sideways.

He screamed, and she kicked out her legs, kicked against something. She scrambled to it, swept the floor with her hands until she found it.

When he threw aside the foul-smelling rag, he could still smell it and feel it. Urine, his face soaked, his lips tingling. A sudden image of Dmitry and his lover using the cellar for lechery flashed before him. A wave of nausea threatened to overcome him, but he regained his senses.

He spit and turned in the direction she had crawled. He reached for her. He wanted her beneath him again. But where was his knife?

The knife!

Yes. There it was. He found it. He found it! It was… in him.

It felt hot, as if it had saved up all the heat of its victims.

Were there voices? Did he hear voices? Was it his wife and Dmitry come to see him in hospital? Had time moved ahead faster than he realized? Yes, Grigor Komarov, the hero, taking visitors in hospital. How did it happen? asks the visitors. And he tells them how he was forced to kill the woman in self-defense because… because Captain Brovko had come down into the wine cellar and been killed by her? Yes, it could have happened that way… there were so many ways, so many rungs on the ladder…

But the voices… the voices. Like being on his back porch in the dark, someone creeping up on him. Was it his father and mother?

Had they come to join him in seeking vengeance upon the Gypsies?

Then the voices became a thousand faces, and he tried to scream but could not.

Nikolai saw that Captain Brovko was uncertain about what to do.

The captain had started for the hole several times, only to step back.

Then, when it seemed he’d made up his mind to go down into the hole and he actually leaned in, he stepped back, his eyes open wide.

When Nikolai saw the look on Brovko’s face, he stared at the entrance to the hole as if it were a living thing.

A blood-soaked hand gripped the edge of the cellar entrance.

There were gasps from the other men as the rest of the bloody arm appeared; then another hand, not bloody; then Juli Popovics climbing out of the hole under her own power.

“Juli!” shouted Detective Horvath.

Captain Brovko stepped back as Juli Popovics saw Horvath and ran to him. She knelt before the chair and hugged him, looked into his eyes as she touched his face with her hands, both of them ignoring the blood on her right hand and arm as they stared into one another’s eyes and wept.

Captain Brovko came to Nikolai, handed him a key, and motioned to the couple. Nikolai stooped down behind the chair and unlocked the handcuffs so Detective Horvath could embrace Juli Popovics.

35

Captain Brovko ordered them to remain in the house. Men were posted at the front and back doors and at all the windows. The three men assigned to stand guard inside the house told Mariska and Nina to care for Lazlo and Bela.

Juli’s wounds consisted of a few bruises and a shallow cut on her abdomen. After she was searched, and Lazlo’s money along with the keys to the Skoda were taken, she went into the bathroom to change out of her blood-soaked blouse and wash Komarov’s blood from her hands and arms. When she came out of the bathroom, both Bela and Lazlo held wet towels to their faces and said they felt much better.

But when Lazlo closed his eyes to rest and she could no longer look into his eyes, the terror in the wine cellar returned. The memory of total darkness, suddenly replaced by Komarov’s eyes, momentarily paralyzed her.

She went to the sink in the kitchenette. She gripped the edge of the sink and took several deep breaths. She had killed Komarov! She had killed Komarov, and she and Lazlo had survived. She turned on the faucet and began moistening another towel for Lazlo.

Outside the window, she could see the open trapdoor to the wine cellar; the open lid of the box resembling a coffin had become a coffin. As she watched, Captain Brovko and the man whose partner had been killed in Visenka climbed down into the wine cellar.

It seemed so long ago, yet only a month had passed since the Chernobyl explosion. Juli knelt beside the daybed, applying the wet towel to Lazlo’s face. Nina handed her a glass of water. When she took it, Nina looked at her for a moment. Then Nina turned away and wiped tears from her eyes with her sleeve.

The little girls, Anna and Ilonka, came from the bedroom and stood with their mother. The older daughter, Anna, asked, “Mommychka, is she going to marry Uncle Lazlo?”

“I don’t know,” said Nina. “Why don’t you ask her?”

Anna came close to Juli, but instead of speaking, she stood silent with her hands behind her and watched as Juli applied the towel to Lazlo’s swollen eyes.

At first, because of the way Captain Brovko went into the wine cellar and hurried out in a frenzy announcing Komarov’s death and ordering men about, Nikolai thought the brutality might continue.

But after Horvath and the others were in the house and men had been posted at every possible exit, Brovko grew calm and asked Nikolai to accompany him into the wine cellar.

Komarov’s body was near the back wall of the cellar. He lay sprawled out on his stomach, his head twisted to one side, eyes open wide and glistening wet in the beam of the flashlight. Brovko aimed the flashlight at Komarov’s eyes for some time. Even in death, the major’s eyes seemed demonic. Because his face was twisted sideways against the dirt floor, Komarov’s mouth was contorted into an insane grin, showing yellow-stained teeth.

Below Komarov’s waist, a pool of blood extended out in all directions, soaking into the dry soil. Komarov’s lower back was arched upward slightly, and when Brovko used his foot to push Komarov over onto his back, Nikolai saw the knife. It was embedded deep in the major’s abdomen above the groin. Only part of the handle showed.

Brovko took out a handkerchief, wrapped it about the knife handle, and pulled. There was a liquid gurgle as the knife came out. The sound, combined with the smell of released bowels and Komarov’s tobacco, nauseated Nikolai. He backed away to the entrance where the air was better. He found a bench tipped on its side, righted it, and sat down.

Brovko stayed at the body, wiping the knife and inspecting it.

Then Brovko placed the knife and handkerchief beside the body and joined Nikolai on the bench. Brovko sat closer to the entrance, and although the flashlight was out, Nikolai could see Brovko’s profile against the light from the entrance.

“A lot of blood,” said Brovko. “The pressure of his weight pushed the knife in past the hilt. It apparently severed a main blood vessel, and he quickly bled to death.”

“It was his own knife,” said Nikolai. “I saw him take it out of his pocket before he came down here. A folding knife.”

“A large one,” said Brovko. “I saw the major with it once before, in Kiev. He threatened an old man playing a violin on Lenkomsomol Square.”

“She must have gotten the knife away from him somehow.”

“Perhaps,” said Brovko. “But it’s also possible that in the midst of the struggle, he simply fell onto it.”

“I suppose it’s possible.”

“She was unarmed,” said Brovko. “All we found on her were car keys and four hundred rubles. She had it in a sock pinned inside her blouse. She said she left the car in the village. I sent two men after it. A black Skoda, which was originally white. I saw the black paint on Horvath’s hands after he was captured.”

Brovko was silent, staring straight ahead, his Germanic profile unmoving. Then he turned. “Tell me something, Nikolai. Do you think Major Komarov noticed the paint on Horvath’s hands?”

“I don’t know.”

“He was with Horvath all night, as you know. One thing puzzling me is that he didn’t send men out looking for

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