She had taken on students with some reluctance. Even though the rent on her studio close to the Albert Hall was cheap enough due to an ancient land law that provided for artists, her commissions had diminished and she was forced to look for additional income. So she had placed one small advertisement in the newspaper, and written to those who had purchased her works in the past, to let them know that she was taking in a “small number of students to learn the art and craft of traditional tapestry.” In general, her students were a motley group and definitely better off; the working classes could barely afford to eat, let alone spend money on frivolities. There were two ladies from Belgravia who thought it might be “rather fun” to spend a Saturday afternoon or evening here each week, chatting as they worked their shuttles back and forth, following the sketched cartoon image that lay beneath the lines of warp and weft.
Another two friends, well-funded students from the Slade seeking a class beyond their regular curriculum, had joined, as had a poet who thought that work in color would enhance the rhythm and pulse of his language. Then there was the woman who spoke little but who had come to Marta’s studio after seeing the advertisement. Watching her now, the artist was fascinated by this particular student, drawn to the changes she had observed since class began. The woman had explained that she had recently been exposed to the world of art—she said it as if it were an unfamiliar country—and that she wanted to do “something artistic,” as her work was far removed from such indulgence. She had smiled and gone on to say that she had never produced a proper painting, even as a child, and she thought she could not sketch at all, but she was drawn to tapestry, attracted to the weaving of color and texture, to a medium that did not present an immediate image but, when one stood back to regard the day’s endeavor, a picture began to take form. “It’s rather like my work,” she had said. And when Marta asked about the woman’s profession, she paused for a moment and then drew out a card, which she offered to the artist. It said, simply:
MAISIE DOBBS
PSYCHOLOGIST AND INVESTIGATOR
Marta thought that this one evening each week was the woman’s only recreation, but with each class, something about her seemed to change almost imperceptibly, though the artist found the effect to be quite extraordinary. Her clothes had become more colorful, her artistry more bold as she gained confidence. On the evening when they had experimented with dyeing, taking the yarns they had spun during the previous week, pressing them down into buckets of dye, and then pulling them out to hang first over sinks in the studio’s own scullery before looping them over laundry racks to dry, she had rolled up her sleeves and simply laughed when color splashed across her face. The Belgravia matrons had frowned and the poet appeared shy, but soon this woman, who had appeared so reticent at first, so slow and measured in her interactions with fellow students, had come to be the lynchpin in the class—without saying much at all. And, Marta thought, she was very good at drawing out stories. Why, only today, while Maisie worked at her loom, her fingers nimble as she wove threads of purple, magenta and yellow, she had asked the teacher but two questions and soon knew the entire story of the woman’s coming to England from Poland as a child. In fact, as she answered the questions that Maisie Dobbs put to her, the whole class knew in short order that Marta’s father had insisted that his children learn only English, so that they would fit in and not be marked as foreigners. And her mother had ensured the family dressed in a way that did not set them apart from their new friends, who knew them as the Jones family—that most British of names, adopted as they disembarked from their ship once it had docked at Southampton.
Marta smiled, as she watched Maisie Dobbs work at her loom, and picked up her card again, PSYCHOLOGIST AND INVESTIGATOR. Yes, she must be very good at her trade, this woman who had, without any effort at all, encouraged six people to tell her far more about themselves than they would ever imagine recounting—and all without revealing much about herself, except that she was newly drawn to color.
JAMES COMPTON WALKED at a brisk pace past the Albert Hall, taking advantage of the warm September evening. As his right-hand man in Toronto would have said, he had a head of steam on him, frustration with a land purchase that had proved to be fraught with problems. He did not even care to be in London again, though the thought of returning had at first seemed filled with promise. But the Compton family mansion at Ebury Place had been mothballed, and staying at his father’s club and spending each evening with crusty old men languishing amid tales of doom regarding the economy and reminiscences that began with “In my day . . .” was not his idea of fun.
Of course, life in the city of Toronto was not all beer and skittles—after all, he had a corporation with diversified interests to run—but there was sailing on the lake and skiing in Vermont, across the border, to look forward to. And the cold was different—it didn’t seep into his war wounds the way it did here. He thought of men he’d seen at the labor exchanges, or soup kitchens, or simply walking miles across London each day in search of work, many of them limping, wounds nagging their memories each day, like scabs being picked raw.
But Toronto might have to wait for him a bit longer. Lord Julian Compton, his father, wanted to relinquish more responsibility and was already talking of having James step up to replace him as chairman of the Compton Corporation. And that wasn’t all that was bothering him, as he glanced at the scrap of paper upon which he had scribbled the address given to him by Maisie Dobbs during their conversation this morning. His mother, Maisie’s former employer and longtime supporter, had always encouraged her husband and son to direct any suitable business in Maisie’s direction if possible, so she was the first person he’d thought to telephone when a property transaction began showing signs that it might become troublesome.
“Goddammit!” said James, as he thought of his father’s office in the City once again.
“James!”
James Compton looked up, frowning, then smiled, his eyes crinkling at the corners when he saw Maisie waving from the other side of the road. He crumpled the paper and pushed it into his jacket pocket as he walked across to greet her. “Maisie Dobbs! I was so lost in thought I almost walked straight past!” He paused as she offered him her hand. “Maisie, what on earth have you been doing?”
Maisie regarded her hands, then reached into her shoulder bag and brought out her gloves. “It’s dye. I couldn’t get it out of my hands and should have put on my gloves immediately—but I can’t do much about the splashes on my cheek until I get home.” She looked into the eyes of her former employer’s son, then reached out to touch his arm. “How are you, James?”
He shrugged. “Well, the engagement’s off, that’s the first bit of news for you. And as you know, I’m here in England on business—duty calls at the Compton Corporation’s London office.” James consulted his watch. “Look, Maisie, I know I said this wouldn’t take much more time than it would to drink a cup of tea, but I am starving, and I wonder—do you have time for a spot of supper? I’ve been wrangling—”
“Wrangling?”
“Excuse me, I forgot where I was. Let me start again. I’ve been considering—worrying about, to tell you the truth—this business transaction I mentioned, and I’ve not eaten a thing all day.”
“Well, we’d better do something about that, hadn’t we? I’m rather hungry myself.”
James turned and signaled a taxi-cab. “Come on, let’s go to a charming little Italian dining room I know—just
