Doreen turned to her husband, who knelt down beside her. They clutched each other, weeping together, as Maisie quietly stood up, signaled to Ada that she was leaving and stepped lightly along the corridor to the front door. She turned to Ada as she opened the door and stepped out onto the pavement.

“Tell Billy not to come to work until he’s ready.”

“All right, Miss Dobbs.”

“Has your husband found a job yet?”

She shook her head. “No, though he thinks he might get some work down on the docks at the end of the week. Mind you, what with the unions…”

Maisie nodded. “When will Lizzie be laid to rest?”

“Not for a few days yet, might even be over a week, what with one thing and another.”

“Please send word to me. And if you need anything…” Maisie handed her a calling card.

“Right you are, miss. You’ve been good to Billy and our Doreen. They’re lucky he’s in work.”

Maisie smiled, then said good-bye. She left the East End with her hands firmly on the steering wheel, her attention on the road, her eyes smarting. But instead of going directly to Fitzroy Square, she was compelled to make her way toward the Embankment, where she parked the MG and walked down to the water. She leaned on the wall and watched the Thames, an even deeper gray today as it reflected clouds overhead. The damp smog had barely lifted and Maisie pulled up the collar of her mackintosh and rewrapped the scarf around her neck. She closed her eyes and remembered Lizzie Beale, felt her head in the crook of her neck when she had taken her in her arms on the day that Doreen had come to the office last year, her worries, then, about Billy. Maisie folded her arms around her body, felt herself fighting the tears that she knew would come, as she pushed back from the abyss that might draw her in all too quickly if she succumbed once again.

She stood watching over the water for some moments longer, then turned to walk back to her motor car. That Billy and Doreen had reached out to each other gave succor to her aching heart, and she found herself wondering about Emma and Piers Bassington-Hope. Had Nick’s mother and father turned to each other upon hearing of his death? The character of an artist suggested an ability to demonstrate emotion and that both were artists supported an assumption that they had readily shared the joy and heartache that comes with bringing up a family. But in terms of the heart, what if they were mired in the behavior of their parents before them and given to sheltering their innermost feelings from each other? Was that why Emma had broken down in Maisie’s company, searching for the arms of a complete stranger to comfort her? If that were true, and the Bassington-Hopes had created a wall of silence between them regarding the loss of their son, then the weight of their bereavement must be intolerable, especially given that their daughter had cast suspicion on the circumstances of his death.

SLUMPING DOWN IN her office armchair, Maisie looked at the cold, damp weather outside and felt a wave of fatigue wash over her. Yes, it was still early days. If Maurice were with her, she knew she would be admonished for pressing on so soon following her recovery. She leaned over to ignite the gas fire, then reached into her old black document case for her diary. Flicking through the pages, she reconsidered her week. Georgina Bassington-Hope was paying her handsomely to compile a report in which she would list evidence that either supported the fact that her brother was killed in an accident of his own causing or that he died as a result of a deliberate act by another. Knowing that few outcomes were a case of black-and-white, a case of guilty or not guilty, Maisie allowed that the artist’s death might well have been an accident, with the actions of another being the cause. And it was possible that fear of the consequences kept that person from coming forward. There again, Nick Bassington-Hope’s death might well have been premeditated murder, which begged the question as to whether such an intention was connected with the seedy element that Harry—always on the edge, Harry—had taken up with. Or, if it was murder, what if it had nothing to do with Harry’s activities and everything to do with Nick’s connections or his work?

His work. Maisie pondered Nick Bassington-Hope’s work, from those early days at the Slade, then in Belgium, to the graphic depictions of patriotism evident in the propaganda he developed for the Office of Information. Instinct told her she had barely seen the tip of the iceberg in terms of his war paintings, and from what she had been told, Nick had almost made it his business to upset people since he returned to France as a war artist. Had America really saved his soul? Or had the fire in his mind been only temporarily tempered by the grandeur of a natural environment that clearly captivated him? Was Randolph Bradley correct, when he suggested that, in the piece that was missing, Nick was laying the war to rest? Had the path he’d taken placed another relationship at risk? Maisie knew that when people changed, when something conspired to render their path different from those who were closest to them, those others often felt abandoned, left behind. Was the fact that he would not compromise the integrity of his work—as he saw it—a reason for his death?

She sat in front of the fire for a moment or two longer, then, sighing, she moved to her desk, reached for the telephone receiver and placed a call to Duncan at Georgina’s flat. As luck would have it, he was there alone and agreed to see her in an hour. She was sure that Duncan and Quentin would recount their respective conversations with her to each other, so she took the liberty of inquiring as to where she might find Quentin and was directed to the Chelsea Arts Club, where he would most likely be playing snooker all afternoon.

As Maisie replaced the receiver, she wondered if Alex had confided details of their meeting to his friends. She was still uneasy upon recalling their conversation and the leisurely way he shared confidences. Was she being manipulated? She reconsidered the conversation at the party, the manner of Haywood and Trayner in particular, keeping quiet as Alex Courtman regaled her with tales of the past. It occurred to her that he was perhaps too keen to deflect her attention back to earlier times.

Turning the knob at the side of the gas fire, Maisie shut off the jets and looked around the office. Everything was tidy, all notes and files were neat and not one single item was out of place. She stood for some time, thinking of Billy and Doreen Beale, the rush to admit Lizzie to the hospital, the raging fever that was a portent for what was to come and the anguish of losing their child. How was it, then, for them to return home, for them to touch her clothes and, given the circumstances of her death, to burn everything that was hers?

Closing the door, she secured the room, turning keys in two locks and checking the handle once to ensure that it was safe. As she stepped out into the square, the cold caught her cheeks and she slammed the door behind her, again taking care to check the lock—she might not come back to the office until tomorrow morning when, she hoped, Billy would return to work. Thoughts of work brought her firmly back to the case of Nick Bassington-Hope, whereupon she looked at her watch and set off toward the MG, which she’d parked around the corner in Warren Street. Had she waited just one more moment, Maisie would have seen two men walk across the square to the building she had just left and open the door with ease. One of those men she would have recognized, though she did not know his identity.

DUNCAN HAYWOOD OPENED the door before Maisie had a chance to knock. As at their first meeting, Maisie thought he resembled a small creature that scurried back and forth, squirreling away supplies for a long winter. His clothing was precise: a well-tailored but well-worn tweed suit, a clean shirt and tie and polished shoes. Had he made the effort to ensure a good impression during her visit? Would he usually be more relaxed, perhaps like Courtman, or Nick Bassington-Hope? Though the thought had not occurred to her in such a way before, Maisie concluded that Nick had been very much the leader of the group.

“Miss Dobbs, lovely to see you again.” He reached forward to take her hand. “May I take your coat?”

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