gone, but it was still Colonel Butler speaking, not Sir Jack. 'Until I'm satisfied that that second bullet didn't have your name on it I can't be sure that there isn't a third bullet still unfired, with Richardson's name on it. So you must exercise due caution in Naples, David. Is that understood?'
'Yes, Jack.' Or, as everyone was so fond saying,
2
They were waiting for him at Naples too, of course: they took him off the plane ahead of everyone else. Only this time, even though the stewardess treated him like a VIP, the rest of them were in two minds about him — even those who heard him addressed as
'Professore Audley? This way, if you please, Professore.'
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Everyone had looked at him when he'd arrived last and late.
Now, regardless of the Italian custom of upping even the most cobwebby doctorate to professorial status, the suspicious expressions on the faces of those passengers nearest to him suggested that they were mentally bracketing him with
But after that it was simpler, with no Heathrow labyrinth to negotiate, only a car waiting for him, with Paul Mitchell standing beside it.
Or, rather, three cars —
Or, rather . . . half the Italian army?
'Hi there, David.' In dark glasses and open-necked shirt Mitchell looked like any late-season English tourist, in striking contrast to Audley's Italian escort, whose shiny crumpled suit had shouted 'Policeman' in confirmation of those recent passenger-suspicions. 'Good flight?'
'What are all those soldiers doing?' Audley pointed past Mitchell.
'Don't worry. They're not your reception committee.' Mitchell waved an acknowledgement to shiny suit, who was hovering beside the rearmost car. 'There's some sort of anti-terrorist scare in progress . . . although they're calling it 'an exercise', like the SURE one you must have seen at Heathrow.' He re-directed the wave to the front car. 'So everyone's being screened and searched.' Now he opened the passenger door.
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'Everyone except us, that is . . . Get in, David, there's a good fellow . . . No, we're cleared to go out by the back entrance, with these special branch types for protection.'
Audley regarded the small battered Fiat with distaste.
'Yes . . . well, I'm sorry about the transport.' Mitchell grinned ruefully at him. 'Only, I wanted to drive you, so we could talk.
And this was all they could find at short notice. But... it is unobtrusive. And I have put the seat back as far as it'll go, anyway.'
'What about my bags?' Mitchell's rather strained cheerfulness was almost as irritating as the Fiat. 'And where's Elizabeth?'
'Elizabeth is chatting up the local cops and the
So that was the last of his luggage, thought Audley. But, although he couldn't see what the Italian customs service had to do with Peter Richardson, it was perhaps as well that Elizabeth was elsewhere, because there certainly wasn't room for her in the back of this car. 'I'm not worrying. Just tell me about Peter Richardson.'
The car started with a jerk which banged his knees against the dashboard.
'Damn! Sorry!' Mitchell struggled with the gear-box. 'This isn't exactly what I've been used to — it drives in Italian ... or dummy1
maybe Neapolitan — ah!'
Mitchell's pride and joy at home was a second-hand Porsche, which he had got cheaply for cash after the stock market crash, Audley remembered. Tell me about Peter Richardson, Mitchell.'
'Major Richardson — ?' Mitchell flogged the car to catch up with the unmarked police vehicle ahead. 'I thought you were the expert on the elusive Major, David?'
Audley's heart sank. So far from being an expert, he still thought of Peter Richardson as
'What d'you mean 'elusive'? Haven't you found him?'
The Fiat juddered to a halt, within inches of the leading car which had stopped at what was now a heavily defended exit, complete with a brace of light tanks.
'Yes . . . well . . . 'yes-and-no' is the answer to that, David.'
Mitchell peered through the dirty windscreen, watching the Italian special branch arguing with the Italian army. 'Or, rather, 'no-and-yes', more accurately.'
Audley felt his temper begin to slip, but then checked it. Of all his colleagues, apart from Jack Butler himself, he knew Paul Mitchell best. So now he could recognize the tell-tale signs under that accustomed casualness, for all that the dummy1
man's eyes were concealed behind sunglasses. And the 30-millimetre cannon which was more or less pointing