Mourning Raga

empresses receiving homage, pretty as new paint and something more than content with each other. ‘Thick as thieves,’ Tossa had said, but in this white, gold and pale blue elegance it seemed an inadmissibly crude phrase – even though the white and gold was gimcrack when you came close to it, and stopped abruptly twenty feet away, to give place to the hollow, cluttered chaos of any other sound stage, littered with skeleton fragments of booms and wiring and cameras and lighting equipment, and a miscellaneous assortment of frayed, bearded, distrait people carrying improbable things and using improbable words in several languages. ‘Cheek by jowl’ suggested itself, Dominic thought, in some underhand way, but could hardly be entertained in face of Eleanor’s resolute and shapely little chin and Marianne’s damask-rose cheek. In view of the late-Empire ball gowns of Indian muslin, the daintily deployed curls, dark brown and scintillating gold, and the white silk mittens that stopped only just short of the creamy shoulders, better settle for hand-in-glove. As sure as fate, that was what they were; and anyone around here who had plans that involved manipulating these two Dresden deities had better watch out, because he would be playing a formidable team.

It was an earnest of their sheer professionalism that even between takes they continued to look in character, Chloe gently grave and cool and exceedingly well-bred, Dorette sparkling and distressed by turns, as extrovert as a fountain. Neither of them put her feet up or lit a cigarette. They sat with one foot delicately tucked behind the other, to show a glimpse of a pretty ankle, as young ladies were taught to sit once, long before the miniskirt and the glorious freedom of tights. Dominic revised a half-conceived notion of what Dorette must be like; she might not be a gifted actress, but she was an intelligent diplomat who could make what gifts she had do just as well.

And talk! She could talk the hind leg off a donkey!

‘… and then, you see, Tossa — Oh, forgive me! May I call you Tossa? You see, I feel I know you already, your mother has talked so much about you. And you’re so like her, did you know that?’ Tossa knew it, and could hardly fail to be flattered by it, even though she often looked in the glass to find the homely, reassuring outlines of her father’s face, less obviously but just as surely there behind the delicate flesh, and the straight, bright, luminous gleam of fun in the eyes that could only have come from him. ‘…and then, his family made it quite impossible, you know. Oh, Satyavan was simply the new India in person, travelled, educated, sophisticated, brilliant and already rich in his own right… he had a company making beautiful cosmetics, and another one running travel agencies all over the east and the Middle East. The family were rupee millionaires even before him, but that was all in textiles, cottons and silks, and they really looked down on anything else. An old family, too, and these Punjabis are very proud. So I was the undesirable one, you see. His mother was broken- hearted when he married me. She’d been widowed for two years then, and Satyavan was the only child, and of course, you know, sons… Hindu sons… Sometimes I think that if only Anjli had been a boy… But she wasn’t, and then there weren’t any more children.’ She wiped away, discreetly and with great dignity, a non-existent tear. ‘Really we never had a chance to bridge the gulf. And it is a real gulf, one would need a lot of patience, and love, and craft… and luck! And luck we didn’t have.’

Dominic hedged his bet still more cautiously. Only a very clever woman would have used the word ‘craft’ just there. Moreover, Chloe, delicately fanning, her wide eyes on her fictional sister with all the critical admiration of a second watching his expert principal in a duel (and without any qualms whatsoever about the outcome), had raised one eyebrow with a connoisseur’s approbation, and the corners of her very charming and very knowing mouth had curled into an infinitesimal and brief smile of pleasure. What chance had any husband with women like these?

‘And he didn’t even try to get custody of Anjli?’ Tossa had seen the omens, too, and reacted with a blunt and discordant question; simply, thought Dominic, to see what would happen.

Dorette’s damask cheek bloomed into the most delicious peach colour, and again faded to the waxen white perfection of magnolias. Dominic was fascinated. The magicians of the world would go grey overnight, worrying how she did that in full view of her audience, at a range of a few feet, and in harsh film lighting.

‘Tossa, you must be charitable, you must understand… Poor Satyavan, you mustn’t think he didn’t love her…’ (Or why, thought Dominic ruthlessly, would you be shoving her off on to him now, you being the loving mother you are?) ‘Yes, he did try… indeed he tried very hard. But you see, at that time we were so bitter, both of us. And I fought just as hard. Perhaps it was simply that I was American… for after all, there is an understanding, don’t you think so?… of one’s own people? They gave her to me. That was all that mattered then. I didn’t think of him… of his mother… To an Indian woman sons and grandsons are everything, but even a granddaughter would be such joy… But it’s only afterwards that one realises the cost to other people. You mustn’t think I haven’t thought about this for a long time, and gone through agony. All these years, ever since she was six years old. I’ve had the joy of her, and he… My poor Satyavan…’ She made a little poem out of the name this time, the first ‘a’ muted to a throw-away sound almost like V, the second a long sigh of ‘aaah’! Her wisp of an embroidered Jane Austen handkerchief came into brief, subdued play. No doubt about it, Dorette was an artist.

Tossa’s dry little, gruff little voice said: ‘Yes, I do see, he must have missed her terribly!’ But Chloe’s undisturbed smile said serenely that Dorette was doing very well, and could afford to hold her fire. Perhaps she even read her daughter’s implacable motives; whatever the doubts about Dorette’s brain, now rapidly being revised, there had never been any doubts about Chloe’s. Dominic held his peace, and saw the Taj Mahal clear as in a vision.

‘Tossa, there’s a time even to give up what one wants and needs, a time to remember… not other people’s wants and needs, but theirs. The children’s.’ Dorette turned her head and gave them the benefit of her full blue stare, radiant and dazzling; and her beauty, of which they had heard so much and thought so little, was absurd, agonising, irresistible. They understood her power, and being immune to it made no difference when the rest of the world was vulnerable. She looked eighteen, agitated, appealing, Marianne to the life. The Austen irony was missing, perhaps, but this was between takes. ‘She has a whole family there, wanting and longing for an heir. She has a kingdom, you might say. What right have I to keep her from it? What can I give her to make up for it? In America she is just one little girl, not nearly a princess. And my husband…’ She looked momentarily doubtful about that word, but shouldered it and went on: ‘He has rights, too. She knows nothing of the world he can offer her, and she has a right to know everything before she makes a choice. When I marry again…’ Oh, noble, that brave lift of her head, facing the whole world’s censure for love! Or money. Or something! ‘…she will be watching us from a cool distance, I know that. She knows who her father was, she knows he is far away, and almost lost to her. I want to be honest with her! I want her to go to her father!’

A pale person in an unravelling pullover and a green eyeshade leaned through the pump-room palms and called: ‘Any time, Dorrie!’ and Miss Lester, switching from emotion and sincerity to a note of sharp practicality which Tossa found almost insulting, called back in quite a different tone: ‘Coming, Lennie! Give us three minutes more!’ and as promptly returned to character. As though Chloe’s two student stand-ins for a New England governess who declined to cross the world had been a couple of cameras trained on her. No more sales-talk was necessary, Chloe’s brief, reassuring glance had told her they were sold already; still, for her reputation’s sake she kept up the performance in a modified form and at an accelerated tempo.

‘My husband is expecting his daughter. I wrote to him a month ago, before I left the States, to tell him that she would be coming. He will be so happy to see her, and so grateful to you.’

For one brief and uncharacteristic moment she looked back, remembering a thin, fastidious face set in the tension of distaste and disbelief as he argued his case in court, with the dignity he was incapable of laying aside, and which had passed for arrogance and coldness. He could hardly be expected to compete with such an artist in