Apparently there’s something in the air, either the ozone or the phosphates or something, which makes you sit up and take notice. A kind of zip, as it were. A sort of bally freedom, if you know what I mean, that gets into your blood and bucks you up, and makes you feel that—
and you don’t care if you’ve got odd socks on. I can’t express it better than by saying that the thought uppermost in my mind, as I walked about the place they call Times Square, was that there were three thousand miles of deep water between me and my Aunt Agatha.
It’s a funny thing about looking for things. If you hunt for a needle in a haystack you don’t find it. If you don’t give a darn whether you ever see the needle or not it runs into you the first time you lean against the stack. By the time I had strolled up and down once or twice, seeing the sights and letting the white chappie’s corrective permeate my system, I was feeling that I wouldn’t care if Gussie and I never met again, and I’m dashed if I didn’t suddenly catch sight of the old lad, as large as life, just turning in at a doorway down the street.
I called after him, but he didn’t hear me, so I legged it in pursuit and caught him going into an office on the first floor. The name on the door was Abe Riesbitter, Vaudeville Agent, and from the other side of the door came the sound of many voices.
He turned and stared at me.
‘Bertie! What on earth are you doing? Where have you sprung from? When did you arrive?’
‘Landed this morning. I went round to your hotel, but they said you weren’t there. They had never heard of you.’
‘I’ve changed my name. I call myself George Wilson.’
‘Why on earth?’
‘Well, you try calling yourself Augustus Mannering-Phipps over here, and see how it strikes you. You feel a perfect ass. I don’t know what it is about America, but the broad fact is that it’s not a place where you can call yourself Augustus Mannering-Phipps. And there’s another reason. I’ll tell you later. Bertie, I’ve fallen in love with the dearest girl in the world.’
The poor old nut looked at me in such a deuced cat-like way, standing with his mouth open, waiting to be congratulated, that I simply hadn’t the heart to tell him that I knew all about that already, and had come over to the country for the express purpose of laying him a stymie.
So I congratulated him.
‘Thanks awfully, old man,’ he said. ‘It’s a bit premature, but I fancy it’s going to be all right. Come along in here, and I’ll tell you about it.’
‘What do you want in this place? It looks a rummy spot.’
‘Oh, that’s part of the story. I’ll tell you the whole thing.’
We opened the door marked ‘Waiting Room’. I never saw such a crowded place in my life. The room was packed till the walls bulged.
Gussie explained.
‘Pros,’ he said, ‘music-hall artistes, you know, waiting to see old Abe Riesbitter. This is September the first, vaudeville’s opening day. The early fall,’ said Gussie, who is a bit of a poet in his way, ‘is vaudeville’s springtime. All over the country, as August wanes, sparkling comediennes burst into bloom, the sap stirs in the veins of tramp cyclists, and last year’s contortionists, waking from their summer sleep, tie themselves tentatively into knots. What I mean is, this is the beginning of the new season, and everybody’s out hunting for bookings.’
‘But what do you want here?’
‘Oh, I’ve just got to see Abe about something. If you see a fat man with about fifty-seven chins come out of that door there grab him, for that’ll be Abe. He’s one of those fellows who advertise each step up they take in the world by growing another chin. I’m told that way back in the nineties he only had two. If you do grab Abe, remember that he knows me as George Wilson.’
‘You said that you were going to explain that George Wilson business to me, Gussie, old man.’
‘Well, it’s this way—’
At this juncture dear old Gussie broke off short, rose from his seat, and sprang with indescribable vim at an extraordinarily stout chappie who had suddenly appeared. There was the deuce of a rush for him, but Gussie had got away to a good start, and the rest of the singers, dancers, jugglers, acrobats, and refined sketch teams seemed to recognize that he had won the trick, for they ebbed back into their places again, and Gussie and I went into the inner room.
Mr Riesbitter lit a cigar, and looked at us solemnly over his zareba of chins.
‘Now, let me tell ya something,’ he said to Gussie. ‘You lizzun t’ me.’
Gussie registered respectful attention. Mr Riesbitter mused for a moment and shelled the cuspidor with indirect fire over the edge of the desk.
‘Lizzun t’ me,’ he said again. ‘I seen you rehearse, as I promised Miss Denison I would. You ain’t bad for an amateur. You gotta lot to learn, but it’s in you. What it comes to is that I can fix you up in the four-a-day, if you’ll take thirty-five per. I can’t do better than that, and I wouldn’t have done that if the little lady hadn’t of kep’ after me. Take it or leave it. What do you say?’
‘I’ll take it,’ said Gussie, huskily. ‘Thank you.’
In the passage outside, Gussie gurgled with joy and slapped me on the back. ‘Bertie, old man, it’s all right. I’m the happiest man in New York.’
‘Now what?’
‘Well, you see, as I was telling you when Abe came in, Ray’s father used to be in the profession. He was before our time, but I remember hearing about him—Joe Danby. He used to be well known in London before he came over to America. Well, he’s a fine old boy, but as obstinate as a mule, and he didn’t like the idea of Ray marrying me
