The witching hour

hospital to place objects in his hands.

In the shower, he touched the wall. He saw that woman, that dead woman again. She’d been in this room three weeks. “I don’t want to take a shower,” she’d said. “I’m sick, don’t you understand?” Her daughter-in-law had made her stand there. He had to get out of the stall. He fell down exhausted in the bed, shoving his hands under the pillow.

There had been a few flashes as he first smoothed the tight leather gloves over his fingers. Then he rubbed his hands together slowly, so that everything was a blur, image piling upon image until nothing was distinct, and all the various names tumbling through his mind made a noise-then quiet.

Slowly he reached for the knife on the supper tray. He was seeing something but it was pale, silent, men gone. He lifted the glass, drank the milk. Just a shimmer. All right! These gloves were working. The trick was to be quick about every gesture.

And also to get out of here! But they wouldn’t let him. “I don’t want a brain scan,” he said. “My brain is fine. It’s my hands that are driving me crazy.”

But they were trying to help-Dr. Morris, the chief resident, and his friends, and his Aunt Vivian who stayed at his side by the hour. At his behest, Dr. Morris had contacted the ambulance men, and the Coast Guard, the Emergency Room people, the skipper of the boat who had revived him before the Coast Guard had been able to find her-anybody who might have remembered his saying something important. After all, a single word might unlock his memory.

But there were no words. Michael had mumbled something when he opened his eyes, the skipper had said, but she hadn’t been able to make out a specific word. It began with an L, she thought, a name, maybe. But that was all. The Coast Guard took him up after that. In the ambulance he’d thrown a punch. Had to be subdued.

Still, he wished he could talk to all those people, especially the woman who’d brought him around. He told the press that when they came to question him.

Jimmy and Stacy remained with him late each night. His Aunt Vivian was there each morning. Therese finally came, timid, frightened. She didn’t like hospitals. She couldn’t be around sick people.

He laughed. Wasn’t that California for you, he thought. Imagine saying something like that. And then he did the impulsive thing. He ripped off the glove and grabbed her hand.

Scared, don’t like you, you’re the center of attention, knock it off all this, I don’t believe you drowned out there, ridiculous, I want to get out of here, I, you should have called me.

“Go on home, honey,” he said.

Sometime during the silent hours, one of the nurses slipped a silver pen into his hand. He’d been sound asleep. The gloves were on the table.

“Tell me her name,” she said.

“I don’t get her name. I see a desk.”

“Try harder.”

“A beautiful mahogany desk with a green blotter on it.”

“But the woman who used the pen?”

“Allison.”

“Yes. Where is she?”

“I don’t know.”

“Try again.”

“I tell you I don’t know. She gave it to you, and you put it in your purse, and this morning, you took it out. It’s just images, pictures, I don’t know where she is. You’re in a cafe, and you’re drawing on the napkin with the pen. You’re thinking about showing it to me.”

“She’s dead, isn’t she?”

“I don’t know, I told you. I don’t see it. Allison, that’s all I see. She wrote a grocery list with it, for Chrissakes, you want me to tell you what was on the list?”

“You have to see more than that.”

“Well, I don’t!” He put back on the gloves. Nothing was going to make him take them off again.

He left the hospital the following day.

The next three weeks were an agony. A couple of Coast Guard men called him, so did one of the ambulance drivers, but they had nothing really to tell him that would help. As for the rescue boat, the woman wanted to remain out of it. And Dr. Morris had promised her that she would. Meantime, the Coast Guard admitted to the press that they had failed to record the name of the craft or its registry. One of the newspapers referred to it as an ocean- going cruiser. Maybe it was on the other side of the world.

Michael realized by this time that he had told his story to too many people. Every popular magazine in the country wanted to talk to him. He could not go out at all without a reporter blocking his path and some perfect stranger placing a wallet or photograph in his hand, and the phone wouldn’t stop ringing. Mail piled up at the door, and though he kept packing his suitcase to leave, he could not bring himself to do it. Instead he drank-ice-cold beer all day long, then bourbon when the beer did not make him numb.

His friends tried to be loyal. They took turns talking to him, trying to calm him, trying to get him to lay off the drink, but it was no good. Stacy even read to him because he couldn’t read himself. He was wearing everybody down and he knew it.

The fact was, his brain was teeming. He was trying to figure things out. If he couldn’t remember, he could understand about all this, this earthshaking thing, this awful thing. But he knew he was rambling on and on about “life and death,” about what had happened “out there,” about the way the barriers between life and death were crumbling in our popular art and in our serious art. Hadn’t anybody noticed? Movies and novels always told you what was going on. You just had to study them to see it. Why, he’d seen it before this even happened.

Take Bergman’s film Fanny and Alexander. Why, the dead just come walking in and talk to the living. And the same thing happened in Ironweed. In Cries and Whispers didn’t the dead just get up and talk? And there was some comedy out now, and when you considered the lighter movies, it was happening with even greater frequency. Take The Woman in White, with the little dead girl appearing in the bedroom of the little boy, and there was Julia with Mia Farrow being haunted by that dead child in London.

“Michael, you’re bashed.”

“It isn’t only horror movies, don’t you see? It’s happening in all our art. Take the book The White Hotel, any of you read that? Well, it goes on right past the heroine’s death into the afterlife. I tell you, something is about to happen. The barrier is breaking down, I myself talked to the dead and I came back, and on some subconscious level we all know the barrier is breaking.”

“Michael, you have to calm down. This thing with the hands … ”

“I don’t want to talk about that.” But he was bashed, that he had to admit, and he intended to stay bashed. He liked being bashed. He picked up the phone to order another case of beer. No need for Aunt Viv to go out for anything. And then there was all that Glenlivet Scotch he’d stashed away. And more Jack Daniel’s. Oh, he could stay drunk till he died. No problem.

By phone he finally shut down the company. When he’d tried to work, his men had told him pointedly to go home. They couldn’t get anything done with his constant talking. He was hopping from subject to subject. And then there was the reporter standing there asking him to demonstrate the power for the woman from Sonoma County. And something else was plaguing him, too, which he could not confide to anyone: he was receiving vague emotional impressions from people whether he touched them or not.

A certain free-floating telepathy it seemed; and there were no gloves to shut it off. It wasn’t information he received; it was merely strong impressions of like, dislike, truth or falsehood. Sometimes he was so caught up in this, he only saw people’s lips moving. He didn’t hear their words at all.

This highly charged intimacy, if that was the proper thing to call it, alienated him to the core.

He let the contracts go, transferring everything in the space of an afternoon, making sure all his men got work, and then closing his small shop on Castro which sold vintage Victorian fixtures.

It was OK to go indoors, to lie down, to pull the curtains, and drink. Aunt Viv sang in the kitchen as she cooked for him meals he didn’t want to eat. Now and then he tried to read a little of David Copperfield, in order to escape from his own mind. At all the worst moments of his life, he had always retired to some remote corner of the world and read David Copperfield. It was easier and