Wisely (although she didn't give him time, anyway) Ian didn't try to answer, as she twisted away again, and dropped down gracefully into the rocks below the monument, leaving the echo of his name on her bullet in the silence.
'Yes . . . well, I don't really need to enlarge on that — do I?'
Audley watched her go, and then turned back to them with the vestiges of his smile still in place, but with a mixture of pride and contempt edging it. 'But, then, perhaps I am indebted to you both — for teaching her a lesson about the Great British Press, to go with 'Don't talk to strangers'?'
''Us'?' Looking at her (rather than at Ian), his expression twisted. And the bugger of it was that she knew that look, having seen it on other men similarly caught between suspicion and desire; but she had not felt about them as she felt about him —
'We're in trouble, Dr Audley.' Self-preservation came to her rescue, adding tactics to inclination. 'We need your help.'
'My . . .
supposed to be investigating me, Miss Fielding-ffulke?'
''Fielding' — ' Everyone who wanted to shit on her waved that ridiculous name in her face ' — just 'Fielding', please, Dr Audley.'
'No 'ffulke'?' He cocked an eyebrow at her. 'But that's a fine old name, Miss Fielding-ffulke: Rudyard Kipling chose it in
'ffulke' —
Ian loomed up at her side — like the old Ian, at need: like the
'He did — yes.' No expression for Ian. 'He said you were investigating me. And he didn't suggest that I should be flattered, either.'
'We're only trying to find out the truth about Philip Masson's death, Dr Audley.'
'Only the truth? Well-well!' Audley sneered at the word, just as Mitchell had done before him. 'I wish you the worst of luck then, Mr Robinson.'
'You don't fancy the truth?' Against Audley's sudden dummy2
unpleasantness and the sense and the thrust of his own question, Ian was as respectful as a curate with a bishop nevertheless.
'My dear fellow! I've spent two-thirds of my life looking for the truth. But only in relation to other people, of course —
just like you. The truth about
— or make allowances for it, anyway. Because I am on holiday. And with my family — ' He raised a big blunt- fingered hand ' — and
were good family men, who loved their children, and their wives, and also went on holiday ... I realize that, Mr Robinson!' He smiled a terribly ugly smile, not at all sweetly, in spite of his best efforts. 'But . . . would you like all your little secrets dragged into the harsh light of day? Or of
'No.' Ian shook his head, still curate-respectful. 'Especially if they involved the death — or the murder — of another human being, Dr Audley . . .
'I didn't mean that, Mr Robinson. I meant exactly what I said.' Audley twisted slightly, peering down beside the monument where there was a gap in the rocks, as though to make sure that his wife and daughter were not within earshot. 'As it happens I have been 'involved', as you put it dummy2
so delicately, in the death of a number of human beings over the years. Since before you were born, in fact, Mr Robinson.'
The sneer was back. 'I started young, when I didn't know any better, with anonymous Germans in Normandy, saying
'shoot' to my gunner — second-hand work even then, you might say.'
—
'Ian — Mr Robinson — isn't talking about ancient history, Dr Audley,' she said sharply.
'Neither am I, Miss Fielding.' Audley almost sounded hurt by her sharpness. 'But ... old men have a habit of remembering the wounds they had on Crispin's day.' He shrugged. 'As it
— oh yes: I know all about him . . . And by 'all' I do mean