curls on top; he kept his right hand in the pocket of his trousers.

“You will please dress, Mr. Galt,” said Chick Morrison persuasively, pointing to the door of the bedroom, where a closet had been filled with expensive garments which Galt had not chosen to wear. “You will please put on your dinner clothes.” He added, “This is an order, Mr. Galt.”

Galt walked silently into the bedroom. The three men followed. Chick Morrison sat on the edge of a chair, starting and discarding one cigarette after another. The valet went through too many too courteous motions, helping Galt to dress, handing him his shirt studs, holding his coat. The muscular man stood in a corner, his hand in his pocket. No one said a word.

“You will please co-operate, Mr. Galt,” said Chick Morrison, when Galt was ready, and indicated the door with a courtly gesture of invitation to proceed.

So swiftly that no one could catch the motion of his hand, the muscular man was holding Galt’s arm and pressing an invisible gun against his ribs. “Don’t make any false moves,” he said in an expressionless voice.

“I never do,” said Galt.

Chick Morrison opened the door. The valet stayed behind. The three figures in dinner clothes walked silently down the hall to the elevator.

They remained silent in the elevator, the clicks of the flashing numbers above the door marking their downward progress.

The elevator stopped on the mezzanine floor. Two armed soldiers preceded them and two others followed, as they walked through the long, dim corridors. The corridors were deserted except for armed sentinels posted at the turns. The muscular man’s right arm was linked to Galt’s left; the gun remained invisible to any possible observer. Galt felt the small pressure of the muzzle against his side; the pressure was expertly maintained: not to be felt as an impediment and not to be forgotten for a moment.

The corridor led to a wide, closed doorway. The soldiers seemed to melt away into the shadows, when Chick Morrison’s hand touched the doorknob. It was his hand that opened the door, but the sudden contrast of light and sound made it seem as if the door were flung open by an explosion: the light came from three hundred bulbs in the blazing chandeliers of the grand ballroom of the Wayne-Falkland Hotel; the sound was the applause of five hundred people.

Chick Morrison led the way to the speakers’ table raised on a platform above the tables filling the room. The people seemed to know, without announcement, that of the two figures following him, it was the tall, slender man with the gold-copper hair that they were applauding. His face had the same quality as the voice they had heard on the radio : calm, confident—and out of reach.

The seat reserved for Galt was the place of honor in the center of the long table, with Mr. Thompson waiting for him at his right and the muscular man slipping skillfully into the seat at his left, not relinquishing his arm or the pressure of the muzzle. The jewels on the naked shoulders of women carried the glitter of the chandeliers to the shadows of the tables crowded against the distant walls; the severe black-and white of the men’s figures rescued the room’s style of solemnly regal luxury from the discordant slashes made by news cameras, microphones and a dormant array of television equipment. The crowd was on its feet, applauding. Mr. Thompson was smiling and watching Galt’s face, with the eager, anxious look of an adult waiting for a child’s reaction to a spectacularly generous gift. Galt sat facing the ovation, neither ignoring it nor responding.

“The applause you are hearing,” a radio announcer was yelling into a microphone in a corner of the room, “is in greeting to John Galt, who has just taken his place at the speakers’ table! Yes, my friends, John Galt in person— as those of you who can find a television set will have a chance to see for yourself in a short while!”

I must remember where I am—thought Dagny, clenching her fists under the tablecloth, in the obscurity of a side table. It was hard to maintain a sense of double reality in the presence of Galt, thirty feet away from her. She felt that no danger or pain could exist in the world so long as she could see his face—and, simultaneously, an icy terror, when she looked at those who held him in their power, when she remembered the blind irrationality of the event they were staging. She fought to keep her facial muscles rigid, not to betray herself by a smile of happiness or by a scream of panic.

She wondered how his eyes had been able to find her in that crowd.

She had seen the brief pause of his glance, which no one else could notice; the glance had been more than a kiss, it had been a handshake of approval and support.

He did not glance again in her direction. She could not force herself to look away. It was startling to see him in evening clothes and more startling still that he wore them so naturally; he made them look like a work uniform of honor; his figure suggested the kind of banquet, in the days of a distant past, where he would have been receiving an industrial award. Celebrations—she remembered her own words, with a stab of longing—should be only for those who have something to celebrate.

She turned away. She struggled not to look at him too often, not to attract the attention of her companions. She had been placed at a table prominent enough to display her to the assembly, but obscure enough to keep her out of the line of Galt’s sight, along with those who had incurred Galt’s disfavor: with Dr. Ferris and Eugene Lawson.

Her brother Jim, she noted, had been placed closer to the platform; she could see his sullen face among the nervous figures of Tinky Holloway, Fred Kinnan, Dr. Simon Pritchett. The tortured faces strung out above the speakers’ table were not succeeding in their efforts to hide that they looked like men enduring an ordeal; the calm of Galt’s face seemed radiant among them; she wondered who was prisoner here and who was master. Her glance moved slowly down the line-up of his table: Mr. Thompson, Wesley Mouch, Chick Morrison, some generals, some members of the Legislature and, preposterously, Mr. Mowen chosen as a bribe to Galt, as a symbol of big business. She glanced about the room, looking for the face of Dr. Stadler; he was not present.

The voices filling the room were like a fever chart, she thought; they kept darting too high and collapsing into patches of silence; the occasional spurts of someone’s laughter broke off, incompleted, and attracted the shuddering turn of the heads at the neighboring tables. The faces were drawn and twisted by the most obvious and least dignified form of tension: by forced smiles. These people—she thought—knew, not by means of their reason, but by means of their panic, that this banquet was the ultimate climax and the naked essence of their world. They knew that neither their God nor their guns could make this celebration mean what they were struggling to pretend it meant.

She could not swallow the food that was placed before her; her throat seemed closed by a rigid convulsion. She noticed that the others at her table were also merely pretending to eat. Dr. Ferris was the only one whose appetite seemed unaffected.

When she saw a slush of ice cream in a crystal bowl before her, she noticed the sudden silence of the room and heard the screeching of the television machinery being dragged forward for action. Now—she thought, with a sinking sense of expectation, and knew that the same question mark was on every mind in the room. They were all staring at Galt. His face did not move or change.

No one had to call for silence, when Mr. Thompson waved to an announcer: the room did not seem to breathe.

“Fellow citizens,” the announcer cried into a microphone, “of this country and of any other that’s able to listen—from the grand ballroom of the Wayne-Falkland Hotel in New York City, we are bringing you the inauguration of the John Galt Plan!”

A rectangle of tensely bluish light appeared on the wall behind the speakers’ table—a television screen to project for the guests the images which the country was now to see.

“The John Galt Plan for Peace, Prosperity and Profit!” cried the announcer, while a shivering picture of the ballroom sprang into view on the screen. “The dawn of a new age! The product of a harmonious collaboration between the humanitarian spirit of our leaders and the scientific genius of John Galt! If your faith in the future has been undermined by vicious rumors, you may now see for yourself our happily united family of leadership!... Ladies and gentlemen”—as the television camera swooped down to the speakers’ table, and the stupefied face of Mr. Mowen filled the screen—“Mr. Horace Bussby Mowen, the American Industrialist!” The camera moved to an aged collection of facial muscles shaped in imitation of a smile. “General of the Army Whittington S. Thorpe!” The camera, like an eye at a police line-up, moved from face to scarred face—scarred by the ravages of fear, of evasion, of despair, of uncertainty, of self-loathing, of guilt. “Majority Leader of the National Legislature, Mr. Lucian Phelps!... Mr. Wesley Mouch!... Mr. Thompson!” The camera paused on Mr. Thompson; he gave a big grin to the nation, then turned and looked off screen, to his left, with an air of triumphant expectancy. “Ladies and gentlemen,” the

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