“Months. There are extenuating circumstances. Our charges will be modest. But he must come to us, he must tell us what he did.”
A cold calculating light had crept into Pullini’s eyes. “So he confesses, so very easy for police municipale d’Amsterdam, not so? Police, she maybe know nothing, she maybe guesses, and here stupid Italian boy, he walks right up and he says, ‘Me, I guilty, please take me.’”
“No, we know what he did. If he doesn’t come we will have to take him from his hotel. The case will be much worse.”
Pullini’s mouth tried to sneer but the expression trembled away before it had a chance to form itself clearly. The sneer became a joyless smile that did little more than show Pullini’s expensive teeth.
“You trap me, yes? Me, I tell you that Francesco, he pushes Elaine. I know because Francesco, he tell me. He also tell me about the eighty thousand guilders. He already confesses, to accident and to stealing from his father. I knew about the stealing, not how much, but mat not important. His life different to mine, for Francesco everything easy from beginning, too easy. Maybe better to start off with baby birds and one peacock. Well…”
His hands rose slowly from the tablecloth, men dropped from their own weight. “You trap me, yes. But how do you know all mis? How you know Gabrielle is Pullini’s daughter?”
Once his cleverness had left him Pullini’s face changed strangely, perhaps to its truest form. The powerful jaws smoothed into round, innocent lines that continued so that they held the bald skull too, and the eyes, bereft of their cunning glint, became bland and almost transparent.
The commissaris’s small thin hand was pointing, and Pullini turned around to see what he was pointing to. A portrait of a young woman singing, the woman’s smooth arm resting on the top of an upright piano.
“Elaine,” Pullini said. “Yes, that is Elaine. Was Elaine, thirty years ago in Paris. But she must be changed in thirty years, Francesco, he did not know her like that. You, you never knew her. How you know that is Elaine? You guessing again, yes?”
“There is another copy of that portrait.” The commissaris told Pullini where he had seen it.
Pullini nodded. Two portraits, eh? Elaine, she keep one, and she send me one. In parcel; no letter, no nothing. Just portrait. I like it and I hang it here, in my restaurant where I eat every day. Me, I don’t go home much. But no proof for you, commissaire. You, you do not know that Elaine, she sends portrait to me. You only see portrait when you come here.”
“If is proof now,” the commissaris said, holding up his glass. Renata brought a new bottle of barola. The other guests had left; the two men had the restaurant and the woman to themselves. Renata locked the door and switched off most of the lights. There was no further conversation until Renata opened the door and the two men entered the narrow street and walked the few blocks to the hotel, arms around each other’s shoulders, swaying in unison.
“Tomorrow you go, yes?”
“Yes.”
“Me, I go with you. What time your plane he leaves?”
“At ten in the morning.”
“Good, we breakfast together, yes?”
“Yes.”
Barola is a good wine. It seeps away both aggression and resistance. Their embrace was quiet and dignified.
“Me, I am sorry about Eraldo’s truck. But I tried, yes? Eraldo, he good driver. When he is told to miss, he miss.”
“Yes,” the commissaris said.
“Tomorrow I buy you new cane. I have handle. Same handle, new cane.”
“Yes.”
They peered into each other’s face. A half-moon had dipped the small quiet square into an eerie haze of soft white light that encircled the vast dark mass of a widely branched oak, a comforting central ornament caressing the cobblestones with its deep purple, almost imperceptibly moving shadows. The commissaris watched Pullini’s squat body turn ponderously. Pullini could still walk on his own, but he had to find his way slowly in the square’s silence, stopping every few steps to make sure of his direction. Three identical little Fiats, pushing their noses into the pavement, provided support in turn until Pullini, with a final lunge of great deliberation, located the gaping dark mouth of the small alley that would take him back to his restaurant and Renata’s comforts.
The commissaris shook his head and began to walk to the hotel door. He noted, to his surprise, that he had sobered up again and that he wasn’t even tired. It seemed a pity to withdraw from the square’s tranquillity and he turned back, feeling the polished surfaces of the cobblestones through the thin soles of his shoes. He rested for a while against the oak’s trunk until he began to feel cold and pushed himself free reluctantly.
The case was solved. He had been very sly, basing his attack on shaky proofs and a web of deductions that fitted but could be shaken loose by any lawyer for the defense. If he had given himself more time the proofs would have been substantiated sufficiently to stand up in court, but he had been pushing the case at breakneck speed. But Francesco would no doubt confess now and make further work unnecessary. The prosecution wouldn’t be too hard on the suspect and the punishment would be mild. That, in a way, was a pleasant consequence of the method he had applied.
But why had he been in such an infernal hurry? Yes. His small head nodded firmly at the hotel door’s polished brass knob. There was more to the case, and he had better get back to see how the pus, festering out of the wound slashed by Pullini when he refused to marry Elaine, was spreading. Perhaps he should have had the other actors, the baboon, Bergen, and Gabrielle, and Francesco too, locked up. But it isn’t the task of the police to lock up citizens who are potentially dangerous to each other. Jail space is limited and reserved for those who have translated their faulty thinking into wrong acts. He had better get back quickly. But he would have to wait for the morning plane. And meanwhile he could have another bath. When nothing can be done it is not a bad idea to do nothing. The profundity of the thought helped him up the hotel’s stairs.
\\ 19 /////
When Grijpstra turned the key of the Volkswagen in the garage of headquarters, a voice grated from a loudspeaker attached to the roof directly above the car.
“Adjutant Grijpstra.”
“No,” Grijpstra said, but he got out and trotted obediently to the telephone that die garage’s sergeant was holding up for him.
“Yes?”
“A message came in for your brigade, adjutant,” a radio room constable said. “A certain Dr. Havink called, about a Mr. Bergen. Dr. Havink didn’t ask for you in particular, but he mentioned Mr. Bergen, and one of the detectives told me that he had read the name in the Camet case file.”
“Yes, yes, very good of you, thank you, constable. What was the message?”
“This Mr. Bergen has disappeared or something. I didn’t really catch on, but I’ve got Dr. Havink’s number here. Would you call him please, adjutant?”
“Yes.” Grijpstra wrote the number down, waved at deGier, and dialed. De Gier picked up the garage’s second phone and pressed a button.
“Dr. Havink? CID here. I believe you called just now.”
The doctor’s voice was quiet, noncommittal. “Yes. I am concerned about a patient, a Mr. Bergen, Mr. Frans Bergen. Does that name mean anything to you?”
“It does, doctor.”
“Good, or bad perhaps, I wouldn’t know. The point is mat Mr. Bergen had a nervous breakdown in my office this morning and left before I had a chance to stop him. According to my nurse, the patient was talking to himself and kept on mentioning the words ‘police’ and ‘killing.’ Would you like to come to my office or can I explain over the telephone?”
“You say Mr. Bergen has left, doctor? Did he say where he was going?”
