“What about the surge protectors?”
“Toasted.”
“Did we lose anything?”
“No.”
Daniela motions him to her desk. “Have you ever heard of Jawad Stadium?”
“Nope.”
“It was rebuilt. The work was finished two years ago.” She points to the list of numbers on the black screen. New drainage. Covered stands. Changing rooms. Seating for forty-five thousand. Turf imported from Sweden.”
“Duplicate payments,” says Glover.
“Nearly forty-two million dollars.”
“Who was the contractor?”
“Bellwether Construction. Bahamas registered. It subcontracted the work to various Iraqi companies.”
“What do you want to do?”
“Put a call in to the US Embassy. Find out which of the Provisional Reconstruction Teams approved the rebuild.”
“I thought we weren’t supposed to go back any further than May twentieth 2006.”
“The dates aren’t clear on this one.”
Glover gives her a youthful grin, knowing she’s overstepping her authority.
“You want me to mention this to Jennings?”
“Not just yet.”
Jennings is the State Department’s “man on the ground” who has been complaining about the audit since day one. He calls Daniela regularly, offering to answer her questions and reminding her that “this is a war zone” and to “ignore the random,” whatever that means. He also seems to be laboring under the misapprehension that she works for the US and not the UN.
Glover pauses at the door.
“Hey, your friend called.”
“What friend?”
“He left his name.”
There is a pause. “Presumably you wrote it down.”
“It was Italian sounding.”
“Luca?”
“That may have been it. He said he’d call back.”
“Did he leave a number?”
“No.”
He disappears down the corridor and she can hear his Converse trainers squeaking on the tiles like blind kittens.
20
The small attic room has a sloping ceiling, a window and a skylight. It reminds Holly of her last foster home, where she had slept on a bed between steamer trunks full of old paintings and boxes of self-help books. The house is gone now. She burnt it down. The flames were fifty feet high. Old books and oil paints are good fuel. Holly had stood on the far side of the road and watched the great arcs of water being poured on the burning house, marveling at how the moisture evaporated in the heat, creating clouds of steam.
Some people put out fires, other people start them and the rest watch blissfully from the perimeter with flames dancing in their eyes. That’s the power of the match. Struck against the side of a box, balanced between two fingers, given the right fuel, it can raze a house or fell a forest. Rome burned. So did Dresden. Holly’s world burned that night.
She was sent to a psych ward and then to a children’s home where she spent two years. When she turned eighteen she no longer had to answer to judges and social workers. She was free, but freedom didn’t come with a safety net. That’s why Zac was so important. Darling Zac.
Holly grips the edge of the mattress and feels her throat begin to close. Maybe this is what grief feels like. Suffocating. Paralyzing.
If Zac were here, he would tell her to cup her hands over her mouth and breathe deeply. Count slowly. Relax. After a time the anxiety passes. She pushes back the bedclothes and begins searching through the wardrobe, choosing clothes: jeans, a plaid shirt, a scarf, a leather satchel…
Ruiz is downstairs, sitting at the kitchen table reading a newspaper.
“You found some clothes.”
Holly nods. “Is it OK if I take this?” She holds up the satchel.
“Sure. You want breakfast? There is cereal, bread, eggs, bacon…”
“I don’t eat bacon.”
“Eggs then?”
She doesn’t answer.
Sitting opposite him, she stares at the back of his newspaper without reading the words. He pours tea and spoons sugar. Stirs. The spoon sounds loud against the rim of the cup. Without warning, Holly begins to speak.
“Were you really a copper?”
“Yes.”
“Why’d you give it up?”
“It gave me up.”
“You got fired?”
“I got retired.”
Holly has tied her hair up in a scarf, which makes her look like a 1940s aircraft worker.
“Why are you being so nice to me?”
“Do I need a reason?”
“Well it doesn’t happen very often. And people who are nice to me usually end up leaving or dying.”
“Who else has died?”
“My brother… my parents.”
“How old were you?”
“Seven.”
“What happened to them?”
Holly shakes her head and changes direction. “I knew a guy at school, Scott Kernohan. He got hit by a train.” She changes direction again. “How did your wife die?”
“Cancer.”
“Did you remarry?”
“Twice.”
Holly looks at a framed montage of family photographs on the wall beside the fridge. Snapshots of weddings, dinners, holidays, children’s concerts, birthday celebrations, anniversaries.
“When is your daughter getting married?”
“On Saturday.”
“I saw the invitation.”
“When you were robbing me?”
Holly lets the comment slide. “Do you like the guy she’s marrying?”
“Sure.”
She smiles wryly.
“What’s that look for?”
