Self's Punishment

weren’t in the least bit interested.’

‘And that’s what you want me to do, to carry out the investigations the police neglected?’

‘Yes. I can imagine you’re not cheap. I can give you ten thousand marks and in exchange I’d like clarity about Peter’s death. Do you need an advance?’

‘No, Frau Buchendorff. I don’t need any advance, nor can I tell you now whether I’ll be taking on the case. What I can do is conduct a kind of pre-investigation: I have to ask the obvious questions, check the evidence, and only then will I decide whether to take the case. Do you agree?’

‘Good, let’s do it that way, Herr Self.’

I noted down some names, addresses, and dates, and promised to keep her informed. I took her to the door. Outside the rain was still falling.

3 A silver St Christopher

My old friend in the Heidelberg police force is Chief Detective Nagelsbach. He’s just waiting for retirement; since starting as a messenger at the age of fifteen at the public prosecutor’s office in Heidelberg he may have constructed Cologne Cathedral, the Eiffel Tower, the Empire State Building, Lomonossov University, and Neuschwanstein Castle from matches, but the reconstruction of the Vatican, his real dream, is simply too much alongside his police work, and has been postponed for his retirement. I’m curious. I’ve followed my friend’s artistic development with interest. In his earlier works the matches are somewhat shorter. Back then his wife and he removed the sulphur heads with a razor blade; he hadn’t known that match factories also distribute headless matches. With the longer matches the later models took on a gothic, towering quality. Since his wife no longer needed to help with the matches she began reading to him as he worked. She started with the first book of Moses and is currently on Karl Kraus’s The Torch. Chief Detective Nagelsbach is an erudite man.

I’d called him in the morning and when I met him at ten o’clock in police headquarters he made me a photocopy of the police report.

‘Ever since data protection came on the scene no one here knows what he’s allowed to give out. I’ve decided not to know what I’m not allowed to give out,’ he said, handing me the report. It was only a few pages long.

‘Do you know who oversaw the accident protocol?’

‘It was Hesseler. I thought you’d want to talk with him. You’re in luck, he’s here until noon and I’ve let him know you’ll be coming by.’

Hesseler was sitting at a typewriter, pecking away laboriously. I’ll never understand why policemen are not taught to type properly. Unless it’s supposed to be a form of torture for the suspects and witnesses to watch a typing policeman. It is torture; the policeman pokes away at the typewriter helplessly and aggressively, looking unhappy and extremely determined – an explosive and fearful mixture. And if you’re not induced to make a statement then at least you’re deterred from altering the statement once it has been written and completed by the policeman, regardless of how unfamiliar he’s rendered it.

‘Someone who’d driven over the bridge after the accident called us. His name’s in the report. When we arrived the doctor had just turned up and clambered down to the accident vehicle. He saw immediately that nothing could be done. We closed the road and secured the evidence. There wasn’t much to secure. There was the skid mark showing that the driver simultaneously braked and swung the steering wheel to the left. As to why he did that there’s no indication. Nothing points to the fact that another vehicle was involved, no shattered glass, no trace of body paint, no further skid mark, nothing. A strange accident all right but the driver lost control of his vehicle, that’s all.’

‘Where is the vehicle?’

‘At Beisel’s scrapyard, behind the Zweifarbenhaus, the brothel behind the railway station. The professionals examined it. I think Beisel will scrap it soon. The storage fees are already higher than the scrap price.’

I thanked him. I looked in on Nagelsbach to say goodbye.

‘Do you know Hedda Gabler?’ he asked me.

‘Why?’

‘It cropped up yesterday in Karl Kraus and I didn’t understand whether she drowned or shot herself or neither of the above, and whether she did it in the sea or in a vine arbour. Karl Kraus is pretty complicated at times.’

‘All I know is that she’s one of Ibsen’s heroines. Why not read the play next? Karl Kraus can easily be interrupted.’

‘I’ll have to talk to my wife. It would be the first time we interrupted something.’

Then I drove to Beisel. He wasn’t there. One of his workers showed me the shell.

‘Do you know what’s going to happen with the car? Are you family?’

‘I think it’ll get scrapped.’

Looking at it from the rear right you’d have thought it was almost unscathed. The top had been down when the accident occurred and closed by the towing company, or by the expert, due to the rain; it was in one piece. On the left-hand side the car was completely crushed at the front and gashed open at the side. The axle and the engine block were twisted to the right, the hood was folded into a V, the windshield and the headrests lay on the back seat.

‘Ah, scrapped. You can see, yourself, that there’s not much to the car now.’ He peered at the stereo with such obvious furtiveness that it caught my attention. It was completely intact.

‘I won’t take the stereo from you. But could I look at the car now, alone?’ I slipped him a ten-mark note and he left me in peace.

I walked round the car once more. Strange, on the right headlight Mischkey had stuck black sticky tape in the shape of a cross. Again I was fascinated that the right side seemed almost intact. When I took a close look I discovered the blotches. They weren’t easily visible against the bottle-green paintwork, nor were there many. But they looked like blood and I wondered how it had got there. Had Mischkey been pulled out of the car on his side? Had Mischkey bled at all? Had someone hurt themselves during the recovery? Perhaps it was unimportant but whether it was blood or not now interested me so much that I scraped off some shavings of paintwork where the stains were into an empty film canister with my Swiss penknife. Philipp would get the sample tested.

I pushed back the top and looked inside. I saw no blood on the driver’s seat. The side pockets of the doors were empty. A silver St Christopher was attached to the dashboard. I picked it up; maybe Frau Buchendorff would like to have it even though it had let Mischkey down. The radio and cassette player reminded me of the Saturday I’d followed Mischkey from Heidelberg to Mannheim. There was still a cassette inside that I took out and pocketed.

I don’t have much of a clue about the inner workings of cars. So I refrained from staring blankly at the motor or crawling under the wreck. What I’d seen was plenty to give me a picture of the car’s collision with the railings and the descent onto the tracks. I retrieved my small automatic camera from my coat pocket and took a couple of pictures. Along with the report Nagelsbach had given me were some photos but they were scarcely recognizable on the Xerox.

4 I sweated alone

Back in Mannheim, the first thing I did was drive to the city hospital. I located Philipp’s room, knocked, and went in. He was in the process of hiding his ashtray, complete with smouldering cigarette, in the drawer of his desk. ‘Ah, it’s you.’ He was relieved. ‘I promised the senior nurse I’d stop smoking. What brings you round my way?’

‘I’ve a favour to ask you.’

‘Ask me over a coffee, let’s go to the canteen.’ As he strode ahead, white coat billowing, a cheeky one-liner for every pretty nurse, he looked like a lecherous Marcus Welby, MD. In the canteen he whispered something at me about the blonde nurse three tables away. She shot him a look, the look of a blue-eyed barracuda. I’m fond of Philipp but if he’s gobbled up one day by a barracuda like that he’ll deserve it.