Italy? Is he an isolated case or an epidemic?'

'He is scarcer than Clarence, but he's quite a well-marked type. He is

the millionaire's son who has done Europe and doesn't mean you to

forget it.'

'There was a chesty person with a wave of hair coming down over his

forehead. A sickeningly handsome fellow who looked like a poet. I think

they called him Basil. Does he run around in flocks, or is he unique?'

Ruth did not reply for a moment. Basil Milbank was a part of the past

which, in the year during which Kirk had been away, had come rather

startlingly to life.

There had been a time when Basil had been very near and important to

her. Indeed, but for the intervention of Mrs. Porter, described in an

earlier passage, she would certainly have married Basil. Then Kirk had

crossed her path and had monopolized her. During the studio period the

recollection of Basil had grown faint. After that, just at the moment

when Kirk was not there to lend her strength, he had come back into her

life. For nearly a year she had seen him daily; and gradually, at first

almost with fear, she had realized that the old fascination was by no

means such a thing of the past as she had supposed.

She had hoped for Kirk's return as a general, sorely pressed, hopes for

reinforcements. With Kirk at her side she felt Basil would slip back

into his proper place in the scheme of things. And, behold! Kirk had

returned and still the tension remained unrelaxed.

For Kirk had changed. After the first day she could not conceal it from

herself. That it was she who had changed did not present itself to her

as a possible explanation of the fact that she now felt out of touch

with her husband. All she knew was that they had been linked together

by bonds of sympathy, and were so no longer.

She found Kirk dull. She hated to admit it, but the truth forced itself

upon her. He had begun to bore her.

She collected her thoughts and answered his question.

'Basil Milbank? Oh, I should call him unique.'

She felt a wild impulse to warn him, to explain the real significance

of this man whom he classed contemptuously with Clarence Grayling and

that absurd little Dana Ferris as somebody of no account. She wanted to

cry out to him that she was in danger and that only he could help her.

But she could not speak, and Kirk went on in the same tone of

half-tolerant contempt:

'Who is he?'

She controlled herself with an effort, and answered indifferently.

'Oh, Basil? Well, you might say he's everything. He plays polo, leads

cotillions, yachts, shoots, plays the piano wonderfully, everything.

People usually like him very much.' She paused. 'Women especially.'

She had tried to put something into her tone which might serve to

awaken him, something which might prepare the way for what she wanted

to say, and what, if she did not say it now, when the mood was on her,

she could never say. But Kirk was deaf.

'He looks that sort of man,' he said.

And, as he said it, the accumulated boredom of the past three hours

found vent in a vast yawn.

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