breakdown. To me, I was just starting to appreciate the cynical beauty of my situation. Deal or no deal, I already had the makings of a pretty good story. It was only a matter of finding a place to tell it. When my laughing convulsions finally subsided, I held up my drink in a toast.
“Welcome to the front lines, my friend”, I said, clinking pints with my agent. “Might as well enjoy it”.
If this story really were a play, here’s where it would take a momentary, romantic interlude. Disheartened by the tense nature of our meeting, Tracy invited Henning and I to go out for drinks with her and some of her coworkers. We left the bar on Third Ave., headed down to the East Village, and caught up with Tracy and her friends.
Once there, I spoke with Tracy, careful to avoid shop talk. Our conversation was pleasant, relaxed. Before parting, we agreed to meet the next night. Once again, the conversation was pleasant, so pleasant that the Stallman e-book became almost a distant memory.
When I got back to Oakland, I called around to various journalist friends and acquaintances. I recounted my predicament. Most upbraided me for giving up too much ground to Stallman in the preinterview negotiation. A former j-school professor suggested I ignore Stallman’s “hypocrite” comment and just write the story. Reporters who knew of Stallman’s media-savviness expressed sympathy but uniformly offered the same response: it’s your call.
I decided to put the book on the back burner. Even with the interviews, I wasn’t making much progress. Besides, it gave me a chance to speak with Tracy without running things past Henning first. By Christmas we had traded visits: she flying out to the west coast once, me flying out to New York a second time. The day before New Year’s Eve, I proposed. Deciding which coast to live on, I picked New York. By February, I packed up my laptop computer and all my research notes related to the Stallman biography, and we winged our way to JFK Airport. Tracy and I were married on May 11. So much for failed book deals.
During the summer, I began to contemplate turning my interview notes into a magazine article. Ethically, I felt in the clear doing so, since the original interview terms said nothing about traditional print media. To be honest, I also felt a bit more comfortable writing about Stallman after eight months of radio silence. Since our telephone conversation in September, I’d only received two emails from Stallman. Both chastised me for using “Linux” instead of “GNU/Linux” in a pair of articles for the web magazine
In July, a full year after the original email from Tracy, I got a call from Henning. He told me that O’Reilly & Associates, a publishing house out of Sebastopol, California, was interested in the running the Stallman story as a biography. The news pleased me. Of all the publishing houses in the world, O’Reilly, the same company that had published Eric Raymond’s
Sure enough, the issue did come up. I learned through Henning that O’Reilly intended to publish the biography both as a book and as part of its new Safari Tech Books Online subscription service. The Safari user license would involve special restrictions,[2] Henning warned, but O’Reilly was willing to allow for a copyright that permitted users to copy and share and the book’s text regardless of medium. Basically, as author, I had the choice between two licenses: the Open Publication License or the GNU Free Documentation License.
I checked out the contents and background of each license. The Open Publication License (OPL)[3] gives readers the right to reproduce and distribute a work, in whole or in part, in any medium “physical or electronic”, provided the copied work retains the Open Publication License. It also permits modification of a work, provided certain conditions are met. Finally, the Open Publication License includes a number of options, which, if selected by the author, can limit the creation of “substantively modified” versions or book-form derivatives without prior author approval.
The GNU Free Documentation License (GFDL),[4] meanwhile, permits the copying and distribution of a document in any medium, provided the resulting work carries the same license. It also permits the modification of a document provided certain conditions. Unlike the OPL, however, it does not give authors the option to restrict certain modifications. It also does not give authors the right to reject modifications that might result in a competitive book product. It does require certain forms of front- and back-cover information if a party other than the copyright holder wishes to publish more than 100 copies of a protected work, however.
In the course of researching the licenses, I also made sure to visit the GNU Project web page titled “Various Licenses and Comments About Them”.[5] On that page, I found a Stallman critique of the Open Publication License. Stallman’s critique related to the creation of modified works and the ability of an author to select either one of the OPL’s options to restrict modification. If an author didn’t want to select either option, it was better to use the GFDL instead, Stallman noted, since it minimized the risk of the nonselected options popping up in modified versions of a document.
The importance of modification in both licenses was a reflection of their original purpose-namely, to give software-manual owners a chance to improve their manuals and publicize those improvements to the rest of the community. Since my book wasn’t a manual, I had little concern about the modification clause in either license. My only concern was giving users the freedom to exchange copies of the book or make copies of the content, the same freedom they would have enjoyed if they purchased a hardcover book. Deeming either license suitable for this purpose, I signed the O’Reilly contract when it came to me.
Still, the notion of unrestricted modification intrigued me. In my early negotiations with Tracy, I had pitched the merits of a GPL-style license for the e-book’s content. At worst, I said, the license would guarantee a lot of positive publicity for the e-book. At best, it would encourage readers to participate in the book-writing process. As an author, I was willing to let other people amend my work just so long as my name always got top billing. Besides, it might even be interesting to watch the book evolve. I pictured later editions looking much like online versions of the
My idea drew inspiration from Project Xanadu