He had been appalled by the noise and glare of the Ginza, the thousands of yelling shops of Tokyo, pushing their wares, by the throngs of prostitutes and young toughs, by the immense advertisements, the raucous sounds of jukeboxes and amplified rock music, the continuous silly metal clang of pinball machines. He had undergone the strong impression of having been suddenly transported into hell, but now he saw another and, seemingly, stronger side of the local character. The people in the next two compartments whose heads he could see through glass partitions, had changed from mechanical toys into gazing children, lost in their dream of the white-capped shape on the horizon that embodied the very essence of their minds, the minds that had created the temples with their sloping roofs, sharply uplifted at the ends, and the artfully pruned pine trees crowning large boulders and rocks, the moss gardens and all the other outflows of the creativity with which they had adorned their empire of islands.
Dorin was contemplating the mountain too. He had been talking when the loudspeakers interrupted him and he had stopped in mid-sentence. The lines of his face softened and the sparkle in his jet-black eyes changed into a gleaming light as he gazed at the mountain so far away that, in spite of the train's speed, it moved almost imperceptibly. After a few minutes it disappeared, but it would show itself again, Dorin said, and would keep on doing so at intervals for the next hour or so, as the train entered and left tunnels and wound its way around lesser mountains.
'You mentioned the Zen master just now,' the commissaris reminded him.
Dorin laughed. The commissaris and de Gier waited, but Dorin was looking at a spot between them.
'That's your answer,' de Gier asked, 'laughing?'
'It's a proper Zen answer,' Dorin said, screwing his face into an expression of humility. 'They always laugh, or shout something ununderstandable, or beat you on the head. Zen masters do that.'
'What are they masters in?' de Gier asked. 'Buddhism or something?'
'Zen is a Buddhist sect, a method to gain insight. Zen masters are supposed to have complete insight.'
'How did they get it?'
Dorin spread his hands. 'Who knows? Through meditation, I suppose, because that seems to be the monks' main activity; sitting quietly in a large hall and staring at the floor. They concentrate on what the master has told them, and every now and then they go and see the master to show him what they have done with it. Before I got my present job I had to go in for all sorts of training and I was also required to spend three months in a Zen monastery, somewhere up North, in the mountains. I dressed like the monks and they shaved my head. It was a difficult time, more difficult than the commando training. I would rather jump from an airplane to parachute into a jungle than spend a week in a meditation hall. But I suppose it was good for me. Everything looked very different when I got back.'
'How?'
'More real. Zen masters use everyday life as the subject of their teaching. A lot of mystics try to get away from everyday life, from the normal routine, but with Zen everything is upside down. And Zen teachers never moralize. That's what I liked most about the training. They expect you to be able to sit still and concentrate and find your own answers. They don't talk at you from an outside point of view, tell you what is good and what isn't. I was never impressed by morals myself, maybe because I grew up in America, but was taken to Japan all the time by my parents. I lived in two worlds, and what was good in the one was bad in the other. In Japan it is proper to burp after a meal; in America you get slapped if you do it.'
'The Zen master didn't care about the stolen art business,' the commissaris said. 'He said the junk should be spread around, or so I understood from what the sergeant told me.'
'Sure,' Dorin said. 'Why not? My father used to take me to Kyoto and we had to ask permission to see a sculpture or a painting, or even a rock garden. Even as a child I thought the priests shouldn't be allowed to control national treasures. The Western system is better. Museums, open to everybody.'
'And the drugs?' the commissaris asked. 'Do you care about drugs being spread around?'
Dorin had been smiling, but now his face closed. 'Yes,' he said. 'I care about the drugs. The yakusa are helping the Chinese to get even. Once the Western nations poisoned China with opium; now it is the other way around.'
'How about Japan itself? Who sells the drugs here? You must have a drug problem. I saw many addicts in Tokyo.'
'Yakusa,' Dorin snapped. 'That's why I volunteered for this assignment.'
A train stewardess came in with a tray of coffee in paper cups, chirruping gaily. 'Ko-hi. Ko-hi.'
'Arigato, thank you,' the commissaris and de Gier said simultaneously. Dorin was smiling again.
'You volunteered?' the commissaris asked.
'When I heard about the heroin. Heroin dealers are hard to catch. Their profits are so high that they can buy almost everybody. If the yakusa hadn't been stupid enough to get into the art trade too, they would be invulnerable. But they are touching national treasures and are irritating the government. If we had to approach them from the heroin angle, we would have to leave the matter to the police and I know what would happen after a while.'
'What would happen?'
'Nothing. Perhaps the police would be allowed to catch a few little fellows, scapegoats, silly men the yakusa want to get rid of, and that would be the end of it. But with famous statues being stolen we've got it made. I have been given a free hand. I can move in commandos if I want to. With a bit of luck we may be able to raze the daimyo's castle to the ground. All the Supreme Court is asking for is proof and witnesses. They won't worry too much about the methods used during the investigation.'
'We will be witnesses,' the commissaris said, 'once we have proof.'
'We'll have proof soon,' Dorin said, raising his voice a little, as if he wanted to reassure his audience. 'I spent a year in the police before I joined the Service. Police methods are slow and boring, I thought. There are so many safeguards protecting the suspect that the investigating officer feels like a weevil in a bowl filled with beancurd. This case will be adventurous. I am glad I am in it. It'll be like watching a movie, with the difference that I'll be actually taking part in the story and should be able, to some extent, to change its course.
'Maybe I have the makings of becoming a true samurai, although I don't come from a samurai family. My forefathers were merchants, and merchants don't rank high in our country, not even now, and now they control Japan through their companies, which have sucked and clawed themselves into almost everything. But merchants are still the lowest on the scale. The samurai, the warriors, come first. They are reputed to be straightforward, simple, detached and courageous. After the samurai come the farmers. They are not so detached, because they have their cattle and crops to worry about, but they are close to nature and the beauty of the country. The fishermen have the same status as the farmers. They are connected to the sea, a source of life to us and an eternal inspiration. Then and only then come the merchants, who aren't inspired by anything but their own greed. They are bound by desires; they have small mouths and huge bellies and have to feed continuously. The men who started the last war were merchants, not samurai. The merchants wanted to tap the sources of all Asia, maybe of the world, for their own profit. Merchants want to have things, a samurai prefers to be, not himself but part of whatever he happens to do, and whatever he does he tries to do as well as possible, even if it means losing his being.'
The commissaris was nodding energetically and de Gier grinned.
'You agree?' Dorin asked, surprised.
'In theory,' the commissaris said, 'but what you are saying is not so easy to practice. By the way, did you do something about your agents following us everywhere, or are they somewhere in the train?'
'No,' Dorin said. 'We are free of them now. I spoke to my chief in the Ministry and he spoke to your ambassador. They were called off. We are on our own, but I was given a telephone number which I want you both to memorize. I don't think we'll ever use it, but one never knows. This phone is supposed to be manned night and day. All you have to do is tell it where you are, and somebody will show up to get you out of your spot. I don't think it'll work myself. I think it's a number connected to a police radio room with a changing staff.'
The commissaris opened his mouth but changed his mind, masking the movement by pretending to rub something off his underlip.
'Here you are,' Dorin said.
De Gier took the slip of paper and held it so that the commissaris could see it. They began to mumble the number to themselves, and after a while Dorin took the note back and held a match to it. He blew the match out, dropped it into the ashtray and without any warning, still smiling politely, jumped across the compartment, grabbing de Gier by the throat. De Gier raised his hands, got hold of Dorin's left wrist, pressed his thumbs against the palm of Dorin's hand and snapped the hand back, bringing Dorin to his knees. He followed it up by giving the Japanese a
