Larkin where the cars had stood waiting for a dribble of iron. They were pouring wheat into ore cars, into coal cars, into boarded stock cars that went spilling thin gold trickles along the track as they clattered off. They were pouring wheat into passenger coaches, over seats, racks and fixtures, to send it off, to get it moving, even if it went moving into track-side ditches in the sudden crash of breaking springs, in the explosions set off by burning journal boxes.
They fought for movement, for movement with no thought of destination, for movement as such, like a paralytic under a stroke, struggling in wild, stiff, incredulous jerks against the realization that movement was suddenly impossible. There were no other railroads: James Taggart had killed them; there were no boats on the Lakes: Paul Larkin had destroyed them. There was only the single line of rail and a net of neglected highways.
The trucks and wagons of waiting farmers started trickling blindly down the roads, with no maps, no gas, no feed for horses—moving south, south toward the vision of flour mills awaiting them somewhere, with no knowledge of the distances ahead, but with the knowledge of death behind them—moving, to collapse on the roads, in the gullies, in the breaks of rotted bridges. One farmer was found, half a mile south of the wreck of his truck, lying dead in a ditch, face down, still clutching a sack of wheat on his shoulders. Then rain clouds burst over the prairies of Minnesota; the rain went eating the wheat into rot at the waiting railroad stations; it went hammering the piles spilled along the roads, washing gold kernels into the soil.
The men in Washington were last to be reached by the panic. They watched, not the news from Minnesota, but the precarious balance of their friendships and commitments; they weighed, not the fate of the harvest, but the unknowable result of unpredictable emotions in unthinking men of unlimited power. They waited, they evaded all pleas, they declared, “Oh, ridiculous, there’s nothing to worry about! Those Taggart people have always moved that wheat on schedule, they’ll find some way to move it!”
Then, when the State Chief Executive of Minnesota sent a request to Washington for the assistance of the Army against the riots he was unable to control—three directives burst forth within two hours, stopping all trains in the country, commandeering all cars to speed to Minnesota.
An order signed by Wesley Mouch demanded the immediate release of the freight cars held in the service of Kip’s Ma. But by that time, it was too late. Ma’s freight cars were in California, where the soybeans had been sent to a progressive concern made up of sociologists preaching the cult of Oriental austerity, and of businessmen formerly in the numbers racket.
In Minnesota, farmers were setting fire to their own farms, they were demolishing grain elevators and the homes of county officials, they were fighting along the track of the railroad, some to tear it up, some to defend it with their lives—and, with no goal to reach save violence, they were dying in the streets of gutted towns and in the silent gullies of a roadless night.
Then there was only the acrid stench of grain rotting in half-smouldering piles—a few columns of smoke rising from the plains, standing still in the air over blackened ruins—and, in an office in Pennsylvania, Hank Rearden sitting at his desk, looking at a list of men who had gone bankrupt: they were the manufacturers of farm equipment, who could not be paid and would not be able to pay him.
The harvest of soybeans did not reach the markets of the country: it had been reaped prematurely, it was moldy and unfit for consumption.
On the night of October 15, a copper wire broke in New York City, in an underground control tower of the Taggart Terminal, extinguishing the lights of the signals.
It was only the breach of one wire, but it produced a short circuit in the interlocking traffic system, and the signals of motion or danger disappeared from the panels of the control towers and from among the strands of rail. The red and green lenses remained red and green, not with the living radiance of sight, but with the dead stare of glass eyes. On the edge of the city, a cluster of trains gathered at the entrance to the Terminal tunnels and grew through the minutes of stillness, like blood dammed by a clot inside a vein, unable to rush into the chambers of the heart.
Dagny, that night, was sitting at a table in a private dining room of the Wayne-Falkland. The wax of candles was dripping down on the white camellias and laurel leaves at the base of the silver candlesticks, arithmetical calculations were penciled on the damask linen tablecloth, and a cigar butt was swimming in a finger bowl. The six men in formal dinner jackets, facing her about the table, were Wesley Mouch, Eugene Lawson, Dr. Floyd Ferris, Clem Weatherby, James Taggart and Cuffy Meigs.
“Why?” she had asked, when Jim had told her that she had to attend that dinner. “Well... because our Board of Directors is to meet next week.” “And?” “You’re interested in what’s going to be decided about our Minnesota Line, aren’t you?” “Is that going to be decided at the Board meeting?” “Well, not exactly.” “Is it going to be decided at this dinner?” “Not exactly, but... oh, why do you always have to be so definite? Nothing’s ever definite. Besides, they insisted that they wanted you to come.” “Why?” “Isn’t that sufficient?”
She did not ask why those men chose to make all their crucial decisions at parties of this kind; she knew that they did. She knew that behind the clattering, lumbering pretense of their council sessions, committee meetings and mass debates, the decisions were made in advance, in furtive informality, at luncheons, dinners and bars, the graver the issue, the more casual the method of settling it. It was the first time that they had asked her, the outsider, the enemy, to one of those secret sessions; it was, she thought, an acknowledgment of the fact that they needed her and, perhaps, the first step of their surrender; it was a chance she could not leave untaken.
But as she sat in the candlelight of the dining room, she felt certain that she had no chance; she felt restlessly unable to accept that certainty, since she could not grasp its reason, yet lethargically reluctant to pursue any inquiry.
“As, I think, you will concede, Miss Taggart, there now seems to be no economic justification for the continued existence of a railroad line in Minnesota, which...” “And even Miss Taggart will, I’m sure, agree that certain temporary retrenchments seem to be indicated, until...” “Nobody, not even Miss Taggart, will deny that there are times when it is necessary to sacrifice the parts for the sake of the whole...” As she listened to the mentions of her name tossed into the conversation at half-hour intervals, tossed perfunctorily, with the speaker’s eyes never glancing in her direction, she wondered what motive had made them want her to be present. It was not an attempt to delude her into believing that they were consulting her, but worse: an attempt to delude themselves into believing that she had agreed. They asked her questions at times and interrupted her before she had completed the first sentence of the answer. They seemed to want her approval, without having to know whether she approved or not.
Some crudely childish form of self-deception had made them choose to give to this occasion the decorous setting of a formal dinner. They acted as if they hoped to gain, from the objects of gracious luxury, the power and the honor of which those objects had once been the product and symbol—they acted, she thought, like those savages who devour the corpse of an adversary in the hope of acquiring his strength and his virtue.
She regretted that she was dressed as she was. “It’s formal,” Jim had told her, “but don’t overdo it... what I mean is, don’t look too rich... business people should avoid any appearance of arrogance these days... not that you should look shabby, but if you could just seem to suggest... well, humility... it would please them, you know, it would make them feel big.” “Really?” she had said, turning away.
She wore a black dress that looked as if it were no more than a piece of cloth crossed over her breasts and falling to her feet in the soft folds of a Grecian tunic; it was made of satin, a satin so light and thin that it could have served as the stuff of a nightgown. The luster of the cloth, streaming and shifting with her movements, made it look as if the light of the room she entered were her personal property, sensitively obedient to the motions of her body, wrapping her in a sheet of radiance more luxurious than the texture of brocade, underscoring the pliant fragility of her figure, giving her an air of so natural an elegance that it could afford to be scornfully casual. She wore a single piece of jewelry, a diamond clip at the edge of the black neckline, that kept flashing with the imperceptible motion of her breath, like a transformer converting a flicker into fire, making one conscious, not of the gems, but of the living beat behind them; it flashed like a military decoration, like wealth worn as a badge of honor. She wore no other ornament, only the sweep of a black velvet cape, more arrogantly, ostentatiously patrician than any spread of sables.
She regretted it now, as she looked at the men before her; she felt the embarrassing guilt of pointlessness, as if she had tried to defy the figures in a waxworks. She saw a mindless resentment in their eyes and a sneaking trace of the lifeless, sexless, smutty leer with which men look at a poster advertising burlesque.
“It’s a great responsibility,” said Eugene Lawson, “to hold the decision of life or death over thousands of people and to sacrifice them when necessary, but we mast have the courage to do it.” His soft lips seemed to twist
