“Interpreter speaks in Chinese for four or five minutes.
Informant 3 is silent. Interpreter speaks again, raising his hand at one point as if to strike informant 3. Informant 3 speaks for two minutes, and then is silenced by a threatening look from interpreter, who translates: ‘My husband is a selfish man. He likes to keep the money he earns under his bed. There is a trunk there which is locked with a key which he keeps tucked away in his sarong. That is where the money is. He gives me a small amount each week on Monday and I go to the market to buy provisions. There is never quite enough, but if I ask him for money he shouts at me. People are always shouting at me.’
“Interpreter: ‘This is a very self-pitying woman. Her husband is a good man. It must be very difficult to be married to a woman like this. That is all she has to say.’
“DM: ‘Please thank her.’
“Interpreter: ‘That will not be necessary.’”
“So you will understand, James, how very difficult it is for me to get accurate information. However, I persist!
“But now let us move on from such matters to more intriguing issues. There are, I think, several mysteries here, and I find myself increasingly drawn to them. One of these is the question of what happened to the Belgian anthropologist who apparently preceded me here and whose doings, alas, remain obscure. Nobody seems willing to talk about him, and when I raised him with Ling I met a very unambiguous brick wall. The poor man died while doing
his field work, and the other day I chanced upon his grave when I was walking down a path that led to the sea. I found myself in a clearing in the jungle and there, under a tree, was a rather poignant marker which simply said: HERE LIES AN ANT. I found this very puzzling. Why should he be so described?
“Then I had an idea, and yesterday I went down that path again.
I had the feeling that there were eyes on me, and indeed at one point when I turned round I’m pretty sure that I saw a quick movement in the bush. I was frightened, I’ll admit, but not too frightened to abandon my mission. So I continued, still with that feeling that somebody was not far away. From time to time, I stopped and mopped my brow – the jungle is frightfully sticky, rather like the humid part of the hot house in the Royal Botanic Garden at Inverleith (Edinburgh references are so reassuring, James, when one is in the real jungle; it makes one feel that one could turn a corner and suddenly find Jenners there, which would be wonderful, but too much to ask for, alas!). Eventually, I reached the clearing and there was the grave and its rather sad little marker. So far from home, poor man; so far from everything that Belgians appreciate (whatever that is). Such a very poignant place.
“I sat down near the grave and, rather unexpectedly, the words of a hymn came into my mind. It was the hymn which dear Angus Lordie composed (you know how peculiar he is), and which he once sang at a dinner party in my flat in Scotland Street. If I remember correctly, he called it ‘God Looks Down on Belgium’ and the words went through my mind, there by that poor man’s grave. “God’s never heard of Belgium/But loves it just the same” . . . and so on.
“I was humming away to myself when I suddenly noticed a piece of wood lying by the grave. I picked it up and read what was painted on it: HROPOLOGIST.
“Hropologist? And then I realised, and that solved that mystery. Part of the marker had fallen off. No ant lay there.
“HERE LIES AN ANTHROPOLOGIST. What a touching tribute. If I don’t return from these parts, that is all I would wish for. That, and no more.
“Yours aye, Domenica.”
272
Some of the members of the Edinburgh Teenage Orchestra had been to Paris before, while others, including Bertie, had not. In fact, Bertie had been nowhere before, except for the trip he had made to Glasgow with his father, and so to be here in the great city, sitting in a bus on his way to the hotel on the Boulevard Garibaldi, was seventh heaven indeed. And when the bus trun-dled across a bridge and they found themselves close to that great landmark, the Eiffel Tower, there was an excited buzz of conversation among the young musicians. For a few minutes they were lured out of the cultivated insouciance of adolescence into a state of frank delight, experiencing, for a moment, that thrill which comes when one sees, in the flesh, some great icon; as when one walks into the relevant room of the Uffizi and sees there, before one, Botticelli’s
Such experiences may become too much – and awaiting those who lay themselves open to cultural epiphany is that curious condition, Stendhal Syndrome. This afflicted Stendhal on his visit to Florence in 1817, and is brought about by seeing great works of art, there before one, and simply being overcome by their beauty. Shortness of breath, tachycardia, and delusions of persecution may result; in other words, a complicated swoon.
Bertie was not a candidate for Stendhal Syndrome. He was thrilled to be in Paris, and he stuck his nose to the window of the bus and gazed, open-mouthed, at the streets of the elegant city. But he was in no danger of swooning; he was merely absorbing and filing away in memory that which he saw: the old Citroen Traction parked by a small
outside a florists; the crowded tables of a pavement cafe; these were all sights that Bertie would remember.
And then they arrived at their hotel. This was one of those typical small Parisian hotels, occupying six narrow floors of a building overlooking a raised portion of the Metro. Bertie was put in a room on the second floor with Max, his companion from the flight, and from the window of this room he could look out onto the Metro track and see the trains rattle past. For Bertie, who had always been interested in trains, it was the best possible view, and, as he sat on the end of his bed, he thought of the immense good fortune that had brought him to this point in his life. Now he glimpsed what he had thought existed but which had always seemed to be out of his reach – a life in which he was not constantly being cajoled by his mother into doing something, but in which he was, to all intents and purposes, his own master. It was a heady feeling.
