thinking.

Lusting after the devil like a witch. She laughed softly.

And it seemed unfair suddenly, very unfair that he should be her sworn enemy before they’d even met.

“What are you waiting for?” she asked aloud. “Are you like the shy vampire of myth who must be invited in? I think not. This is your home. You’re here now. You’re listening to me and watching me.”

She sat back in the chair, her eyes running over the murals as they slowly came to life in the pale sunlight. For the first time she spied a tiny woman naked in the window of the dim plantation house in the painting. And another faded nude seated upon the dark green bank of the small lagoon. It made her smile. Rather like discovering a secret. She wondered if Michael had seen these two tawny beauties. Oh, the house was full of undiscovered things, and so was its sad and melancholy garden.

Beyond the windows, the cherry laurel suddenly swayed in the breeze. In fact, it began to dance as if a wind had caught its stiff dark limbs. She heard it stroke the banister of the porch. It scraped against the roof above, and then settled back to itself, as the wind moved on, it seemed, to the distant crepe myrtle.

Entrancing the way the high thin branches, full of pink blossoms, succumbed to the dance, and the entire tree thrashed against the gray wall of the neighboring house, and sent down a shower of dappled, fluttering leaves. Like so much light falling in tiny pieces.

Her eyes misted slightly; she was conscious of the relaxation of her limbs, of giving in to a vague dreaminess. Yes, look at the tree dance. Look at the cherry laurel again, and the shower of green coming down on the boards of the porch. Look at the thin limbs reaching all the way in to scrape the windowpanes.

With a dull shock, she focused her eyes, staring at the branches, staring at their concerted, deliberate movement as they stroked the glass.

“You,” she whispered.

Lasher in the trees, Lasher the way Deirdre would make him come outside the boarding school. And Rita Mae never knew what she’d actually described to Aaron Lightner.

She was rigid now in the chair. The tree was bending close, and then swaying back ever so gracefully, and this time the branches veritably blotted out the sun, and the leaves tumbled down the glass, broken and spinning. Yet the room was warm and airless.

She did not remember rising to her feet. But she was standing. Yes, he was there. He was making the trees move, for nothing else on earth could make them move like that. And the tiny hairs were standing up on the backs of her arms. And she felt a vague chill over her scalp, as if something were touching her.

It seemed the air around her changed. Not a breeze, no. More like a curtain brushing her. She turned around, and stared out through the empty window at Chestnut Street. Had there been something there, a great dense shadow for a moment, a thing contracting and then expanding, like a dark sea being with tentacles? No. Nothing but the oak across the street. And the sky growing ever more radiant.

“Why don’t you speak?” she said. “I’m here alone.”

How strange her voice sounded.

But there were other sounds intruding now. She heard voices outside. A truck had stopped; and she could hear the scrape of the gate as the workmen pushed it back on the flagstones. Even as she waited, her head bowed, there came the turning of the knob.

“Hey, there, Dr. Mayfair … ”

“Morning, Dart. Morning, Rob. Morning, Billy.”

Heavy feet mounted the stairs. With a soft deep vibration, the little elevator was being brought down, and soon its brass door opened with the familiar dull clang.

Yes, their house now.

She turned sluggishly, almost stubbornly, and gathered together the entire trove of treasures. She took them into the china pantry and put them in the large drawer, where the old tablecloths had once been, moldering, before they were discarded. The old key was still in the lock. She turned it and put the key in her pocket.

Then she went back out, steps slow, uneasy, relinquishing the house to the others.

At the gate, she turned and looked back. No breeze at all in the garden. Just to make certain of what she’d seen, she turned and followed the path, around and past her mother’s old porch, and back to the servants’ gallery that ran along the dining room.

Yes, littered with curling green leaves. Something brushed her again, and she turned around, her arm up as if to defend herself from a dangling spiderweb.

A stillness seemed to drop down around her. No sounds had followed her here. The foliage grew high and dense over the balustrade.

“What keeps you from speaking to me?” she whispered. “Are you really afraid?”

Nothing moved. The heat seemed to rise from the flagstones beneath her. Tiny gnats congregated in the shadows. The big drowsy white ginger lilies leaned over close to her face, and a dull crackling sound slowly drew her eye to the depths of the garden patch, to a dark tangle from which a vagrant purple iris sprang, savage and shivering, a hideous mouth of a flower, its stem snapping back now as though a cat darting through the brush had bent it down carelessly.

She watched it sway and then right itself and grow still, its ragged petals trembling. Lurid, it looked. She had the urge to put her finger into it, as if it were an organ. But what was happening to it? She stared, the heat heavy on her eyelids, the gnats rising so that she lifted her right hand to drive them away. Was the flower actually growing?

No. Something had injured it, and it was breaking from its stem, that was all, and how monstrous it looked, how enormous; but it was all in her perspective. The heat, the stillness, the sudden coming of the men like intruders into her domain right at the moment of her greatest peace. She could be sure of nothing.

She took her handkerchief out of her pocket and blotted her cheeks, and then walked down the path towards the gate. She felt confused, unsure-guilty that she’d come alone, and uncertain that anything unusual had happened.

All her many plans for the day came back to her. So much to do, so many real things to do. And Michael would be getting up just about now. If she hurried, they might have breakfast together.

Thirty-five

MONDAY MORNING MICHAEL and Rowan went downtown together to obtain their Louisiana driver’s licenses. You couldn’t buy a car here until you had the state driver’s license.

And when they turned in their California licenses, which they had to do in order to receive the Louisiana license, it was sort of ceremonial and final and oddly exciting. Like giving up a passport or citizenry, perhaps. Michael found himself glancing at Rowan, and he saw her secretive and delighted smile.

They had a light dinner Monday night at the Desire Oyster Bar. A searing hot gumbo, full of shrimp and andouille sausage; and ice-cold beer. The doors of the place were open along Bourbon Street, the overhead fans stirring the cool air around them, the sweet, lighthearted jazz pouring out of the Mahogany Hall bar across the street.

“That’s the New Orleans sound,” Michael said, “that jazz with a real song in it, a joie de vivre. Nothing ever dark in it. Nothing ever really mournful. Not even when they play for the funerals.”

“Let’s take a walk,” she said. “I want to see all these seedy joints for myself.”

They spent the evening in the Quarter, roaming away from the garish lights of Bourbon Street finally, and past the elegant shop windows of Royal and Chartres, and then back to the river lookout opposite Jackson Square.

The size of the Quarter obviously amazed Rowan, as well as the feeling of authenticity which had somehow survived the renovations and the various improvements. Michael found himself overwhelmed again by the inevitable memories-Sundays down here with his mother. He could not argue against the improvements of curbs and street lamps, and new cobblestones laid around Jackson Square. The place seemed if anything more vital now than it had been in its shabbier and more volatile past.

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