“Because some of the teddy bears will not get a treat,” said Bertie. “Only those who have been good. That’s what the song says.
Dr Fairbairn’s eyes widened and he scribbled a note on a pad of paper before him. “They get nothing, I’m afraid. Do you think that you would get something if you went on a picnic, Bertie?”
“No,” said Bertie. “I would not. The teddy bears who set fire to their Daddies’ copies of
There was a silence. Then Dr Fairbairn asked another question.
“Why did you set fire to Daddy’s copy of
Bertie thought for a moment. Dr Fairbairn was clearly mad, but he would have to keep talking to him; otherwise the psychotherapist might suddenly kill both him and his mother.
“No,” he said. “I like Daddy. I don’t want to set fire to Daddy.”
“And do you like
“No,” said Bertie. “I don’t like
“Why?” asked Dr Fairbairn.
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“Because it’s always telling you what you should think,” said Bertie. “Just like Mummy.”
“That bit about teddy bears was most interesting,” said Dr Fairbairn, thoughtfully. “He had constructed all sorts of anxieties around that perfectly simple account of a bears’ picnic.
Quite remarkable.”
“Very strange,” said Irene.
“And as for that exchange over
“Absolutely,” said Irene. “I’ve never pushed him to do anything. All his little enthusiasms, his Italian, his saxophone, are of his own choosing. I’ve merely facilitated.”
“Of course,” said Dr Fairbairn hurriedly. “I knew as much.
But then children misread things so badly. But it’s certainly nothing for you to worry yourself about.”
He paused, placing his coffee cup down on its saucer. “But then that dream he spoke about was rather fascinating, wasn’t it?
The one in which he saw a train going into a tunnel. That was interesting, wasn’t it?”
“Indeed,” said Irene. “But then, Bertie has always had this thing about trains. He goes on and on about them. I don’t think there’s any particular symbolism in his case – he really is dreaming about trains
But not Bertie.”
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“But what about tunnels?” asked Dr Fairbairn.
“We have one in Scotland Street,” said Irene. “There’s a tunnel under the road. But nobody’s allowed to go into it.”
“Ah,” said Dr Fairbairn. “A forbidden tunnel! That’s very significant!”
“It’s closed,” said Irene.
“A forbidden tunnel would be,” mused Dr Fairbairn.
They both thought about this for a moment, and then Dr Fairbairn, reaching out for his cup of coffee, returned to the subject of dreams. “I have never underestimated the revelatory power of the dream,” he said. “It is the most perfect documentary of the unconscious. The film script of both the id and the ego – dancing their terrible dance, orchestrated by the sleeping mind. Don’t you think?”
“Oh, I do,” said Irene. “And do you analyse your own dreams, Dr Fairbairn?”
“Most certainly,” he replied. “May I reveal one to you?”
“But, of course.” Irene loved this. It must be so lonely being Dr Fairbairn and having so few patients – perhaps none, apart from herself – with whom he could communicate on a basis of intellectual and psychoanalytical equality.
“My dream,” said Dr Fairbairn, “occurred some years ago –
many years in fact, and yet my memory of it is utterly vivid. In this dream I was somewhere in the West – Argyll possibly – and staying in a large house by the edge of a sea loch. The house was a couple of hundred yards from the edge of the loch, and it was set about with grass of the most extraordinary verdant colour.