'Someone else at his firm, then?'
'One-man band,' Grimm stated.
'I'm sure it'll all work out,' Clarke remarked crisply. She'd had enough of their bellyaching. 'Reason we're here is, some of Mr Riordan's recordings have been salvaged from the house. Most, however, went up in smoke. I'm wondering if he kept copies.'
'Might be some in the storeroom,' Grimm conceded. 'I was always warning that he didn't back up enough…' He met her eyes. 'The hard disks didn't make it?'
'Mostly not. We've brought some stuff with us, wondered if maybe you'd have better luck than us.'
Grimm gave a shrug. 'I can take a look.' Clarke handed her car keys to Goodyear.
'Fetch up the bags,' she said. The phone had started ringing, and Harmison picked it up.
'CR Studios, how can I help you?' She listened for a moment. 'No, I'm sorry,' she began to apologise. 'We can't take on any new work at the moment, due to unforeseen circumstances.'
Clarke still had the engineer's attention. “You could go it alone,'
she told him quietly. 'I mean the two of you…' Glancing towards Harmison. He nodded and got up, walked over to the desk and gestured for the telephone. 'One moment, please,' Harmison said into the mouthpiece. 'I'm just going to hand you over to Mr Grimm.'
'How can I help?' Terry Grimm asked the caller. Harmison wandered over towards Clarke, her arms folded again, as if to form a shield against further blows.
'First time I was here,' Clarke said, 'Terry hinted that Mr Riordan recorded everything.'
The secretary nodded. 'One time, the three of us went out for dinner. They brought something we hadn't ordered. Charlie pulled this little recorder from his pocket and played it back to the staff, proving it was them to blame.' She was smiling at the memory.
There've been times I'd have done the same,' Clarke acknowledged.
The, too. Plumbers who promise to be there at eleven… people on the phone who say the cheque's in the post…'
Clarke was smiling now, too. But Harmison's face fell again.
'I feel so sorry for Terry. He's worked every bit as hard as Charlie, probably put in more hours, truth be told.'
'What sort of work have you got on just now?'
'Radio ads… couple of audio books… plus editing the Parliament project.'
'What Parliament project?'
“You know they have a Festival of Politics every year?'
'I didn't, actually.'
'Had to happen – we've got festivals for everything else. This coming year, there's an artist they've commissioned to put something together. He works in video and so on, and he wanted a sound collage to go with whatever it is he's doing.'
'So you've been taping stuff at the Parliament?'
'Hundreds of hours of it.' Harmison nodded towards the battery of machines. But Grimm was clicking his fingers, gaining her attention.
'I'll just put my assistant back on,' he was telling the caller. 'And she'll fix up a meeting.'
Harmison fairly trotted towards the desk and the appointments diary. Clarke reckoned it was his use of 'assistant' that had done it. No longer a mere secretary or receptionist…
Grimm was nodding in gratitude as he approached Clarke.
'Thanks for the tip,' he said.
'Hazel was just telling me about the Festival of Politics.'
Grimm turned his eyes heavenwards. What a nightmare. Artist hadn't a clue what he wanted. Bounces around between Geneva and New York and Madrid… We'd get the occasional e-mail or fax.
Get me some sounds of a debate, but make sure it's heated. All the meetings of one of the committees… some of the guided tours…
interviews with visitors… He'd be vague as hell, then tell us we hadn't done what he wanted. Luckily we kept all his e-mails.'
'And of course Charlie would have taped any meetings or phone calls?'
'How did you guess?'
'Hazel told me.'
'Well, our artist friend loved that. I mean, not everyone likes it when they find out they've been secretly taped…'
'I can imagine,' Clarke drawled.
'But he thought it was hysterical.'
'Sounds like a big project, though.'
'Nearly done. I put together two hours of collage, and so far he seems to like it. Plans to use it with some video installation at the Parliament building.' Grimm gave a shrug, which seemed to sum up his attitude to 'artists'.
“What's his name?'
'Roddy Denholm.'
'And he's not based in Scotland?'
'Has a flat in the New Town, but never seems to be there.'
The intercom buzzed, letting them know Goodyear was back with the spools of tape and the digital recorders.
'What is it you think we might get from them?' Grimm asked, staring at the polythene sacks as Goodyear placed them on the floor.
'To be honest, I'm not sure,' Clarke admitted. Hazel Harmison had finished making the appointment and was now staring in
morbid fascination at the sacks. She'd folded her arms once more, but it wasn't proving at all effective.
'Did you make the appointment for today or tomorrow?' Grimm asked her, hoping to divert her attention.
'Midday tomorrow.'
'This recording you've been doing at the Parliament…' Clarke asked Grimm. “You said you'd been taping one of the committees – mind if I ask which one?'
'Urban Regeneration,' he stated. 'Not exactly a cauldron of human drama, believe me.'
'I believe you,' Clarke told him. Interesting all the same. 'So was it you doing the actual recording rather than Mr Riordan?'
'Both of us.'
'That committee's chaired by Megan Macfarlane, isn't it?'
'How do you know that?'
“You might say I've got an interest in politics. Mind if I take a listen?'
'To the Urban Regeneration Committee?' He sounded nonplussed.
'You've gone beyond an “interest in politics”, Sergeant…'
She took the bait: 'And into what?'
'Masochism,' he stated, turning towards the mixing desk.
'Gill Morgan?' Rebus asked into the intercom. He was standing outside a door on Great Stuart Street. Cars rumbled across the setts, taking drivers and passengers to Queen Street and George Street. The morning rush hour wasn't quite over and Rebus had to lean down, ear pressed to the intercom's loudspeaker, to make out the eventual reply.
'What is it?' The voice sounded bleary.
'Sorry if I woke you,' Rebus pretended to apologise. 'I'm a police officer, a few follow-up questions regarding Miss Sievewright.'
“You've got to be joking.' Bleary and irritated.
'Wait till you hear the punchline.'
