'I don't have much time,' he said.
'I have a full day of listening to actors botch my lines.'
He didn't look at me when he spoke. His gaze flitted without apparent purpose.
'I'm looking into Sampson's murder,' I said.
'Murder is the bloodiest of the creative arts,' he said.
'I kind of figured it was a destructive art,' I said.
'The death of the individual may be destructive,' O said.
'But the act itself, its conception and performance, may be quite artful.'
'Encores are hard.'
O was scornful.
'Like so many people you conceive of art in the narrowest possible terms,' he said.
'Museum art.'
'I love that Norman Rockwell, don't you?' I said.
'Don't be ridiculous,' O said.
'Any reasons you can think of why someone would kill Craig Sampson?' I said.
O's gaze nickered past me. His eyes were never still, and he never looked at me except in passing.
'Of course, dozens of reasons: unrequited love, passion, jealousy, vengeance, lust expressed through violence, political zeal, money, greed…'
O shrugged as if to indicate that he had but scratched the surface.
'Pride, lust, envy, anger, covetousness, gluttony, and sloth,' I said.
'I thought of those too. Anything less general?'
'I knew him only as an actor in my play. He was inadequate.
But all the other candidates were even more so.'
'What was his greatest failing?' I said.
'Passion. He mouthed the words like a player piano. He did not feel the emotive rhythms that stirred beneath the language.'
'I noticed that too,' I said.
O's eyes moved rapidly. He chewed his gum.
'It is the greatest frustration of any playwright, that his art emerges only through the instrumentation of actors. Almost by definition the soul that wishes to act is far too narrow to carry the burden of an artist's vision.'
'Bummer,' I said.
O's glance jittered past me as it moved from one blank wall to another. His eyes were pale blue, and as flat as the bottom of a pie plate.
'Is there anything in the play that I might have missed, that would cause a murder?' I said.
'Almost certainly,' O said.
'My play speaks to the deepest impulses of humanity, and challenges its most profoundly held beliefs. To the small part of humanity capable of full response, the challenge is very threatening, and a cleansing rage is one possible response.'
'In addition to pity and terror,' I said.
It almost made O look at me for a minute. But he caught himself and slid his look onto a wall and chewed his gum very swiftly.
'Have you ever been threatened?' I said.
'To be human is to be threatened,' O said.
His neck was thin and would wring easily if someone were of a mind.
'Could you tell me about it?' I said.
'The threat of humanity?' O shook his head sadly.
'I have been telling you about it for my whole theatrical life.'
'Any specific threats from a specific human?'
O shrugged and shook his head as if the question were tedious.
'Have you ever been followed?'
O rocked back a little in mock amazement.
'Excuse me?' he said.
'Followed, stalked, shadowed?'
