but it made me mad. I put my gun away, and I slapped her hard across the face. She began to scream at me. No words, just scream and claw and bite and I hit her with my right fist, hard. She fell down and began to snivel, her face buried in her son’s dead back. I picked up English’s gun and stuck it in my pocket and went down the stairs and got Mingo’s shotgun and jacked the remaining shell out and put that in my pocket and went back up the stairs.
