‘What is happening?’ it read. ‘Shall I come over?’

I sucked a pencil for a while, and then I wrote the reply.

It was not an easy cable to word, but I managed it.

‘No,’ I wrote, ‘stay where you are. Profession overcrowded.’

WILTON’S HOLIDAY

When Jack Wilton first came to Marois Bay, none of us dreamed that he was a man with a hidden sorrow in his life. There was something about the man which made the idea absurd, or would have made it absurd if he himself had not been the authority for the story. He looked so thoroughly pleased with life and with himself. He was one of those men whom you instinctively label in your mind as ‘strong’. He was so healthy, so fit, and had such a confident, yet sympathetic, look about him that you felt directly you saw him that here was the one person you would have selected as the recipient of that hard-luck story of yours. You felt that his kindly strength would have been something to lean on.

As a matter of fact, it was by trying to lean on it that Spencer Clay got hold of the facts of the case; and when young Clay got hold of anything, Marois Bay at large had it hot and fresh a few hours later; for Spencer was one of those slack-jawed youths who are constitutionally incapable of preserving a secret.

Within two hours, then, of Clay’s chat with Wilton, everyone in the place knew that, jolly and hearty as the new-comer might seem, there was that gnawing at his heart which made his outward cheeriness simply heroic.

Clay, it seems, who is the worst specimen of self-pitier, had gone to Wilton, in whom, as a new-comer, he naturally saw a fine fresh repository for his tales of woe, and had opened with a long yarn of some misfortune or other. I forget which it was; it might have been any one of a dozen or so which he had constantly in stock, and it is immaterial which it was. The point is that, having heard him out very politely and patiently, Wilton came back at him with a story which silenced even Clay. Spencer was equal to most things, but even he could not go on whining about how he had foozled his putting and been snubbed at the bridge-table, or whatever it was that he was pitying himself about just then, when a man was telling him the story of a wrecked life.

‘He told me not to let it go any further,’ said Clay to everyone he met, ‘but of course it doesn’t matter telling you. It is a thing he doesn’t like to have known. He told me because he said there was something about me that seemed to extract confidences—a kind of strength, he said. You wouldn’t think it to look at him, but his life is an absolute blank. Absolutely ruined, don’t you know. He told me the whole thing so simply and frankly that it broke me all up. It seems that he was engaged to be married a few years ago, and on the wedding morning—absolutely on the wedding morning—the girl was taken suddenly ill, and—’

‘And died?’

‘And died. Died in his arms. Absolutely in his arms, old top.’

‘What a terrible thing!’

‘Absolutely. He’s never got over it. You won’t let it go any further, will you old man?’

And off sped Spencer, to tell the tale to someone else.

Everyone was terribly sorry for Wilton. He was such a good fellow, such a sportsman, and, above all, so young, that one hated the thought that, laugh as he might, beneath his laughter there lay the pain of that awful memory. He seemed so happy, too. It was only in moments of confidence, in those heart-to-heart talks when men reveal their deeper feelings, that he ever gave a hint that all was not well with him. As, for example, when Ellerton, who is always in love with someone, backed him into a corner one evening and began to tell him the story of his latest affair, he had hardly begun when such a look of pain came over Wilton’s face that he ceased instantly. He said afterwards that the sudden realization of the horrible break he was making hit him like a bullet, and the manner in which he turned the conversation practically without pausing from love to a discussion of the best method of getting out of the bunker at the seventh hole was, in the circumstances, a triumph of tact.

Marois Bay is a quiet place even in the summer, and the Wilton tragedy was naturally the subject of much talk. It is a sobering thing to get a glimpse of the underlying sadness of life like that, and there was a disposition at first on the part of the community to behave in his presence in a manner reminiscent of pall-bearers at a funeral. But things soon adjusted themselves. He was outwardly so cheerful that it seemed ridiculous for the rest of us to step softly and speak with hushed voices. After all, when you came to examine it, the thing was his affair, and it was for him to dictate the lines on which it should be treated. If he elected to hide his pain under a bright smile and a laugh like that of a hyena with a more than usually keen sense of humour, our line was obviously to follow his lead.

We did so; and by degrees the fact that his life was permanently blighted became almost a legend. At the back of our minds we were aware of it, but it did not obtrude itself into the affairs of every day. It was only when someone, forgetting, as Ellerton had done, tried to enlist his sympathy for some misfortune of his own that the look of pain in his eyes and the sudden tightening of his lips reminded us that he still remembered.

Matters had been at this stage for perhaps two weeks when Mary Campbell arrived.

Sex attraction is so purely a question of the taste of the individual that the wise man never argues about it. He accepts its vagaries as part of the human mystery, and leaves it at that. To me there was no charm whatever about Mary Campbell. It may have been that, at the moment, I was in love with Grace Bates, Heloise Miller, and Clarice Wembley—for at Marois Bay, in the summer, a man who is worth his salt is more than equal to three love affairs simultaneously—but anyway, she left me cold. Not one thrill could she awake in me. She was small and, to my mind, insignificant. Some men said that she had fine eyes. They seemed to me just ordinary eyes. And her hair was just ordinary hair. In fact, ordinary was the word that described her.

But from the first it was plain that she seemed wonderful with Wilton, which was all the more remarkable, seeing that he was the one man of us all who could have got any girl in Marois Bay that he wanted. When a man is six foot high, is a combination of Hercules and Apollo, and plays tennis, golf, and the banjo with almost superhuman vim, his path with the girls of a summer seaside resort is pretty smooth. But, when you add to all these things a tragedy like Wilton’s, he can only be described as having a walk-over.

Girls love a tragedy. At least, most girls do. It makes a man interesting to them. Grace Bates was always going on about how interesting Wilton was. So was Heloise Miller. So was Clarice Wembley. But it was not until Mary Campbell came that he displayed any real enthusiasm at all for the feminine element of Marois Bay. We put it down to the fact that he could not forget, but the real reason, I now know, was that he considered that girls were a nuisance on the links and in the tennis-court. I suppose a plus two golfer and a Wildingesque tennis-player, such as Wilton was, does feel like that. Personally, I think that girls add to the fun of the thing. But then, my handicap is twelve, and, though I have been playing tennis for many years, I doubt if I have got my first serve—the fast one— over the net more than half a dozen times.

But Mary Campbell overcame Wilton’s prejudices in twenty-four hours. He seemed to feel lonely on the links without her, and he positively egged her to be his partner in the doubles. What Mary thought of him we did not

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