years of starflight.
This was the future, she thought. This was what it felt like to be alive in a time of miracles and wonders.
And she had the nerve to feel tired?
A servitor, resembling a mechanical owl assembled from sheets of hammered bronze, floated in the middle of the space. It spread its wing primaries and clacked open its hinged beak. It had the piping voice of a steam-age automaton.
“Greetings, Deputy Field Prefect Ng. I am Miracle Bird. It is a pleasure to welcome you inside House Aubusson. A reception is waiting on the half-gravity landing stage. Please be so kind as to follow me.”
“A reception,” Thalia said, gritting her teeth.
“That’ll be nice.”
The bronze bird led Thalia into an elevator carriage. The carriage’s windowless interior was covered in polished teak and dimpled maroon plush, offset with ivory Japan-work. The bird inverted itself and tucked its talons into hooks on what was evidently to become the ceiling. With a whirr of geared mechanics, its head spun around.
“We will descend now. Please be so kind as to fold down the seat and secure yourself. Gravity will increase.”
Thalia took the cue and parked herself on the fold-out seat, tucking her equipment cylinder between her knees. She felt a rush of acceleration, blood pooling in the top of her head.
“We are descending now,” the bird informed her.
“We have some distance to travel. Would you care to see the view on the way?”
“If it isn’t too much trouble.”
The panel opposite Thalia morphed into transparency. She found herself looking down the length of House Aubusson, all sixty kilometres of it. She had boarded the elevator on the inner surface of one of the endcaps of the sausage-shaped habitat, and was now travelling from the pole of the endcap hemisphere towards the point where it joined the main cylinder of the structure. The elevator’s trajectory curved gradually from vertical to horizontal, even though the cabin remained at the same angle. They had been moving for some while already, yet the ground was still the better part of four kilometres below, enough to make even the nearest surface features appear small and toy-like. For now the sloping terrain whizzing past Thalia consisted of featureless white cladding and fused regolith mined from Marco’s Eye, interrupted here and there by some huge Art Deco chunk of environmental-regulation machinery.
Apart from the endcaps, the entire interior surface of the habitat was landscaped. Sixty kilometres away, atmospheric haze diluted detail and colour into a twinkling wash of pale blue, indistinguishable from ocean or sky. Nearer—until about halfway along the cylinder—it was still possible to make out the signatures of communities, grids or whorls embossed like thumbprints into clay. There were no huge cities, but there were dozens, even hundreds, of towns, villages and hamlets nestled amidst dense-packed greenery, curving around the shores of artificial seas and lakes and along the banks of man-made rivers and streams. There were hills, valleys, rock faces and waterfalls. There were sprays of mist shot through with rainbows. There were low-lying clouds, seemingly pasted onto the curving landscape. Nearer still, Thalia made out not merely communities, but individual buildings, marinas, plazas, parks, gardens and recreation grounds. Few of the buildings were more than a few hundred metres tall, as if they dared not violate the wide blue emptiness that made up most of the habitat’s volume. There was no interior illumination source, but from her descending vantage point Thalia easily made out the bands of windows she had seen before, from outside. Now that she was looking down the length of the interior of the habitat, they became a series of dark concentric rings, Thalia counting a dozen or more of them before perspective and haze made it difficult to separate one from the next. House Aubusson might pass into the shadow of Yellowstone during each ninety-minute orbit around the planet, but it was most unlikely that its citizens would live or work on anything other than the standard twenty-six-hour cycle of Chasm City time. Far above and below the ecliptic plane of the Glitter Band, client mirrors would steer illumination onto those windows even when the habitat was out of direct line of sight of Epsilon Eridani.
Thalia felt the elevator slowing.
“We are arriving now,” the metal owl said, just as the view outside switched from distant vistas to the interior of a windowed landing stage. The door opened; Thalia disembarked. Her legs felt like springy concertinas in the half-standard gravity. Across the platform, with their backs to the window, stood a motley-looking welcoming committee. There were about a dozen of them, men and women of all ages and appearances, dressed in what appeared to be civilian clothes. Thalia looked around helplessly, wondering who she should be talking at.
“Hello, Prefect,” said a plump woman with apple-red cheeks, stepping forward from the group. There was a nervous catch in her voice, as if she was not accustomed to public speaking.
“Welcome to the halfway house. We’d have met you at the hub, but it’s been a long time since any of us were in zero-gravity.”
Thalia put down the cylinder.
“It’s all right. I’m used to making my own way.”
A lanky, stooping man raised his hand.
“Did Miracle Bird tell you everything you needed to know?”
“Does the owl belong to you?”
“Indeed,” the man said, beaming. He raised an arm, bent at the elbow, and the owl flapped out of the elevator, crossed the space between Thalia and the party and made a precision touchdown on the man’s sleeve.
“I’m an excellent bird,” the owl said.
“It’s my hobby,” he said, stroking the creature under its segmented neck.
“Making mechanical animals, using only techniques available to the PreCalvinists. Keeps me off the streets, my wife says.”
“That’s nice for you,” Thalia commented.
“They were going to go with one of Bascombe’s automata until they remembered what happened the last time one of them malfunctioned. That’s when Miracle Bird got bumped to the top of the list.”
“What list?” Thalia looked at the peculiar gathering. There was nothing ragged or untidy about any of the individual members of the group—everyone was well dressed, colourful without being gaudy, well groomed, respectable in demeanour—but the cumulative effect was far from harmonious. Like a circus troupe, she thought, not a civic delegation.
“Who are you people?”
“We’re your reception committee,” the plump woman said.
“That’s what the owl told me.”
Another individual stepped forward to speak. He was a severe-looking gentleman in an ash-grey skin-tight suit with deep lines on either side of his mouth and a shock of stiff grey-white hair shaved close at the temples, his long-boned hands knitted together.
“Perhaps one of us should explain. You are inside one of the most egalitarian states in the Glitter Band.” He had a very low, very reassuring voice, one that made Thalia think of dark knotted wood, polished smooth by generations of hands.
“Comparatively few states practise true Demarchist principles behind their own doors, in the sense of abolishing all governmental structures, all formalised institutions of social control. Yet that is absolutely the case in House Aubusson. Possibly you were expecting a formal reception, attended by dignitaries of varying rank and pomposity?”
“I might have been,” Thalia allowed.
“In Aubusson, there are no dignitaries. There is no authority except the transparent government of the collective will. All citizens wield a similar amount of political power, leveraged through the machinery of democratic anarchy. You ask who we are. I’ll tell you, beginning with myself. I am Jules Caillebot, a landscape gardener. Most recently I worked on the redevelopment of the botanic gardens in the quarter adjoining the open-air theatre in Valloton, a community between the fifth and sixth windows.” He gestured towards the plump woman who had been the first to speak.
“I’m an utter nobody,” she said, with a kind of cheery defiance, her earlier nervousness no longer
