“Yes.”
“I can’t say in the abstract,” Susan said. “She should be guided by the best interests of her patient.”
On our left, the surface of the river had a quick-silver gloss in the moonlight. A small cabin cruiser with its running lights on moved silently upstream, passing under the barrel-arched bridges, its wake a glassy furrow in the surface. Susan’s street was silent, the buildings dark, the trees, half unleaved, made spectral by the street lamps shining through them.
Susan lived in an ornate Victorian house. On the first floor her office was on one side of the front hall, and her big waiting room was on the other. We went up the curving staircase to the second floor where she lived. When we opened the door, Pearl dashed at us, and jumped up, and tore Susan’s hose, and lapped our faces, and ran to the couch and got a pillow and shook it violently until it was dead, and came back to show us.
“Cute,” Susan said.
We took Pearl down and let her out into the fenced-in backyard. It was shadowy in the moonlight, but not dark, and we could watch her as she hurried about the yard, looking for the proper spot.
Later we lay in bed, the three of us, and talked, looking up at the ceiling in the moonbright darkness. Pearl had little to say, but she compensated by taking up the most room in the bed.
“Is this Olivia Nelson thing making you crazy?” Susan said. We were holding hands under the covers, across Pearl’s back.
“Nothing is turning out to be the way it appeared to be,” I said.
“Things do that,” Susan said.
“Wow,” I said.
“I’m a graduate of Harvard University,” Susan said.
chapter thirty-two
DR. MILDRED COCKBURN had office space in a tired-looking, brown-shingled house on Hilliard Street, down from the American Repertory Theater. There was a low wrought-iron fence with some rust spots around the yard. The fence had shifted over the years as the ground froze each winter and melted each spring, and it was now canted out toward the sidewalk. There was some grass in the yard, and a lot of hard-packed dirt. The front walk was brick, which had heaved with the fence. The bricks were skewed and weeds had grown up among them. Many of the brown shingles had cracked, and a couple had split on through, and the front door had been inadequately scraped before being painted over. Cambridge was not a hotbed of pretentious neatness.
A sign said Enter, which I did, and took a seat in a narrow foyer with doors leading out of it through each wall. I had an eleven o’clock appointment, and it was five of. The walls of the foyer were cream colored, though once they might have been white. There were a couple of travel posters on the walls, and an inexpensive print of one of Monet’s paintings of his garden. There was also the insistent odor of cat. The low deal table beside the one straight chair had two recent copies of Psychology Today, and a copy of The Chronicle of Higher Education from last May.
At 11:06, the office door opened and a pale woman with a thin face, and her gray-streaked hair in a bun, came out of the office. She did not look at me. She took a long tweed coat from the coatrack, and put it on, and buttoned it carefully, and went out the door, maneuvering in the mailbox-sized foyer without ever acknowledging another presence.
There was a three- or four-minute wait thereafter, and then the office door opened again and Dr. Cockburn said, “Mr. Spenser?”
She wore a black turban and a large flowing black garment which I couldn’t quite identify, something between a housecoat and an open parachute. She was obviously heavy, though the extent of her garment left the exact heaviness in doubt. Her skin was pale. She wore a lot of eye makeup and no lipstick.
I stood, and she ushered me past her into the office. The office was draped in maroon fabric. The window had louvered blinds, opened over the top half, closed on the bottom. There was a Victorian sofa, upholstered in dark green velvet, against the wall to the right of the door, and a high-backed mahogany chair with ugly wooden arms, facing a wing chair upholstered in the same green. She sat across from me in the wing chair. She made a barely visible affirmative movement with her head, and then waited, her hands folded in her lap.
“This is not a therapeutic visit,” I said. “I’m a private detective, and I’ve been employed by Loudon Tripp to investigate the murder of his wife, Olivia Nelson.”
Again the barely visible nod.
“In the course of investigating, I came across your name.”
Nod.
“I’m wondering if you could tell me anything about either of them,” I said.
“That is unlikely,” she said. She had a deep voice and she knew it. She liked having a deep voice.
“I realize,” I said, “that there are questions of confidentiality here, but your patient’s best interest might well be served by helping me find his wife’s killer.”
“Loudon Tripp is not my patient,” she said.
Nothing moved when she spoke, except her lips. In her dark clothes and her deep stillness, she seemed theatrically inaccessible.
“Olivia Nelson,” I said.
She remained motionless. I glanced around the room.
“You are a psychotherapist,” I said.
Nod.
“Are you an M.D.?” I said.
