“You will burn in hell,” she said.
A bit of terror went through me.
I wanted to answer, to say so much more…I wanted to tell her all, or all of what there was, but she had risen from the table, thrown down her napkin as if it were a glove, and gone out.
Ah, so she told it to Mary Beth. When Mary Beth came to fetch me, I whispered those dreaded words:
“Slay the flesh that is not human…”
“Ah, now, darling, don’t fuss, please,” she said. “Go out and have a good time.”
When I came out onto the front gallery, the Stutz Bearcat was cooking and ready, and off we went, I and my little ones, Stella and Lionel. We drove past Amelia Street, but we did not stop to see to Evelyn, for we feared we would do more harm than good.
It was to Storyville, to the houses of my favorite ladies, that we went.
I think it was dawn when we came home. I remember now that night as distinctly as all else because it was my last in Storyville, listening to the jazz bands, and singing, and taking the children with me right into the fancy parlors of the brothels. Oh, how shocked were my lady friends! But there is nothing in a brothel that cannot be bought.
Stella loved it! This was living, cried Stella, this was life. Stella drank glass after glass of champagne and danced on her tiptoes. Lionel wasn’t so certain. But it didn’t matter. I was dying! As I sat in the cram-packed parlor of Lulu White’s house, listening to the ragtime piano, I thought, I am dying. Dying! And I was as self-centered about it as anyone else. The world shrank and revolved around Julien. Julien knew a storm was coming. And he could not be there to help! Julien knew all pleasure, adventure and triumph were over! Julien was going to be placed in the tomb like everyone else.
That morning when we arrived home, I kissed my Stella. I told her that it had been a grand occasion, and then I retired to the attic, certain that I would never leave it again.
I lay in the dark night after night, thinking. What if somehow I could come back? What if somehow I could stay earthbound as this thing has done?
After all, if it is Ashlar, one of the many Ashlars, a saint, a king, the vengeful ghost, a mere human-! The dark made noises back to me. The bed trembled. I thought of that verse again…the flesh that isn’t human.
“Have you come to trouble me or content me?” I asked.
“Die in peace, Julien,” he said. “I would have given you my secrets the first day I came with you to this house. I told you then that such a place could draw you out of eternity, that it was as the castles of old. Remember its patterns, Julien, its graceful battlements. And through the mist you will see them, distinct. But you would not have my lessons then. Will you have them now? I know you. You are alive. You didn’t want to hear about death.”
“I don’t think you know about death,” I said. “I think you know about wanting, and haunting, and living! But not death.”
I got out of bed. I cranked up the Victrola just to drive the thing away from me. “Yes, I want to come back,” I whispered. “I want to come back. I want to remain earthbound, to stay, to be part of this house. But God, I swear it, in my soul of souls, it is not greed to live again, it is that the tale is unfinished, the daemon continues, and I die! I would help, I would be an angel of the Lord somehow. Oh, God, I do not believe in you. I do not believe in anything but Lasher and myself.”
I started pacing. I paced and paced and played the waltz of Violetta, a song that seemed utterly oblivious to every kind of sorrow, something so frivolous yet so organized that I found it irresistible.
Then a moment came, so unusual as perhaps to have been unique. In all my long life, I had never been so caught off guard as I was at this moment, and it was by the face of a small girl at my window, a waif of a child crouched upon the high porch roof.
At once I opened the stubborn sash.
“Eve a Lynn,” I said. And perfumed, and soft, and wet from the spring rain, she came into my arms.
“How did you come to me, darling?” I asked her.
“Up the trellis, Oncle Julien, hand over hand. You have shown me an attic is not a prison. I will come to you as long as I can.”
We made love; we talked together. I lay there with her as the sun came up. She told me they were being kind to her now, letting her go places, that she walked in the evening all the way up the Avenue, and down to Canal Street, that she had ridden in a car again, that she had real shoes. Richard had bought her pretty dresses. Cortland had bought her a coat with fur on the collar. Mary Beth even had given her a silver-backed mirror and a silver- handled comb.
At dawn I sat up and cranked the Victrola. We danced to the waltz. It was a crazy morning, the kind of crazy morning that follows carousing and drunkenness and wandering from dance halls to taverns, yet it had all taken place in this room. She wore only her petticoat then, trimmed in pink lace, and a ribbon in her hair. We danced and danced about the room, giggling, laughing, until finally someone…ah yes, Mary Beth, opened the door.
I only smiled. I knew my angelic child would visit me again.
In the dark of the night, I talked to the Victrola.
I told it to hold the spell. Of course I did not believe in these things. I had steadfastly refused to believe in them. Yet now I pared my nails and slipped them in between the bottom wood and the side wood. I clipped my hair, and slipped that beneath the turntable. I bit my fingers and drew blood and smeared it into the dark stain. I made the thing like a doll of myself, like the witches’ dolls, and I sang the waltz.
I played the waltz and said, “Come back, come back. Be at hand if they need you. Be at hand if they call you. Come back, come back.”
I was possessed of a terrible vision, that I was dead and rising and the light was coming, and that I turned my back on it, and plummeted with my arms out, digging deep into an air which became thicker and thicker, as dense as it was dark. Earthbound. And it seemed the night was choked with spirits like mine, lost souls, fools, fearing hell, and not believing in Paradise. And the waltz played on.
I saw finally the futility of all these gestures, that witchcraft is but a matter of focus-that one can apply one’s fierce and immeasurable energies to an act of choice. I would come back! I would come back. I sang it out to the walls.
Come back.
Beware the watchers in that hour!
Yes, come back in that hour!
Michael, remember now all the verses I’ve told you.
Remember. See what they say! Michael, I tell you I would not be here if the battle were over. The hour we speak of is yet to come. You have used love, yes, you have done that and it was not enough. But there are other tools you can use. Remember the poem, “crude and cruel.” Do not hesitate when you see it. Do not let the goodness hold you back.
Why else have I been allowed to come here? Why else have I been allowed once more to hear that waltz beneath this roof? In a moment you must play it for me, Michael, my waltz, my little Victrola. Play it when I am not here.
But let me tell you now of the last few nights I remember. I’m growing tired. I can see the finish of these words, but not the finish of the story. That is yours to tell. Let me give the few words left. And remember your promise. Play the music for me, Michael. Play it, for whether I go to heaven or hell is not yet known by either of us, and perhaps never will be known.
It was a week after, that I gave the little Victrola to Evelyn. I had taken advantage of an afternoon when no one was about, sending Richard up to fetch her, and tell her to come as soon as she could. I had the boys bring up for me a large Victrola from the dining room, a sizable music box with a fine tone.
And then, when Evie and I were alone, I told her to take the little Victrola up home and keep it and never let it out of her hands till after Mary Beth was gone. I didn’t even want Richard to know she’d taken it, for fear he would blab to Mary Beth if she put the screws to him. I told Evie, “You take it, and sing as you walk out with it, sing
