Did Liss understand what these closets were? Maybe not. They were afterthoughts, simple structures inserted to make use of the space. These closets were not structural, and therefore had none of the building's support beams going through their ceilings and floors. Simple stringers, two-by-six lengths of wood, had been toed into place to support plywood floors; that was it. And Ed Mackey had already showed them how to lift the floor in the bottom-level closet, to find the motor well for use as a hiding place for the duffel bags.
Parker went down on all fours and started in a front corner, patting the floor, looking for a seam. He found it where he expected it to be, about a foot and a half back from the doorway opening, the same place it had been downstairs. When they'd added these closets, they'd laid one sheet of plywood from the rear of the space to near the front, to give themselves leeway in fitting the piece in, and then they'd cut a second piece to fill the remaining space.
Next, he stood and felt his way to the back of the closet, where he patted the underpart of the shelf until he came to one of the two L-shaped brackets that the shelf rested on. It would have been easier if the shelf had just been placed there, but they'd screwed it to the brackets, so he stood under the shelf, bent down, kept out of the way of the wooden clothes pole, and punched upward with the heels of both hands, flanking one of the brackets, until the shelf broke loose.
When the shelf popped upward, with a quick ripping sound, one of the screws fell out and bounced on the floor. Parker paused, listening for a reaction. There'd been very little noise, but he couldn't be sure they hadn't heard it. If they were in the building.
After three or four minutes, when he still heard nothing, he went back to work, holding the shelf up out of the way with one hand while twisting the bracket back and forth with the other, until the screws holding it to the wall came loose. This part he managed to do with almost no noise at all.
Now he had the bracket for a tool. It was three inches along one side and four inches along the other, thin but strong metal. He put this to work on the floor, gouging along the seam line until he'd torn a slit wide enough to squeeze the bracket into. Kneeling on the larger section of floor, bearing down on the bracket, he pried the smaller section up one fraction at a time. Four screws had been drilled down into the corners of this piece, plus one each at front and back into the central stringer. It was the rear screw in the stringer that Parker pried out first, then the left corner, then the right. Then he could peel this piece up and back toward the door, until the other three screws gave way.
Now he had a space a foot and a half by five feet, with a two-by-six stringer across the middle and Sheetrock underneath. Using the bracket, Parker sliced through the Sheetrock a piece at a time, breaking the pieces off to bring them up into the closet and lay on the floor here, not wanting pieces of ceiling to fall and make a racket.
When he made the first hole in the Sheetrock, he saw gray light again, very dim, defining the jagged hole. There was no door on the ground floor closet, and whatever light was coming in the study windows reached back to here.
Parker removed chunks of ceiling, clearing the space, then slid down through the opening feet first. He had to wriggle his torso through the narrow opening, had to hold his arms over his head and at last just permit himself to drop.
He landed with knees bent, and let himself fall forward, hands hitting the floor, elbows flexing, allowing his body to drop to the left, until his shoulder hit the side wall of the closet. He stayed in that position, awkward, crouched on hands and knees, bent body leaning leftward, shoulder against wall, back to the open doorway. He listened, and waited, and heard nothing.
In silence, he shifted away from the wall. He put his left hand on the wall, and straightened. On his feet, he turned to look out across the stripped study at the angled row of windows, and they were bathed in blue-gray light. He moved toward them. There was stiffness to be worked out of his system, so as he crossed the study he moved his arms and shoulders, limbering up, feeling the sore points.
A half moon had risen above the ravine, and now looked down toward this side of the house. The newspaper had said it might rain by tomorrow, and there was just a hint of haze over the moon, but for right now it gave plenty of light. Maybe too much. Later it would climb above the house and give almost no light to the interior. And if the clouds came in, there'd be nothing but darkness inside here.
Parker moved slowly through the house, up through the levels, carrying the L bracket, his only weapon and tool. He searched the rooms as he went through, but they'd all been stripped, there was nothing left he could use.
And there was nobody here. The moonlight let him see his watch, and the time was nine-twenty. So Liss and Quindero must be out picking up a car. Parker needed them to come back soon, so he could finish this in time to meet Brenda and Mackey.
The dining room, where they'd waited out the afternoon, was very bright, being closer to the top of the ravine and with all those large windows facing right at the moon. Quindero had left his newspaper on the floor near the box where he'd been sitting, and the light was bright enough to read the headlines. If you held the paper close to a window and squinted, you could probably read everything in it, but there was nothing in there Parker needed to know.
He went on up to the top floor, and crossed to the spot in the rear corner where you could look out through the plywood sheathing at the road and the fence. The fence now gleamed silver, reflecting the moonlight, to make everything behind it a fuzzy blurry black.
Parker leaned against the wall and watched the road. He had come here to this house in the first place only because there were too many people in this town looking for him. He'd needed somewhere to lie low until it was time to go meet Brenda and Mackey, and this was the best place he knew. Finding Liss here had been an extra gift, a way to close the books on this job entirely, but if it wasn't going to work out it wasn't going to work out.
If Liss and Quindero didn't come back by ten, he'd have to leave, forget about them. Go meet with Brenda and Mackey, if they were there, and worry about dealing with Liss later.
Ten o'clock. Half an hour from now. Working the stiffness out of his shoulders and arms, Parker waited.
10
Nine-fifty. Light, moving through the woods.
Is he driving the car in here? Over
But maybe it made sense. The road was almost nonexistent, but Liss might be more comfortable driving on it
