and he had gone back to his empty house that day (Pat had been in Australia and Maureen in Kelso, at her difficult brother’s house), and he had sat and reflected on loneliness and on how few, how very few, are the human bonds that lie between us and the state of being completely alone. How many such bonds did the average person have? Five? Ten? In his case, he thought, it seemed as if the answer was two.
7
So it was natural that he should feel trepidation about any decision that Pat should make, because that decision could always be to go back to Australia. That was what he dreaded above all else, because he knew that if she did that, he would lose her.
He wanted her to stay in Edinburgh, or go to Glasgow at the most. Her choice of St Andrews University was perfect in his mind; that was just up the road and completely unthreatening.
Now, in the cluttered surroundings of the Canny Man’s, he steeled himself for impending loss. “You said that you’d made a major decision?”
Pat looked at her father. “Yes. I’ve decided not to go to St Andrews after all.”
He caught his breath. She was returning to Australia. How few were the words needed to end a world.
Pat saw nothing in her father’s face of the hollow dread he felt.
He was accomplished at concealing his feelings, of course, as all psychiatrists must be. He had heard such a range of human confessions that very little would cause him so much as to raise an eyebrow or to betray, with so much as a transitory frown, disapproval over what people did, or thought, or perhaps thought about doing. And even now, as he sat like a convicted man awaiting his sentence, he showed nothing of his emotion.
“Yes,” said Pat. “I’ve written to St Andrews and told them that I don’t want the place next month. They’ve said that’s fine.”
“Fine,” echoed Dr Macgregor faintly. But how could it be
“I’ve decided to go to Edinburgh University instead,” went on Pat. “I’ve been in touch with the people in George Square 8
and they say I can transfer my St Andrews place to them. So that’s what I’m going to do. Philosophy and English.”
For a moment Dr Macgregor said nothing. He looked down at his shoes and saw, as if for the first time, the pattern of the brogue. And then he looked up and glanced at his daughter, who was watching him, as if waiting for his reaction.
“You’re not cross with me, are you?” said Pat. “I know I’ve messed you around with the two gap years and now this change of plans. You aren’t cross with me?”
He reached out and placed his hand briefly on hers, and then moved his hand back.
“Cross is the last thing I am,” he said, and then burst out laughing. “Does that sound odd to you? Rather like the word order of a German or Yiddish speaker speaking English? They say things like, ‘Happy I’m not,’ don’t they? Remember the Katzenjammer Kids?”
Of course she didn’t. Nor did she know about
Pat smiled. “I’m glad,” she said. “I just decided that I’m enjoying myself so much in Edinburgh that I should stay. Moving to St Andrews seemed to me to be an interruption in my life.
I’ve got friends here now . . .”
“And friends are so important,” interrupted her father, trying to think of which friends she had in mind, and trying all the time to control his wild, exuberant joy. There were school friends, of course; the people she had been with at the Academy during the last two years of her high school education. He knew that she kept in touch with them, but were those particular friendships strong enough to keep her in Edinburgh? Many of them had themselves gone off to university elsewhere, to Cambridge in one or two cases, or to Aberdeen or Glasgow.
Was there a boy, perhaps? There was that young man in the flat in Scotland Street, Bruce Anderson; she had obviously been keen
9
on him but had thought better of it. What about Matthew, for whom she worked at the gallery? Was he the attraction? He might speculate, but any results of his speculation would not matter in the slightest. The important thing was that she was not going to Australia.
“Matthew says that I can continue to work part-time at his gallery,” Pat went on. “I can do some mornings for him and Saturdays too. He says . . .” She paused. Modesty might have prevented her from continuing, but she wanted to share with her father the compliment that Matthew had passed. “I hope you don’t think I’m boasting, but Matthew says that I have an eye for art and that the only way in which he thinks he can keep the gallery going is by having me there.”
“That’s good of him,” said her father, thinking, but not saying, dependence: weak male, looking for somebody to look after him.
“Mind you, I’m not surprised. You’ve always been good at art.
You’re good at everything, you know.”
She glanced at him sideways, reproving him for the compliment, which had been overheard at a neighbouring