“What was he really doing?” I said.
“Stealing paintings and selling them.”
“Tell me what you know,” I said.
“Hell,” Winifred said. “I know everything.”
“He was stealing paintings?” Missy said.
“His father had been in the death camp. The offspring of Holocaust survivors often feel a need to atone for not having been part of it.”
“Not being in the Holocaust?” Missy said.
“I’ve done a lot of reading on the subject,” Winifred said. ”And I think, in the beginning, the Herzberg Foundation was authentic. He was really trying to even up for the Holocaust. Take some risk to liberate objets d’art and restore them to their rightful owners.”
“So if someone wouldn’t sell him the work of art, he’d steal it,” I said.
“Yes.”
“And money became an issue, given the cost of buying such pictures.”
“And he felt it was wrong that he should have to pay,” Winifred said.
She poured a little more scotch into her glass.
“So he began to steal all of them,” she said. “It was his right. And he began to sell a few of them to finance the foundation, which needed it.”
“And it was working good,” I said. “And after a while the foundation became an end, not a means.”
“The foundation,” Winifred said, “c’est moi.”
“And the Auschwitz tattoos?” I said. “And the Israeli commandos? And the rest?”
“Whatever it started out as,” Winifred said, “it became . . . It was set decoration.”
I nodded.
“How do you know all this?” Missy said.
“Honey, I was a first-rate investigator,” Winifred said. “I knew most of it in Chicago.”
“And you let him ...”
Winifred took her daughter’s hand.
“Conceive you?” Winifred said. “Eagerly. You are not the only one who loved him foolishly.”
“How about Ashton Prince?” I said.
“They were partners,” Winifred said. “There was a family connection back to Auschwitz, I think. I’m not clear on the details. But Ashton would locate a painting, authenticate it, appraise it, and when they stole it and sold it, he would get a cut.”
“Why did they kill him?” I said.
“Ariel said that Ashton was trying to cheat them.”
“And he was afraid they’d catch him at it,” I said, “which is why he brought me along to protect him. Do you know how he was planning to cheat them?”
“No.”
I nodded.
“I think he was planning to switch paintings on them,” I said. “You have any idea where
Winifred, still holding Missy’s hand, tapped it gently against her own thigh. Her expression changed. If she had not been so recently traumatized, she might have smiled.
“In my bedroom closet,” she said. “There’s two of them.”
67
We were standing near the George Washington statue that faced Arlington Street. It was March. There was still snow in the Public Garden, but it was diminishing. Of course, in Boston March is not necessarily blizzard-free, but the odds are better, and so far the odds were holding. We were waiting for Otto.
“His mom e-mailed me last night,” Susan said. “They’ll be in town, and she feels Otto is desperate to see Pearl.”
“Why would he not be?” I said.
“I think it may be why they came up,” Susan said.
Pearl was engaged stalking some pigeons about ten yards from us. The pigeons allowed her to get quite close before they scornfully took wing. She watched them fly and saw them land maybe thirty yards away, and started over to stalk them some more.
“She doesn’t discourage easily,” Susan said.
“Hell,” I said. “The hunt is most of the fun.”
