‘I could hardly read up this bit, could I? It only came to light today.’ She strained her eyes into the broken circle of darkness, and a breath of ancient tension and fear seemed to issue chillingly from the hole the river had torn in history. ‘But they’re quite big, those flues, if that’s their width. A man could creep through them.’

‘They had to be cleaned periodically. These aren’t unusual. But the size of the whole complex is, if I’m right about this.’

She let him help her back up the slope, round the other side of the danger area, and demonstrate by the skeletal walls where the various rooms of the baths lay, and their impressive extent.

She had no idea why she suddenly looked back, as they set off across the level turf that stretched above that mysterious underworld of brick-built labyrinths. The newness of the scar, the crudity of the glimpse it afforded into long-past prosperities and distresses, the very fact that no one, since this city was abandoned overnight, had threaded the maze below—a matter of fifteen centuries or more—drew her imagination almost against her will, and she turned her head in involuntary salute and promise, knowing she would come back again and again. Thus she saw, with surprise and disquiet, the young, dark head cautiously hoisted out of cover to peer after them. How could he be there? And why should he want to? The incalculable Boden had somehow worked his way round once again into forbidden territory, had been lurking somewhere in the bushes, waiting for them to leave. The twentieth century, inquisitive, irreverent, quite without feeling for the past, homed in upon this ambiguous danger-zone with its life in its hand.

She clutched at her companion’s arm, halting him in mid-spate and bringing his head round in respectful enquiry.

‘That boy! He’s there again—but inside the rope now! Why do they have to go where it says: Danger?’

Gus Hambro wheeled about with unexpectedly authoritative aplomb, just in time to see the well-groomed young head duck out of sight. He dropped Charlotte’s hand, took three large strides back towards the crest, and launched a bellow of disapproval at least ten times as effective as the hapless teacher’s appeals:

‘Get out of that! Yes, you! Want me to come and fetch you? And stay out!’

He noted the rapid, undignified scramble by which the culprit extricated himself from the ropes on the river path, followed by ominous little trickles of loose earth; and the exaggerated dignity with which he compensated as soon as he was clear, his slender back turned upon the voice that blasted him out of danger, his crest self- consciously reared in affected disregard of sounds which could not possibly be directed at him.

‘Those notices,’ announced Gus clearly to the general air, but not so loudly as to reach unauthorised ears, ‘mean exactly what they say. Anybody we have to dig out of there we’re going to skin alive afterwards. So watch it!’

It was at that point that Charlotte began seriously to like her guide, and to respect his judgement. ‘That’s it,’ he said, tolerantly watching the Boden boy’s swaggering retreat towards the curator’s house. ‘He’ll lay off now. His own shower weren’t around to hear that, he’ll be glad to get back to where he rates as a hero.’

She was not quite so sure, for some reason, but she didn’t say so. The tall, straight young back that sauntered away down-river, to come about in a wide circuit via the fence of the curator’s garden, and the box hedge that continued its line, maintained too secure an assurance, and too secret a satisfaction of its own, in spite of the dexterity with which it had removed itself from censure. This Boden observed other people’s taboos just so far as was necessary, but he went his own way, sure that no values were valid but his own. Still, he removed himself, if only as a gesture. That was something.

‘You did that very nicely,’ she said, surprising herself.

‘I try my best,’ he said, unsurprised. ‘After all, I’ve been sixteen myself. I know it’s some time ago, but I do remember, vaguely. And I’m not sure it isn’t all your fault.’

She felt sure by then that it was not; she was completely irrelevant. But she did not say so. She was beginning to think that this Gus Hambro was a good deal more ingenuous than he supposed; but if so, it was an engaging disability in him.

‘I was going to show you the laconicum,’ he said, and he turned and snuffed like a hound across the green, open bowl, and set out on a selected trail, nose to scent, heading obliquely for the complex of standing walls where several rooms of the ancient baths converged. The amber brickwork and rosy layers of tile soared here into the complicated pattern of masonry against the pale azure sky.

‘You see? That same floor we’ve been crossing reaches right to here, one great caldarium, with that hypocaust deployed underneath it all the way. And just here is the vent from the heating system, the column that brought the hot air directly up here into the room when required.’

It was merely a framework of broken, blonde walls, barely knee-high, like the shaft of a huge well, a shell withdrawn into a corner of the great room. Over the round vent a rough wooden cover, obviously modern, was laid. Gus put a hand to its edge and lifted, and the cover rose on its rim, and showed them a glimpse of a deep shaft dropping into darkness, partially silted up below with rubble.

‘Yes—it would take some money and labour to dig that lot out! Wonder what happened to the original cover? It would be bronze, probably. Maybe it’s in the museum, though I think some of the better finds went to the town museum in Silcaster.’

‘This is what you call the laconicum?’ she asked, drawing back rather dubiously from the dank breath that distilled out of the earth.

‘That’s it. Though you might, in some places, get the word laconia used for small hot-air rooms, too. They could send the temperature up quickly when required, by raising the cover—even admit the flames from the furnace if they wanted to. Come and have a look round the museum. If you’ve time? But perhaps you’ve got a long drive ahead,’ he said, not so much hesitantly as enquiringly.

‘I’m staying at “The Salmon’s Return”, just upstream,’ she said. ‘Ten minutes’ walk, if that. Yes, let’s see the museum, too.’

It was a square, prefabricated building, none too appropriate to the site, but banished to the least obtrusive position, behind the entrance kiosk. It was full of glass cases, blocks of stone bearing vestigial carving, some fragments of very beautiful lettering upon the remains of a stone tablet, chattering schoolboys prodding inquisitively everywhere, and the young teacher, perspiring freely now, delivering a lecture upon Samian ware. Boden was not among his listeners, nor anywhere in the three small, crowded rooms. By this time Charlotte would have felt a shock of surprise at ever finding that young man where he was supposed to be.

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