The room looked ordinary, with the same standard-issue metal shelves and cabinets as the rest of the library, the same fluorescent lights. And yet something was different here. Behind the usual buzz of the fluorescent lights and the pneumatic tubes, I heard another, deeper hum. 

Then I noticed the smell. It was the same smell I’d noticed in the boots. Or was it? I stood just inside the door sniffing the air, mesmerized. Raw pumpkin? Mineral oil? Blood? 

A pneum whizzed through a pipe in the ceiling, startling me. I remembered what I was doing there. I had boots to shelve and no time to lose. 

The shoe section—*GC 391.413-391.413099—filled a whole aisle. Those Grimm brothers, or whoever had continued their collection, apparently had quite a thing for footwear. Most of it was in pretty rough shape. On a low shelf I counted twelve pairs of fancy little slippers with holes in their soles, like the ones in my favorite story about the twelve dancing princesses. 

Could they be those shoes, the ones that had inspired the story? Could the dancing princesses have been real, like Marie Antoinette? 

I felt a shiver run through me, like the one I’d felt looking at Marie Antoinette’s wig. Not that their story made factual sense as the Grimm brothers told it, of course—it couldn’t actually be true, with its cloak of invisibility and its magical forests with gold and silver trees. But why couldn’t the princesses themselves have once been girls like me, living girls who loved to dance? Somebody with real feet had worn holes in those shoes—they looked as battered as my last year’s ballet slippers. I wished I could show these to my mother. She’d be as amazed as I was. 

Nearby was a series of worn-out shoes with iron soles, all gaping at the heel. Above them, glass slippers. Hadn’t Dr. Rust told me they didn’t have Cinderella’s? These looked as though they could have been hers. They were far, far too small for me, anyway. Was there a real girl who inspired the Cinderella story too? A real Cinderella! Was I dreaming this? 

More metal shoes, including some awful-looking iron ones, stained with what looked like old blood. Ugh! Just rust, I hoped. Pair after pair of boots. Wooden clogs carved like little boats, with dragons for figureheads. A pair of sandals with worn straps and tired-looking wings on the heels, folded like a sleeping pigeon’s. When I reached out to touch the wings, to see if the feathers were real, they fluttered, startling me. I pulled my hand back, remembering Anjali’s warning—though surely it was just a draft of air. 

The decoy boots were right where Anjali said they’d be, in the second cabinet under call number I *GC 391.413 S94. Except for the number on the tag, they looked just like the ones in the plastic bag I was carrying. If I got the tags confused, I would never be able to tell them apart. 

Maybe by smell? I sniffed the boots I’d taken from the cabinet. They smelled of leather and dust, with cheesy undertones of feet. I put them down and sniffed the pair Anjali had given me. Now the mysterious smell was so strong my eyes watered. 

I switched the tags and put Anjali’s boots in the cabinet. It felt right, like a puzzle piece clicking into place. That made me feel better about what I was doing. My promise to Mr. Mauskopf and his warning about the thefts had been eating at me; switching the boots seemed so sneaky. But clearly the boots with the strong smell were the right ones, the valuable ones—and I was helping return them, not steal them. That couldn’t be so wrong, could it? 

I heard a slight noise. Footsteps! Someone was coming! 

As quietly as I could, I shut the cabinet and looked around for somewhere to hide. 

Against the wall were some metal mesh sliding walls, like the ones that held the paintings on Stack 7. I slipped behind them and stood as flat and still as possible, trying to look like a painting. 

I was only just in time. Peering around a picture frame and through the mesh, I saw Ms. Minnian, the skinny, bespectacled librarian, come striding down the aisle in her flat, pointy shoes. She stopped right in front of the cabinet where I’d just put the boots. 

She opened the cabinet and took out the boots. She stroked them with her fingertips, frowning, then brought them to her nose for a sniff. Still frowning, she lifted her head and sniffed the air. 

I had a horrible feeling she was sniffing for me.

I froze and held my breath.

To my relief, Ms. Minnian shut the cabinet and walked back up the aisle. She paused again at another cabinet, then continued on toward the door. I heard it click shut as she left.

I let out my breath but stayed behind the picture wall for a minute, just to make sure she wouldn’t come back.

When I reached the door, though, I found my relief had been premature. I was locked in.

Chapter 7:

A disagreement with a mirror

I rattled the door handle as I sang the rhyme and tried the barrette at different angles, but nothing worked. Had I gotten the rhyme wrong again? I didn’t think so—I was using the same one that had opened the door before.

Maybe that was the problem. I wasn’t out this time; I was in. Maybe I needed to tell that to the door.

“In is in and shut is shut, turn the key and crack the nut. Pull the door and break the shell: let me out and all is well,” I sang hopefully. I took a deep breath and tried the handle.

Still nothing.

Forget secrecy. Now it was time to panic.

I banged on the door. It hurt my hands, but it barely made a noise. I banged again harder and hurt my toes kicking, but I couldn’t hear anything except the hum of the lights and that strange hum behind the hum.

My cell phone had no signal. I walked up and down the aisles looking for a phone to call for help, but I didn’t see one anywhere, just metal shelves and cabinets laden with sinister objects. No other doors, and no windows, either.

What if there were a fire? What if the ceiling collapsed? What if I were stuck here forever?

I sat down and leaned against the door, telling myself to calm down. I took stock of my supplies. I had a granola bar and half a bottle of water in my jacket pocket; at least I wouldn’t die of starvation and thirst even if I had to stay overnight. Someone was bound to come, I told myself. The worst I could expect would be a boring few hours, followed by getting caught and losing my job.

What if I needed to go to the bathroom, though?

As soon as I thought of it, my bladder started making itself noticed.

Well, there might not be a ladies’ room in the Grimm Collection, but there was sure to be something I could use, like a witch’s cauldron. I checked the card catalog for cauldrons and found three of them, call numbers I *GC 133.44 H36, I *GC 133.44 M33, and I *GC 133.44 T47. They were shelved with bowls, cauldrons, and brooms in a row of cabinets facing the picture rack.

I was reaching for the smallest one—not to use it right away, just to make sure I could, if worse came to worst—when I remembered Anjali’s warning. If the thought of me touching the stuff on the shelves was enough to make her frantic with worry, what would she say to my using one of the items as a Porta Potti?

On the other hand, maybe that wouldn’t be so inappropriate after all, I thought bitterly. The urine of a terrified maiden sounded like exactly the sort of ingredient witches liked to put in their cauldrons.

A thud came from the front of the room, making me jump.

When the thumping sound came again, I recognized it: a pneum falling into a basket in the front of the room where the GC had its staging area.

Of course! I kicked myself for not thinking of it sooner. I could send Anjali a pneum asking her to let me out.

Anjali—help, I’m locked in, I wrote on a blank call slip. I didn’t put in any details in

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