away from the pain, and held the rifle with her right hand so she could rub her shoulder with the left. She hadn’t expected the rifle to do anything like that, and the surprise and hurt distracted her for a minute from looking to see whether or not she’d hit her target.

It was a pint milk carton—a half-and-half carton, really—that she’d put on the ground in the middle of the backyard, between the house and the lake. She’d stood up on the porch, in the doorway, and aimed carefully at the cow on the carton, and very slowly squeezed the trigger.

And she’d missed. Coming down from the porch, she looked at the carton to find it untouched, and the ground around it also untouched. She frowned at that, and ranged wider, and could see absolutely no sign of the bullet anywhere at all.

Hadn’t it fired? The rifle had punched her in the shoulder, and she remembered from the Remington instruction booklet that that was called recoil. But had it been more recoil than normal, and was that because the bullet had somehow gotten jammed inside the barrel? She almost looked in the barrel to see, but recognized what that picture would look like from cartoons in magazines, and refrained.

She stood in the yard, holding the rifle in both hands, looking this way and that like a pioneer woman searching for Indians, and then noticed the window in the side wall of the boathouse. It had twelve smallish panes, three across and four down. She put the rifle to her shoulder again and peered down over the sights at the bottom middle pane.

As she started to squeeze the trigger, she felt her shoulder shrinking away from the rifle butt. That was no good, she knew that much. She pulled the rifle hard into her shoulder with her left hand, kept squinting one-eyed at the bottom middle pane, and fired.

It bucked less this time. Also, she noticed it less because she heard the tinkle of broken glass. Elated, she hurried over to the boathouse and discovered a triangular section of glass gone from the top right pane. “High and to the right,” she muttered. By about three feet.

But at least the rifle was working. And with a little more practice, she expected to get pretty good at it.

But she couldn’t keep shooting out windowpanes. She looked around again, saw nothing helpful, then put the rifle down on the grass and ran into the house. In the kitchen she got a package of paper plates and a cardboard of thumbtacks. As an afterthought, she grabbed the pencil from the window sill over the sink. Outside again, she tacked the paper plates to the side of the boathouse in the vague shape of a man, stood back about twenty feet, and fired at his head.

The next four shots were all high and to the right, but each of them was closer to the paper plates. She was beginning to see that it was the recoil that was throwing her aim off, that and the way she pulled the trigger. The recoil made the rifle barrel lift upward, and her manner of pulling the trigger made the barrel veer to the right. She concentrated on keeping the barrel down and her right hand still, and the next shot nicked the upper right edge of the paper plate. Pleased with herself, she walked over and wrote the number 1 on the plate next to the ragged hole.

In all, she used thirty rounds, twenty-eight of them at the paper plates, nineteen of them hitting the plates, the last ten in a row all hitting home. The sun was going down behind the mountains across the lake when she took the plates and thumbtacks down from the wall and carried them with the rifle and the ammunition carton back into the house. She locked the door behind herself, leaned the rifle against the wall near the fireplace, started a fire, and went out to the kitchen to make dinner. She turned on the kitchen radio and sang with the music.

When the phone rang, shortly after two in the morning, she was just getting into bed. There were two extensions, one in the living room and one here, on the nightstand on her side of the bed. She picked it up after one ring, and said, “Hello?”

Parker’s voice: “It’s me. How are things?”

“Fine.” She used her free hand to lean a pillow-up against the headboard, then rested her back against it. She was wearing a yellow nightgown he’d never seen; when they were together, she slept nude. She said, “How are you?”

“No visitors?”

“Nobody at all,” she said. Out in the living room, the dying fire made a dry settling sound. “Will you be back soon?”

“My friend died of a lingering illness,” he said. His voice was as flat and emotionless as ever. “Very painful illness.”

It took her a second to understand his meaning, and when she did she didn’t like it. “Oh,” she said. She knew what he was going to say next, and was already rejecting it.

She was right. He said, “You ought to take a day or two off. Go to New York, do some shopping.”

The mulish feeling came over her again; she could feel it even in the set of her jaw. “I don’t want to leave my house,” she said.

“This is serious!” His voice wasn’t more emotional, exactly, merely more intense, pushing each word harder into her ear.

“So am I,” she said. And then, casting around to find something reassuring to say to him, heard herself add, “Tomorrow I’ll buy a dog.” Which she’d had no intention of doing, till now. But a dog might be nice, a companion during the times when Parker was away.

He was saying, “I’m talking about tonight.”

“I’ll be all right. I went out and got a rifle.”

She hadn’t intended to tell him that, not until afterward, when he was here again and this situation was finished. It sounded foolish, really, to say she’d bought a rifle; she wouldn’t tell him about the time this afternoon spent shooting at paper plates out by the lake.

There was a little silence from his end of the wire now, and she read it to mean that the rifle hadn’t reassured him any more than the dog had, and that he was trying to find some way to change her mind. But in the end all he did was repeat himself: “I think you ought to go away.”

She didn’t want him to say that any more. “I know what you think,” she said, more sharply than she’d intended, and tried at once to soften it, saying, “I know you’re worried about me. But you just don’t know what this house means to me. I can V go away from it, not after I just got into it. I won’t be driven away from it.”

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