The Best of Gene Wolfe
(A collection of stories.)
The Island of Doctor Death and Other Stories
Winter comes to water as well as land, though there are no leaves to fall. The waves that were a bright, hard blue yesterday under a fading sky today are green, opaque, and cold. If you are a boy not wanted in the house you walk the beach for hours, feeling the winter that has come in the night; sand blowing across your shoes, spray wetting the legs of your corduroys. You turn your back to the sea, and with the sharp end of a stick found half-buried write in the wet sand
Then you go home, knowing that behind you the Atlantic is destroying your work.
Home is the big house on Settlers Island, but Settlers Island, so called, is not really an island and for that reason is not named or accurately delineated on maps. Smash a barnacle with a stone and you will see inside the shape from which the beautiful barnacle goose takes its name. There is a thin and flaccid organ which is the goose’s neck and the mollusc’s siphon, and a shapeless body with tiny wings. Settlers Island is like that.
The goose neck is a strip of land down which a county road runs. By whim, the mapmakers usually exaggerate the width of this and give no information to indicate that it is scarcely above the high tide. Thus Settlers Island appears to be a mere protuberance on the coast, not requiring a name—and since the village of eight or ten houses has none, nothing shows on the map but the spider line of road terminating at the sea.
The village has no name, but home has two: a near and a far designation. On the island, and on the mainland nearby, it is called the Seaview place because in the earliest years of the century it was operated as a resort hotel. Mama calls it The House of 31 February, and that is on her stationery and is presumably used by her friends in New York and Philadelphia when they do not simply say “Mrs. Babcock’s.” Home is four floors high in some places, less in others, and is completely surrounded by a veranda; it was once painted yellow, but the paint—outside—is mostly gone now and The House of 31 February is gray.
Jason comes out the front door with the little curly hairs on his chin trembling in the wind and his thumbs hooked in the waistband of his Levi’s. “Come on; you’re going into town with me. Your mother wants to rest.”
“Hey tough!” Into Jason’s Jaguar, feeling the leather upholstery soft and smelly; you fall asleep.
Awake in town, bright lights flashing in the car windows. Jason is gone and the car is growing cold; you wait for what seems a long time, looking out at the shop windows, the big gun on the hip of the policeman who walks past, the lost dog who is afraid of everyone, even you when you tap the glass and call to him.
Then Jason is back with packages to put behind the seat. “Are we going home now?”
He nods without looking at you, arranging his bundles so they won’t topple over, fastening his seat belt.
“I want to get out of the car.”
He looks at you.
“I want to go in a store. Come on, Jason.”
Jason sighs. “All right, the drugstore over there, okay? Just for a minute.”
The drugstore is as big as a supermarket, with long, bright aisles of glassware and notions and paper goods. Jason buys fluid for his lighter at the cigarette counter, and you bring him a book from a revolving wire rack. “Please, Jason?”
He takes it from you and replaces it in the rack, then when you are in the car again takes it from under his jacket and gives it to you.
It is a wonderful book, thick and heavy, with the edges of the pages tinted yellow. The covers are glossy stiff cardboard, and on the front is a picture of a man in rags fighting a thing partly like an ape and partly like a man, but much worse than either. The picture is in color, and there is real blood on the ape-thing; the man is muscular and handsome, with tawny hair lighter than Jason’s and no beard.
“You like that?”
You are out of town already, and without the streetlights it’s too dark in the car, almost, to see the picture. You nod.
Jason laughs. “That’s camp. Did you know that?”
You shrug, riffling the pages under your thumb, thinking of reading, alone, in your room tonight.
“You going to tell your mom how nice I was to you?”
“Uh-huh, sure. You want me to?”
“Tomorrow, not tonight. I think she’ll be asleep when we get back. Don’t you wake her up.” Jason’s voice says he will be angry if you do.
“Okay.”
“Don’t come in her room.”
“Okay.”
The Jaguar says
“You got a nice, soft mommy, you know that? When I climb on her it’s just like being on a big pillow.”
You nod, remembering the times when, lonely and frightened by dreams, you have crawled into her bed and snuggled against her soft warmth—but at the same time angry, knowing Jason is somehow deriding you both.
