there. What's to stop me nicking it, now you've shown me where it is?''
'Nothing,' said Deacon, 'except it's mine, and you haven't earned it. Not yet, anyway.'
'What'd I have to do to earn it?'
'Learn to read.' He saw the cynical look in Terry's eyes. 'I'll teach you.'
'Sure you will, for two miserable days. And when I still can't read at the end of it, you'll get mad and I'll've wasted my time for nothing.'
'Why didn't Billy teach you?'
'He tried once or twice,' said the boy dismissively, 'but he couldn't see well enough to teach anything 'cept what was in his head. It were another of his punishments. He poked a pin into his eye one time which meant he couldn't read very long without getting a headache.' He took another cigarette. 'I told you, he were a right nutter. He were only happy when he were hurting himself.'
They were the most meager of possessions: a battered postcard, some crayons, a silver dollar, and two flimsy letters which were in danger of falling apart from having been read so often. 'Is this all there was?' asked Deacon.
'I told you before. He didn't want nothing and he didn't have nothing. A bit like you if you think about it.'
Deacon spread the items across the table. 'Why weren't these on him when he died?'
Terry shrugged. 'Because he told me to burn them a few days before he buggered off that last time. I hung on to them in case he changed his mind.'
'Did he say why he wanted them burned?'
'Not so's you'd notice. It was while he was in one of his mad fits. He kept yelling that everything was dust, then told me to chuck this lot on the fire.'
'Dust to dust and ashes to ashes,' murmured Deacon, picking up the postcard and turning it over. It was blank on one side and showed a reproduction of Leonardo da Vinci's cartoon for
'He used to copy it onto the pavement. That's the family he drew.' Terry touched the figure of the infant John the Baptist to the right of the picture. 'He left this baby out- his finger moved to the face of St. Anne-'turned this woman into a man, and drew the other woman and the baby that's on her knee the way they are. Then he'd color it in. It were bloody good, too. You could see what was what in Billy's picture whereas this one's a bit of a mess, don't you reckon?''
Deacon gave a snort of laughter. 'It's one of the world's great masterpieces, Terry.'
'It weren't as good as Billy's. I mean look at the legs. They're all mixed up, so Billy sorted them. He gave the bloke brown legs and the woman blue legs.'
With a muffled guffaw, Deacon lowered his forehead to the table. He reached surreptitiously for a handkerchief from his pocket and blew his nose loudly before sitting up again. 'Remind me to show you the original one day,' he said a little unsteadily. 'It's in the National Gallery in Trafalgar Square and I'm not as convinced as you that the legs need-er-sorting.' He took a pull at his beer can. 'Tell me how Billy managed to do these paintings if he couldn't see properly.'
'He could see to draw-I mean he were drawing every night on bits of paper-and, anyway, he made his pavement pictures really big. It were only reading that gave him a headache.'
'What about the writing that you said he put at the bottom of the picture?''
'He did it big like the painting, otherwise people wouldn't have noticed it.'
'How do you know what it said if you can't read?'
'Billy learnt it to me so I could write it myself.' He pulled Deacon's notebook and pencil towards him and carefully formed the words across the page:
'If you can do that,' said Deacon matter-of-factly, 'you can learn to read in two days.' He took up one of the letters and spread it carefully on the table in front of him.
Deacon unfolded the second letter and placed it beside the first. It was written in the same hand.
'Did Billy read these to you, Terry?'
The boy shook his head.