The sound resonated. The song echoed back to them, not as strongly as some, the First thought, but with interesting nuances, almost as though it were doubling back on itself. When the First reached a place in the verse she felt was appropriate, she stopped. Silently, the group continued on.
On the right side of the cave they came to a large accumulation of stalagmitic stone along with collapsed blocks. This time the Watcher took them to the left side of the cave at the deepest part of the bears' sleeping room. Across from the stalagmites and stone blocks was a large rock pendant in the shape of a blade hanging from the ceiling. The stones defined the beginning of a new chamber with a high ceiling in the beginning, but decreasing toward the back. Many concretions hung from the roof and the walls, unlike the bears' sleeping place, which had no such concretions.
When they reached the hanging pendant, the Watcher knocked her torch against an edge of rock to make it burn cleaner, then held it up so the visitors could see the the surface of the panel. Closest to the bottom, facing left, painted in red, was a spotted leopard! Ayla, Jondalar, and Jonokol had never seen a leopard painted on the walls of a Sacred Site before. Its long tail made Ayla think it was probably a snow leopard. At the end of the leopard's tail was a thick flow of calcite and on the other side of it was one large red dot. No one understood the reason for the large red dots in this place, or even what the leopard meant, but there was no doubting that it was a leopard.
The same could not be said about the animal above it that faced right. The massive shoulders and shape of the head could almost be mistaken for a bear, but the thin body, long legs, and spots on the upper body made Ayla sure it was a cave hyena! She knew hyenas and they had massive shoulders. The shape of the head in the painted animal somewhat resembled that of a cave bear. The powerful teeth and jaw muscles of a hyena, which could crack the bones of a mammoth, had developed a more powerful bone structure, too, but its muzzle was longer. The coat of a hyena was stiff and coarse, especially around the head and shoulders.
'Do you see the other bear above it?' the Watcher said.
Suddenly Ayla caught sight of another figure above the hyena. In faint red lines Ayla could make out the distinctive shape of a cave bear facing left, in the opposite direction from the hyena, and she began making comparisons.
'I don't think the spotted animal is a bear. I think it is a cave hyena,' Ayla said.
'Some people think so, but its head is so bear-like,' the Watcher said.
'The heads of the two animals are similar,' Ayla said, 'but the hyena in the image has a longer muzzle, and no discernible ears. The tuft of bristly hair on the top of its head is typical of a hyena.'
The Watcher didn't argue. People had a right to think what they wished, but the Acolyte had made some interesting observations. The woman then pointed out another cat that was hidden on a narrow panel on the underside of the hanging stone and asked her what kind of cat she thought it was. Ayla wasn't sure; there were no distinctive marks on its coat and it was elongated to fit the space, but it was very catlike — on second thought, maybe weasel-like. There were some other animals that she was told were ibex, but they weren't as clear to her. They were then led back to the left side of the chamber. At first there were many concretions, but no drawings.
As they continued down the passage they came to a long panel. A calcareous formation had decorated the wall with draperies and strings of red, orange, and yellow that didn't quite reach the thick conical mounds beneath them. Concretions like rivulets frozen in time seemed to run down the hanging drapes, leaving spaces between them on which strange signs had been painted.
One was a sort of long rectangular shape with lines coming out the sides. It reminded Ayla of a very large depiction of one of those creeping creatures with many legs, perhaps a caterpillar. In a space next to it was a shape that had something like wings on either side of the centre. It could have been a butterfly, which was the next stage in the life of a caterpillar, but it wasn't as carefully done as many of the other paintings, so she wasn't sure. She thought of asking the Watcher, but doubted if she knew. Whatever she said would only be her guess.
As they continued, the wall became less extravagantly decorated. The Watcher started softly humming again. There was some resonance, but not much until they came to an area with overhanging rock. There clusters of red dots had been made. It was followed by a frieze of five rhinoceroses. There were other signs and animals in the area. Seven heads and one complete catlike animal, perhaps lions, plus a horse, a mammoth, a rhinoceros. Several positive images of handprints, plus dots forming lines and circular figures. Farther on were more signs and a sketch of a rhino in black.
Next they came to another blade of rock, a kind of partition on which were more signs, a partial outline of a mammoth in black with a red negative hand stencil inside the line of the body, and another on the flank of a horse. To the right of them, two clusters of large dots. On the other side of the panel of hand stencils was a drawing in red of a little bear. There was also a red deer and some other marks, but the bear was the predominant figure. It was drawn very much like the other red bears they had seen, but it was a miniature version. The panel marked the beginning of a small chamber straight ahead. As they looked in they could see that it had little headroom.
'I don't think we need to go in here,' the Watcher said. 'It's just a very small space without much in it, and we'd have to stoop or crouch once we were inside of it.'
The First agreed. She had little desire to squeeze herself into a tiny space, and as she recalled, there wasn't much in it. Besides she knew what was coming and was more anxious to see that.
Instead of going straight ahead to visit the small chamber, the Watcher turned left, then followed the right wall. The next chamber was about five feet lower than the one they were in. The floor was slanted down, the ceiling was high in places and low in others, and the walls and ceiling had many concretions. There was some evidence that cave bears had been there — paw prints, claw marks, and bones. Ayla thought she saw the hint of a drawing some distance away, but the Watcher just walked through, not bothering to point it out. The space felt like an entryway to something else.
The entrance to the next chamber was low. In the centre of the next room was a sinkhole, a depression that was about thirty feet around and over twelve feet deep. They passed around the right of it on a floor of brown earth.
'When did the floor collapse?' Jondalar asked. The floor underfoot seemed solid enough, but he wondered if it could happen again.
'I don't know,' the Watcher said, 'but I do know it was after the Ancients were here.'
'How do you know that?' Jondalar asked.
'Look above the hole,' she said, pointing to a smooth, bladelike pendant of rock descending from the ceiling over the hole.
Everyone looked. Because the surfaces of most of the walls and descended ceiling rocks in this chamber were coated with a soft layer of light brown clay-like material, vermiculite — a chemical alteration of the mineral constituents of the stone that softened the surface — the images were white. Drawings, engravings of a sort, could be made with a stick, or even a finger, displacing the brown-coloured surface clay and leaving a pure white line underneath.
Ayla noticed that there were many white drawings in this room, but on the overhanging rock she could clearly see a horse, and an owl with its head turned around so that its face could be seen over its back. It was something owls were known to do, but she had never seen a drawing of it; she had never seen any owl drawings in any cave.
'You are right. That had to be made by the ancients before the floor collapsed,' Jondalar said, 'because no one could reach it now.'
The Watcher smiled at him, and enjoyed the incredulity in his voice. She pointed out several more of finger- etched drawings in the large room. She took them around to the other side of the circular depression, the left wall. Although it was filled with hanging pendants of stalactites and stalagmitic pillars and circular pyramids built up on the floor, it was not difficult to move around in the room, and most of the decorations were at eye level. Even at a distance, the light from their torches showed many white engravings, some scraped to produce a white surface. Standing in the middle of the room they could see mammoths, rhinoceroses, bears, aurochs, bison, horses, and a series of curved lines and sinuous fingermarks drawn over bear claw marks.
'How many animals are in this room?' Ayla asked.
'I have counted almost twice twenty-five,' the Watcher said, holding up her left hand with all her fingers and her thumb bent at the knuckles, then opening her hand and closing the knuckles again.
Ayla remembered the other way to count with fingers. Counting with hands could be more complex than the simple counting words, if one understood how to do it. The right hand counted the words, and as each word was
