“He was dying anyway,” Becker said.
“He was not,” Parker told him. “But he should have been. I knew it was a mistake to let him live.”
He took the Python out of his pocket, put it an inch from Ray Becker’s left eye. Becker was saying all kinds of things, panting and spitting out words. “We live and learn, Ray,” Parker said, and shot him.
14
Inside the cramped and crowded convenience store was one person, the kid seated on the stool in the narrow space behind the cash register, reading a paperback book. A small black plastic portable radio, dangling by its handle from a hook on the wall above and behind the kid’s head, played tinny rock music, pretty loud; another reason he hadn’t heard the two shots in the men’s room, at the far end of the building. Which was good, it meant he wasn’t another problem to be dealt with.
Parker had come around to the store directly from finishing with Becker because he wanted to know if the clerk in here had heard anything and was about to raise an alarm, but the answer was no. So the thing to do was pay the ten dollars out of Becker’s wallet for the gas Becker had pumped, meaning the kid still had no reason to remember him or even notice him, and then drive away.
He told himself he should find a motel soon, he was weary and sore, it was almost nine o’clock in the morning, but the adrenaline still pumped through him after Becker, and his exhaustion was offset by nervous tension. He’d left the .38 with Becker, along with the handcuffs, and now the Python was stashed inside the back seat of the Lexus. As he drove, he shredded Cathman’s confession, dropping scraps of it out the window for miles.
He stopped the littering as he passed the road in to Tooler’s cottages, where a patrol car was parked along the verge and a bored cop walked around on the dirt road, there to keep the curious and the press and the mistaken away from the scene of murder and arson within.
A few miles later, the Lexus crested a hill, and off to the right he could see the river, looking sluggish and dark under the gray sky. At first it was just the river, mottled, slate gray, but then a sailboat appeared out there, a white triangle of sail.
The Lexus drove down the other side of the hill.
About Richard Stark
Richard Stark is one of the preeminent authors-and inventors-of noir crime fiction. Stark’s recent Parker novels Comebackand Backflashwere selected as New York Times Notable Books of the Year. His first novel, The Hunter, became the classic 1967 movie Point Blank. Thirty years later The Hunterwas adapted again by Hollywood, in the hit Mel Gibson movie Payback.
Richard Stark is also, at times, mystery Grand Master Donald E. Westlake.
Also by Richard Stark
The Hunter
The Man with the Getaway Face
The Outfit
The Mourner
The Score
The Jugger
The Seventh
The Handle
The Damsel
The Rare Coin Score
The Green Eagle Score
The Dame
The Black Ice Score
The Sour Lemon Score
Deadly Edge
The Blackbird
Slayground
Lemons Never Lie
Plunder Squad
Butcher’s Moon
Comeback
Backflash
